Intra Carnem is a quest for shapes derived from animal anatomy, with the aim of chimerising a human body.
Diploma project (2021) by Elena Najdovski
From mythology to the most morbid genetic malformations, the chimera intrigues. This form of hybridisation between humans and animals has always been a fantasy for humans in search of the extraordinary.
From palaeontology to bodily performance, the experiment exploits several mediums to create a half-graphic, half-scientific universe and give life to a new species. The lifeless body of animals is manipulated to extract shapes that will become objects that can be worn on the human body. The silhouette is redefined; identity becomes exceptional.
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BA GRAPHIC DESIGN
with Diego Bontognali
As part of this editorial design course, students developed a research-based project focused on the selection and design of texts around a shared theme. Based on a curated set of sources, each project presents two editions with identical content, produced in both a large and a small format.
BA PHOTOGRAPHY
with Charlotte Krieger
Unseen This course introduces students to the creation of a seven-image series built around the theme Unseen. They will learn to combine set design, characters, and lighting to produce strong, coherent staged images. Through a practical and technical approach, the course develops their ability to conceive and manage a complete photographic project, direct models, work with natural and artificial light, and collaborate under conditions similar to professional editorial or commercial shoots. Students will refine their photographic vision while preparing for the creative and technical demands of the industry.
BA GRAPHIC DESIGN
with Guy Meldem
Third-year students had to produce an edition over half a semester, discovering as their subject an event that appeared in the newspaper on the date of the first lesson.
BA GRAPHIC DESIGN
with Adeline Mollard
Genius Loci, or the spirit of the place, refers to the unique identity or essence of a location. In architecture, this principle suggests that the specific characteristics of a place should be reflected and extended in a design. In the case of the second-year graphic design students, they have applied this principle to communication projects focused on promoting or extending the identity of a particular place through design. Their work likely explores how to visually capture and communicate the essence of a space, using graphic design elements that resonate with the architectural features or history of the place.
BA GRAPHIC DESIGN
with Adeline Mollard
As part of the visual identity course with Adeline Mollard, the students developed a visual identity based on a randomly drawn business card. By appropriating a graphic element and its title, each project offers a singular interpretation of it. Each proposal also involves the selection of a tool linked to the associated event (tattoo machine, sander, lithography equipment, etc.), used as a conceptual and graphic extension of the project. The identity is deployed across a range of formats, from business card to F4 size, including posters, flyers, business cards, as well as an animated poster.