Mundaka

Projects BA GRAPHIC DESIGN

Jules Boulaert – Mundaka

Mundaka is a family of fonts inspired by the expressive and vernacular forms of  Basque fonts. Originating from a pre-Antiquity language that remains the last living isolate  and the oldest language in Western Europe, Basque typography embodies the local identity.  Halfway between regionalism and global openness, Mundaka questions the notion  of heritage and its cultural propagation in a globalised era. I found it very motivating to work in this cultural context and to get to grips with  these specific fonts; this experience has given me ideas for the future.

Diploma project (2019) by Jules Boulaert

Know-how
Type design

Mundaka is a family of fonts inspired by the expressive and vernacular forms of Basque fonts. Originating from a pre-Antiquity language that remains the last living isolate and the oldest language in Western Europe, Basque typography embodies the local identity. Halfway between regionalism and global openness, Mundaka questions the notion of heritage and its cultural propagation in a globalised era.

I found it very motivating to work in this cultural context and to get to grips with these specific fonts; this experience has given me ideas for the future.

Mundaka — Jules Boulaert
Mundaka — Jules Boulaert
Mundaka — Jules Boulaert
Mundaka — Jules Boulaert
Mundaka — Jules Boulaert
Mundaka — Jules Boulaert
Mundaka — Jules Boulaert
Mundaka — Jules Boulaert
Mundaka — Jules Boulaert
Mundaka — Jules Boulaert

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Projects related to Type design
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Diego Steiner – Hybrid Modules

BA GRAPHIC DESIGN

Diego Steiner – Hybrid Modules

by Diego Steiner

Hybrid Modules explores the link between traditional craftsmanship and contemporary technologies through the creation of a 3D-printed modular typographic tool for use with a manual letterpress. Designed on a grid, the modular alphabet becomes a set of physical dies, which can be inserted by hand into the press. The slow, repetitive process becomes an integral part of the visual language, making visible the time and care of the gesture. A series of A2 posters promotes a series of fictitious conferences entitled “ART, CRAFT & TECHNOLOGY - Guests in Switzerland”.
Type Design BA2 – S2 2026

BA GRAPHIC DESIGN

Type Design BA2 – S2 2026

with Aurèle Sack

Second-year students were required to develop the whole alphabet for one typeface.
Type Design BA3 – S1 25–26

BA GRAPHIC DESIGN

Type Design BA3 – S1 25–26

with Aurèle Sack

The third-year students had to develop a typeface and digitize it.
Type Design BA2 – S1 2025

BA GRAPHIC DESIGN

Type Design BA2 – S1 2025

with Aurèle Sack

Second-year students were required to manually develop the lowercase letters of two typefaces.
Type Design - BA1 S1 2025-2026

BA GRAPHIC DESIGN

Type Design - BA1 S1 2025-2026

with Robert Huber

First-year students were invited to manually sketch the typographic skeleton of lowercase alphabet letters. The objective was to maintain the proportions, curves, and characteristic axes of each letter while paying close attention to visual coherence and consistency in the drawing.

Related courses
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BA GRAPHIC DESIGN
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