Information design – 2020

Information design – 2020

For the information design course the students have been asked to design a cartographic poster based on a film in the road movie genre, in a direct or abstract representation.

Studio project (2020) with Angelo Benedetto

Students
Pauline Baldinetti, Inés Barrionuevo, Emilie Bouchet, Emma Chapuis, Isabel Garcia Argos, Hugo Hectus, Elena Najdovski, Julie Neuhaus, Thaïs Nguyen Huu, Lynne Nougou, Laetitia Paroz, Guillaume Pavia, Ares Pedroli, Amanda Puna, Julie Ryser, Samuel Schmidt, Timo Tiffert, Laura Trummer, Adeline Vermot
Know-how
Poster, Data visualization

For the information design course the students have been asked to design a cartographic poster based on a film in the road movie genre, in a direct or abstract representation.

Inès.jpg
La Haine (1995) — Inès Barrionuevo
Hugo_The_doom_generation copie.jpg
The Doom Generation (1995) — Hugo Hectus
Amanda_Puna_Johnny_Mnemonic_EVAL.jpg
Johnny Mnemonic (1995) — Amanda Puna
EMILIE_BOUCHET_FAST&FURIOUS copie.jpg
Fast & Furious (2001) — Emilie Bouchet
roadmovie_julie_ryser.jpg
I Origins (2014) — Julie Ryser
roadmovie_folded_map_mockup.jpg
Fargo (1996) — Emma Chapuis
Trummer_Laura_death_proof_mockup.jpg
Death Proof (2007) — Laura Trummer
JULIE_NEUHAUS_POSTER_MOCKUP.jpg
A Girl Walks Home Alone at Night (2014) — Julie Neuhaus
Thäis_LosAmantesPasajeros_mockup.jpg
Los amantes pasajeros (2013) — Thaïs Nguyen Huu
Luc_roadmovie_folded_map_mockup.jpg
Le Salaire de la peur (1953) — Luc Verreault (Exchange student)
Ares_Pedroli_Roadmovie_mockup.jpg
North by northwest (1959) — Pedroli Ares

Projects related to Data visualization

Information Design – 2022

BA GRAPHIC DESIGN

Information Design – 2022

with Angelo Benedetto

For the information design course the students have been asked to design a cartographic poster based on a film in the road movie genre, in a direct or abstract representation.

Contextual Design – BA2 S2 2026

BA GRAPHIC DESIGN

Contextual Design – BA2 S2 2026

with Adeline Mollard

  Genius Loci, or the spirit of the place, refers to the unique identity or essence of a location. In architecture, this principle suggests that the specific characteristics of a place should be reflected and extended in a design. In the case of the second-year graphic design students, they have applied this principle to communication projects focused on promoting or extending the identity of a particular place through design. Their work likely explores how to visually capture and communicate the essence of a space, using graphic design elements that resonate with the architectural features or history of the place.    

Service Design - 2025

BA GRAPHIC DESIGN

BA MEDIA & INTERACTION DESIGN

BA PHOTOGRAPHY

Service Design - 2025

with Angelo Benedetto, Vincent Jacquier, Pauline Saglio, Calypso Mahieu

During the Service Design course, the 3rd year of the Graphic Design, Photography and Media & Interaction Design bachelors had to create multi-media projects. A collaboration of the Visual Communication department which had as subject the SDGs (*Sustainable Development Goals). The theme was called "For a good cause, make the SDGs a reality" and its objective was to allow students to develop a cause that is close to their hearts. Each project consists of at least two different media, one primary and one secondary. These projects could take any form that the students deemed relevant, be it a website, editions, posters, a video sequence or virtual reality.

Service Design - 2024

BA GRAPHIC DESIGN

BA MEDIA & INTERACTION DESIGN

BA PHOTOGRAPHY

Service Design - 2024

with Angelo Benedetto, Vincent Jacquier, Pauline Saglio, Calypso Mahieu

During the Service Design course, the 3rd year of the Graphic Design, Photography and Media & Interaction Design bachelors had to create multi-media projects. A collaboration of the Visual Communication department which had as subject the SDGs (*Sustainable Development Goals). The theme was called "For a good cause, make the SDGs a reality" and its objective was to allow students to develop a cause that is close to their hearts. Each project consists of at least two different media, one primary and one secondary. These projects could take any form that the students deemed relevant, be it a website, editions, posters, a video sequence or virtual reality.

Rationality/Expressivness - Carnal Verona Workshop

BA GRAPHIC DESIGN

Rationality/Expressivness - Carnal Verona Workshop

with Yanis Carnal, Raphaël Verona

The Swiss style, also known as the International Style, established itself as the symbol of a radical approach to graphic design and typography. It embodies an ideal of efficiency and rationality. Omnipresent more than half a century after its emergence, does it still hold the same relevance today? What is its influence on our imaginations and our practice? Doesn't Switzerland have other facets through which to communicate, and what new graphic and typographic languages ​​could represent them?

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