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DESIGN FOR LUXURY & CRAFTSMANSHIP

COLLABORATION AVEC DEDON 2023

with Alexis Tourron (Panter&Tourron), Stefano Panterotto (Panter&Tourron)

DEDON by Nature: Object 3 DEDON Studio partnered with ECAL for the second year to showcase "DEDON by Nature: Object 3." This exhibition features three collections of living accessories created by students from the Master of Advanced Studies in Design for Luxury and Craftsmanship. Under designers Panter&Tourron's guidance, students kick-started the project with a visit to DEDON's Philippine manufacturer, immersing themselves in DEDON's unique Fiber and weaving processes. The creations that were conceived, designed, and crafted over an eight-month period, demonstrate imaginative prowess that reflects both the talent of the students and the enduring fascination that nature holds for us all.

DESIGN FOR LUXURY & CRAFTSMANSHIP

WINDOW DISPLAY PROJECT IN GENEVA

by Nathanaël Baby, Luca Nichetto, Nicolas Le Moigne, Xavier Perrenoud

The Hermès Printing Company Inspired by the aesthetics of rotary printing presses, this project allows passers-by to immerse themselves in a graphic and artistic universe. Through the ten windows of the store, “L’Imprimerie Hermès” is a reinterpretation of the main stages of printing: everything starts with rolls of paper, which are then deployed in large strips, until they become posters. The paper, in all its forms, is printed along its length by repeating the story of a letter published in six different languages (French, English, Italian, German, Chinese and Japanese) by the magazine Le Monde d'Hermès. A layout specially created for this project incorporates large areas of color in order to frame and highlight the accessories from the different Hermès universes. They thus seem to come to life and become part of the story.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Window display project in Zürich

by Charitini Gkritzali, Xavier Perrenoud, Nicolas Le Moigne, Luca Nichetto

The Astonishing Moment of Life Inspired by the Surrealist movement and the desire to find magic and wonder in the familiar and everyday life, this project features shapes and emblematic Hermès accessories that interact to form two subtly choreographed installations. These two window displays, imagined by Greek designer Charitini Gkritzali, a student in the Master of Advanced Studies in Design for Luxury and Craftsmanship at ECAL/University of Art and Design Lausanne, are an interpretation of Hermès' 2023 annual theme, “Astonishment”, offering a moment that oscillates between reality and dreams.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Céline Witzke – From Fabric to Glass: Capturing the Movement of Textiles in Experimental Glassmaking

by Céline Witzke

This project draws inspiration from the world of fashion, specifically the organic movements, volumes and textures found in textiles, and explores how these elements unintentionally create soft forms. In collaboration with Swiss glass manufacturer Niesenglass, a collection of multipurpose glass objects has been created, showcasing craftsmanship in a new light.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Shan Yu Kuan – BASUANN

by Shan Yu Kuan

BASUANN draws inspiration from the image of traditional Asian rattan/bamboo chairs. Its name echoes the pronunciation of the Taiwanese meaning “tie with cords”. Comprised of seven pieces of spiral ducts, BASUANN is assembled using mortise and tenon joints to connect the sitting part with the legs part. It is further reinforced by cords that securely bind the stool together. BASUANN seamlessly blends contemporary furniture design with the evocative imagery of Asian traditional craftsmanship, showcasing the aesthetic of minimalistic design.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Marine Col – ROPY

by Marine Col

Ropy is a seriously playful stool that plays with the past. Designed in a single, light stroke, this object draws its charm from the reuse of materials. Old naval ropes from the port of Lausanne, their colours tarnished by time, serve as raw material and become precious material once the object has been made.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Anaïs Sulmoni – IVORIA

by Anaïs Sulmoni

Once prized and valued by craftspeople, bone is now perceived as dirty and worthless. Yet, it is still widely used by cosmetics and food industries. It has appealed to me for many years because of its similarity to ivory and because of its living aspect, even though it represents death. Drawing on the abundance of this organic waste, I set out to recreate the prestige of ivory. I discovered the potential of bone as glue and powder, applied to different supports: solid wood, wood shavings and fabrics. The research book and models highlight bone, which presents new aesthetic and structural possibilities and acts as the first step towards reconciliation with this precious material.

