Promised Land

Projects BA PHOTOGRAPHY

Douglas Mandry – Promised Land

“It is in response to the standardized representation of the landscape and the possible loss of material references in the digital era that I have developed my project. In an effort to get closer to the process of analog retouching, my photographs are first printed, then reworked, exploiting their physical properties ; the print is punctured, rubbed, modified by adding light and smoke. I employ plays of scale and perception. Captured by the camera, these experiments transfigure the traditional representations of the landscape, oscillating between fantastic and apocalyptic visions, critical and sublime conditions, reckless and romanticized nature.“

www.douglasmandry.com

Diploma project (2013) by Douglas Mandry

It is in response to the standardized representation of the landscape and the possible loss of material references in the digital era that I have developed my project. In an effort to get closer to the process of analog retouching, my photographs are first printed, then reworked, exploiting their physical properties ; the print is punctured, rubbed, modified by adding light and smoke. I employ plays of scale and perception. Captured by the camera, these experiments transfigure the traditional representations of the landscape, oscillating between fantastic and apocalyptic visions, critical and sublime conditions, reckless and romanticized nature.

Douglas Mandry

www.douglasmandry.com

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ECAL X MHL – ECAL After Schmid

BA PHOTOGRAPHY

ECAL X MHL – ECAL After Schmid

with Philippe Jarrigeon

Drawing inspiration from the 19th-century archives of photographer André Schmid, second-year Bachelor’s students collaborated with the Lausanne History Museum to create an inspiring dialogue between the past and the present. For most of the students, his name was unfamiliar. Discovering his work, preserved in the collections of the Lausanne History Museum, opened up a field of exploration that was both historical and artistic. Through André Schmid’s images, a foundational chapter in Swiss photography was revealed to them. Through an immersion in the archives, they were invited to engage in a dialogue with this pioneering practice—not to cite or reproduce it, but to reimagine it, question it, and interpret it, thereby creating a tension between the origins of photography and its most contemporary developments.
Staged Photography – 2026

BA PHOTOGRAPHY

Staged Photography – 2026

with Charlotte Krieger

Unseen This course introduces students to the creation of a seven-image series built around the theme Unseen. They will learn to combine set design, characters, and lighting to produce strong, coherent staged images. Through a practical and technical approach, the course develops their ability to conceive and manage a complete photographic project, direct models, work with natural and artificial light, and collaborate under conditions similar to professional editorial or commercial shoots. Students will refine their photographic vision while preparing for the creative and technical demands of the industry.
Création cinématographique– 2026

BA PHOTOGRAPHY

Création cinématographique– 2026

with Orsola Valenti

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Analog Medium format workshop – 2026

BA PHOTOGRAPHY

Analog Medium format workshop – 2026

with Anoush Abrar

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Création photographique– 2026

BA PHOTOGRAPHY

Création photographique– 2026

with Natacha Lesueur

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BA PHOTOGRAPHY
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