IVORIA

Projects MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Anaïs Sulmoni – IVORIA

Once prized and valued by craftspeople, bone is now perceived as dirty and worthless.
Yet, it is still widely used by cosmetics and food industries. It has appealed to me for many years because of its similarity to ivory and because of its living aspect, even though it represents death.

Drawing on the abundance of this organic waste, I set out to recreate the prestige of ivory.
I discovered the potential of bone as glue and powder, applied to different supports: solid wood, wood shavings and fabrics.
The research book and models highlight bone, which presents new aesthetic and structural possibilities and acts as the first step towards reconciliation with this precious material.

Diploma project (2023) by Anaïs Sulmoni

Mention
Très bien
Know-how
Craftsmanship, Sculpture, Furniture
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Projects related to Furniture
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Junkyard Diving

BA INDUSTRIAL DESIGN

Junkyard Diving

with Philippe Malouin

"Form follows function" is an expression attributed to the modernist architect Louis Sullivan. It is a statement that is quite relevant to industrial design. On the other hand, form can sometimes also determine function in a process of reverse exploration. During the workshop with Philippe Malouin, students were encouraged to look for new functions inspired by forms found in a metal recycling center. In this process, random discoveries and associations were made to generate a new and surprising vocabulary of forms.
Marine Col – ROPY

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Marine Col – ROPY

by Marine Col

Ropy is a seriously playful stool that plays with the past. Designed in a single, light stroke, this object draws its charm from the reuse of materials. Old naval ropes from the port of Lausanne, their colours tarnished by time, serve as raw material and become precious material once the object has been made.
DNA – 2022

BA INDUSTRIAL DESIGN

DNA – 2022

with Wieki Somers

  Second year BA Industrial Design students had to formulate their own brief instead of getting one from their teachers. In the project's introduction, they were assigned the task of introspectively mapping their own design DNA by contemplating the question: What defines my essence as a designer? They introduced a clear brief related to their own fascinations and relevant topics in the field of design and in the time we live in. Then thes students developed a concept for a product from an original idea and artistic vision. The results are expressed in the form of  products, pieces of furnitures, accessories, proposing a new vision and a new way of producing. The areas of interest are diverse, spacing from open-source projects to process fascination.  
Céline Witzke – From Fabric to Glass: Capturing the Movement of Textiles in Experimental Glassmaking

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Céline Witzke – From Fabric to Glass: Capturing the Movement of Textiles in Experimental Glassmaking

by Céline Witzke

This project draws inspiration from the world of fashion, specifically the organic movements, volumes and textures found in textiles, and explores how these elements unintentionally create soft forms. In collaboration with Swiss glass manufacturer Niesenglass, a collection of multipurpose glass objects has been created, showcasing craftsmanship in a new light.
Shan Yu Kuan – BASUANN

MAS DESIGN FOR LUXURY & CRAFTSMANSHIP

Shan Yu Kuan – BASUANN

by Shan Yu Kuan

BASUANN draws inspiration from the image of traditional Asian rattan/bamboo chairs. Its name echoes the pronunciation of the Taiwanese meaning “tie with cords”. Comprised of seven pieces of spiral ducts, BASUANN is assembled using mortise and tenon joints to connect the sitting part with the legs part. It is further reinforced by cords that securely bind the stool together. BASUANN seamlessly blends contemporary furniture design with the evocative imagery of Asian traditional craftsmanship, showcasing the aesthetic of minimalistic design.

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MAS DESIGN FOR LUXURY & CRAFTSMANSHIP
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