GRAPHIC DESIGN

Louis Roh – Les chemins perdus

with Guy Meldem, Diego Bontognali

Millennia ago, humankind discovered electricity and never stopped exploiting and reinventing it, unconcerned, considering this resource to be infinite. This book, Les Chemins Perdus, opens up new horizons, between dream and fiction, through realistic and poetic notions. What if all the lights went out? It stimulates the imagination and offers readers light, childlike speculation. Interest in illustration, storytelling and printing techniques brings this graphic tale to life. This journey of colours and images appeals to a multi-generational audience, tapping into the potential of children’s books in these tense and confusing times.

GRAPHIC DESIGN

Ella Paleni – Trait de caractère

with Guy Meldem, Gilles Gavillet

The place of the graphic designer in the age of technological advances: today’s world is in constant technological evolution, which raises questions about the place and role of the graphic designer. In this graduation project, I set out to explore this issue by adopting a resolutely manual and artisanal approach. I created a book from A to Z, using traditional manufacturing techniques, from the elaboration of the paper to the final binding. By moving away from the omnipresent process of digitalisation, I sought to express a need to return to the very essence of the graphic design profession. This project highlights the advantages of an artisanal approach in an increasingly digital world. It encourages reflection on the specific skills that graphic designers can bring to the table.

INDUSTRIAL DESIGN

Sven Odermatt – ColorBath

with Stephane Halmai-Voisard, Christian Spiess, Carolien Niebling

My project is the fruit of my questioning of the growing automation and robotisation of industry. Do human beings still have a place in this industrialised process or are there stages where their contribution might compete with that of the machines? My project consists of faceted modules made of aluminium sheet. Each of them has been manually dipped in colour baths. The result is surfaces with varying hues, drips and other defects that produce unpredictable, highly expressive results.

INDUSTRIAL DESIGN

Camila Hidalgo – Wood Works Swiss Edition

with Stephane Halmai-Voisard, Christian Spiess, Carolien Niebling

Wood Works Swiss Edition is an investigation into the wood industry and know-how in different parts of the world. In this first issue, the focus is on Switzerland. To explore such a vast universe, the research takes the form of a website, where visitors can browse different way pf working with wood according to categories such as species, region, craft, product, tool and manufacturer. The website features a sample box that provides a glimpse into the intricate expertise and meticulous processes involved in crafting a Swiss wood product.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Naomi Nguyen – Harlequin Lamp

by Naomi Nguyen

Illuminating Elegance Through Glass The Harlequin Lamp set is available in three sizes in clear glass, to adorn various surfaces such as tables, desks and bedside stands. Each size brings its own unique charm and luminosity, providing a harmonious blend of practicality and artistic flair. the Harlequin Lamp set is a testament to the timeless allure of glass as a medium for creative expression that invites one to immerse oneself in a world of light, beauty and carnival spirit.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Hyeseung Nam – Clover Series

by Hyeseung Nam

Clover Series is an object that features user-friendly graphic patterns, created by the properties of the materials. Reinterpreting the details of the shaker box, the series creates overlapping graphics based on the number of patterns that are stacked. The objects can be used in various ways in the kitchen or living room, adding a playful vibe to the place. The surfaces of the object are assembled vertically and connected by rivets. The round-cutting detail of the connection covers the parting line of the material while providing an aesthetic finish. Clover Series offers a sensual approach to materials, at the crossroads of design and craftsmanship.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Victor Montour – Brik

by Victor Montour

Deeply rooted in the world of architecture, clay bricks have always been appreciated for their structural qualities. However, this humble building material has many other qualities that are just waiting to be revealed. The Brik vase collection aims to elevate the brutalist language of this archetype through artisanal processes. Working hand-in-hand with ceramists and specialised manufactures, this project acts as a meeting point between these two figures of design – a combination of mechanical precision and artisanal singularity. This collection of vases also questions our reflexes as creators and consumers. What if we designed novelty out of banality? Can we learn to recognise the beauty of normality?

