Collaboration with Petit h

Collaboration with Petit h

The students of the ECAL / Ecole cantonale d'art de Lausanne's Master of Advanced Studies in Design for Luxury & Craftsmanship were invited to revive the "sleepy" materials and objects that make up the impressive collection of petit h. Based on previous experiences with Hermès and petit h, the project began with a meeting with artisans in the workshops in Pantin, near Paris. Guided by the London designer Bethan Laura Wood, who perfectly succeeded in inspiring his energy and colorful world, the students designed fun and surprising objects. 

Collaboration (2016) by Clarisse Mordret, Maud Laurent, Hyunjee Jung, Einat Kirschner, Jiwon Choi

Among all the proposals presented, two series of containers were particularly attractive. For the first, inspired by the exquisite corpse, the lids of the different boxes turn, thus mixing the heads and bodies of the animal shapes cut out of the silk. The second refers to a vegetable garden: the pompon or the leaf, which emerge from the lid, recall the vines of plants growing underground. By pulling on this projection, the user discovers a vegetable hidden in the box.

Hermes©ECAL_Younes.Klouche.jpg
Ecal x petit h Image ECAL/Younès Klouche
ECAL/Maud Laurent Image ECAL/Younès Klouche
ECAL/Maud Laurent

1/2

ECAL/Clarisse Mordret Image ECAL/Younès Klouche
ECAL/Clarisse Mordret Image ECAL/Younès Klouche
ECAL/Clarisse Mordret Image ECAL/Younès Klouche
ECAL/Clarisse Mordret Image ECAL/Younès Klouche

1/4

ECAL/Jiwon Choi Image ECAL/Younès Klouche
ECAL/Jiwon Choi
ECAL/Jiwon Choi Image Matthieu Raffard

1/3

ECAL/Hyunjee Jung Image ECAL/Younès Klouche
ECAL/Hyunjee Jung
ECAL/Hyunjee Jung

1/3

Hermes7©ECAL_Younes.Klouche.jpg
ECAL/Einat Kirschner Image ECAL/Younès Klouche

Projets similaires

Aina Wang – Once Gold

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Aina Wang – Once Gold

by Aina Wang

In the 19th century, Prussian citizens gave up their gold to support the war, receiving cast-iron jewellery engraved ‘Gold gab ich für Eisen’ - ‘I gave gold for iron’. Berlin iron, an alloy of iron and carbon, covered in a layer of patinated black lacquer, was born of a moment when personal sacrifice became collective identity. This project revives that gesture by concealing the gold at the heart of the iron, like a buried memory. Inspired by military insignia and Gothic geometry, the piece evokes reverence and loss. Designed for movement, it transforms into ten forms, from brooch to pendant to belt, linking the ritual of the past with the wear and tear of the present.

Arnaud Tantet – : To a Glacier

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Arnaud Tantet – : To a Glacier

by Arnaud Tantet

Global warming is transforming the landscapes around us. The melting of the ice is intensifying, affecting the thousand-year-old glaciers of Europe. The aim of this project, : To a Glacier, is to use design to bear witness to the Mont Blanc glacier. This work is based around holistic field research, in the form of objects, photos, brochures and sounds directly inspired by these disappearing giants. Developed in collaboration with glass artisans at the CIAV (Centre International d'Art Verrier, in Meisenthal), the results of this project have included a number of experiments in glass, using moulds made from different materials.

Bom Noh – Plastic Love

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Bom Noh – Plastic Love

by Bom Noh

Plastic Love reinterprets the sculptural gestures of the Murano chandelier—a historical icon of luxury—to question how we define craftsmanship and value in contemporary context. Combining digital tools with the trace of the hand, the work emphasises the irregularities and physical presence that resist automation. Plastic, long associated with mass production and ecological harm, is reframed not as a cheap substitute but as a site of embodied labour and material critique. Through repetition, imperfection, and time, it gains a new kind of beauty. By deliberately choosing a material often dismissed, the project unsettles inherited hierarchies and challenges our assumptions about refinement—demonstrating how design can function not as a solution, but as a question.

Coline Schenck – Les formes de l’inconscient

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Coline Schenck – Les formes de l’inconscient

by Coline Schenck

Glazed earthenware pieces, intended for tableware and daily use, are developed through a process combining mental well-being and sensory design. Studies in neuroscience and neuroaesthetics are analyzed to identify shapes, colors, and textures that promote calm. This data is first translated visually into pastel compositions, then transformed into volumes adapted to the function of each object. The graphic composition seeks to visually stimulate while minimizing cognitive load, while the volume invites attentive tactile exploration. In a daily environment marked by sensory overload, these objects aim to reintroduce calm by turning the ordinary into a soothing refuge.

Emilie Heger – Typology of the Cut

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Emilie Heger – Typology of the Cut

by Emilie Heger

The aim of this research project is to bring together the earliest tools from the Palaeolithic era with contemporary gemstone cutting. While flint tools were essential to the survival of early humans, the techniques and gestures involved in stone-cutting have evolved into a particularly refined art, a symbol of wealth and power. Today, the only purpose of working precious stones, perfected by modern tools and technologies, is to maginify the reflection of light in order to produce aesthetic artefacts that are freed from their function. Typology of the Cut is a curatorial project that explores the duality between function and expression in relation to stone-cutting.

Related courses