DESIGN FOR LUXURY & CRAFTSMANSHIP

Kiyong Lee – Hangeul Marbles

by Kiyong Lee

Hangeul Marble is an object that is designed based on the principle of Hangeul (Korean alphabet), in which letters are formed as strokes are added, e.g. ㅡ, ㄱ, ㄴ, ㄷ, ㄹ, etc. Using the traditional game of marbles – a game known to and enjoyed by all – as a motif, the object is primarily intended to be used on a table. The rule of the game is to move the glass marble from start to finish using your finger. The object is made from ash wood and natural leather and, when not in use, it can serve as a contemporary decorative object.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Minyeol Cho – A Piece of Nature

by Minyeol Cho

I was captivated by the Swiss lifestyle of embracing nature and enjoying outdoor experiences. Inspired by the beauty of people conversing and dining outdoors under clear skies, I conceived the idea of an outdoor tableware set to evoke nature and facilitate conversations. My design focused on maintaining a natural aesthetic, using materials that foster a connection with nature. I aimed for a simple design that preserves the integrity of the wood while highlighting its inherent beauty. The tableware set’s interior is coated with a natural dye from lacquer trees, offering waterproofing and eco-friendly production. This design allows users to appreciate the characteristics, aesthetics and practicality of the material.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Heein Im – Balancing Circle

by Heein Im

Balancing Circle is a sculptural object that experiments with the tension and flexibility of textiles. As people walk past, the installation generates unexpected excitement by swaying lightly and interacting with the surrounding space. The object also focuses on material research with elements that are commonly used for fashion accessories such as leather, yarn and fabric. The circle is a shape that is considered to be perfectly balanced. However, by placing it in a critical position, our attention is drawn to the second moment of balance applied to the circle. It is as if we were attempting to establish stability in every situation, forgetting that we are already perfectly balanced beings.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Upcycling Design

with Nicolas Le Moigne, Bethan Laura Wood

For the second year, students from the MAS in Design for Luxury and Craftsmanship were invited to create objects based on the container produced for La Prairie's flagship range. The glass packaging bears the signature cobalt blue that defines the Swiss brand's Luxe Skin Caviar collection, the result of a meeting with Niki de Saint Phalle in the 1980s. Noticing the vivid cobalt blue in the world-famous artist's paintings and sculptures, La Prairie enquired about the significance of this blue in her work. For Niki de Saint Phalle, this resplendent hue, her favourite colour, symbolised femininity, boldness, strength and serenity, describing it as "the colour of joy and luck". With the help of glassmakers based in Switzerland, these glass containers were cut, drilled or sandblasted to give the object a function, while retaining the brand's codes.

INDUSTRIAL DESIGN

CIN CIN !

with Chris Kabel

Within a one-week workshop with Designer Chris Kabel, BA Industrial Design students were asked to develop a glass for a drink of their choice, whether it was for a cocktail, a fresh beer, a classy Negroni, or simply a glass for water to quench their thirst. The final designs reflect the characteristics of the drink or emphasize how the drink is prepared, served, and drunk. All glasses were blown in the ECAL courtyard with the support of the artisans of Swiss glass manufacturer Niesenglass.

INDUSTRIAL DESIGN

Bag It

with Stéphane Halmaï-Voisard

For this project, the 1st year students had to design a bag, or a collection of bags (if that makes sense). Whether for hiking in the mountains, trout fishing, camera protection, carrying tools or everyday shopping. The type of bag, its use and the materials used were free, but mainly soft materials and textiles in all their forms, preferably sustainable: traditional, natural, technical, active, woven, non-woven, knitted, were favored. The following aspects should be at the heart of their thinking, and should be carefully researched: — Target use context; — Function, use and ergonomics; — Construction, production and materials.

INDUSTRIAL DESIGN

Abundance & Scarcity

with Nadine Sterk

When we live in a society with so much abundance yet at the same time so much scarcity, how do we discern the resources around us? How can we look to our surroundings to learn about where things come from, or how we might apply them in our own lives? More importantly, how can we live more harmoniously with nature by respecting it and taking only what we need? Within the workshop held by Nadine Sterk from Atelier NL the BA Industrial Design students were asked to create tableware around the theme ‘Abundance & Scarcity' from vernacular earth collected together in the Sauvabelin woods in Lausanne. Students and crew had no hesitation in getting their hands (and clothes) dirty to knead, turn, form, glaze, and fire ceramic tableware that tells a story.

DESIGN FOR LUXURY & CRAFTSMANSHIP

COLLABORATION WITH DEDON 2022 LIGHTING THE FUTUR

with Sabine Marcelis

Dedon by nature An initiative of DEDON Studio, Lighting the Future presents a striking array of nature-inspired light concepts by master stu- dents from the prestigious ECAL/University of Art and Design Lausanne. This innovative digital exhibition opens in January 2023 exclusively on DEDON channels, including a dedicated microsite enhanced by AR tools. DEDON Studio initiated the ECAL collaboration with a challenge to students in the Design for Luxury and Craftsmanship Masters program: Explore our relation to nature through lighting design, drawing inspiration from DEDON’s groundbreaking fiber. Under the supervision of the acclaimed designer Sabine Marcelis and Nicolas Le Moigne, head of the program, students designed, developed and digitally elaborated their concepts over a nine- month period. The results—beautiful, beguiling, thoughtful and engaging—attest to the creative powers of an emerging genera- tion and the enduring attraction of nature to us all.

PRODUCT DESIGN

ON 2040 - MASTER PRODUCT DESIGN

with Christophe Guberan, Camille Blin

Following a collaboration with the Swiss avant-garde brand On, ECAL is proud to present the interdisciplinary work carried out jointly by the 2nd year students of the Product Design, Photography and Type Design Masters.

INDUSTRIAL DESIGN

Marine Bouvard – Mistral

with Maddalena Casadei, Stephane Halmai-Voisard

Interested by objects as evidence of a specific civilisation and culture, I returned to Provence to identify what characterises my culture and what underlies my identity. Mistral is an ode to the sun, to shadows, to strolling, and to time that lasts. I carried out research around a natural material: the straw. I met a hat-maker who passed on her knowledge and skills to me, and I designed a collection of objects that play with shadows, resulting in the creation of hats that are easy to carry around, so that you can take a bit of the South wherever you go.

INDUSTRIAL DESIGN

Hands On

with Adrien Rovero

The 1st year class was invited by the Museum für Gestaltung in Zurich to design wooden toys that were exhibited as part of the retrospective exhibition Willy Guhl: thinking with your hands, which ran from December 9, 2022 to March 26, 2023. Curator Renate Menzi and set designer Sebastian Marbacher were their main contacts. For 39 years, Willy Guhl has taught at the Zurich School of Design (ZHdK), focusing on toy design with a highly sensitive and applied experimental approach. It is precisely in this context that the students, 40 years on, have come up with ideas in line with Willy Guhl's approach. Hands On, the title of the exhibition and project, defines a particular spirit of hands-on design. How do you think with your hands? How do you develop an object that can be manipulated and provides a particular experience? The students therefore began the project by experimenting, testing, manipulating and demonstrating the simple principles of mechanisms in the form of a scale model.

DESIGN FOR LUXURY & CRAFTSMANSHIP

COLLABORATION WITH MEC-ART

with Fiona Krüger

MECHANICAL MARVELS Craftsmanship in Movement: Celebrating Design and the Heritage of Switzerland’s Masters of Mechanical Art

DESIGN FOR LUXURY & CRAFTSMANSHIP

Collaboration with CSEM

with Alexis Tourron (Panter&Tourron), Stefano Panterotto (Panter&Tourron)

Through a unique project, students from ECAL and CSEM’s engineers have effortlessly combined modern arts & crafts and nanotechnology to create a series of innovative jewelry pieces, "Structural Colors".

INDUSTRIAL DESIGN

DNA

with Wieki Somers

This semester the second year Bachelor Industrial Design have to formulate their own brief instead of getting one from their teachers. For the introduction of this project they started with mapping themselves as designers so it was easier to formulate a brief that suited them. What is their DNA as a designer ? They introduced a clear brief related to their own fascinations and relevant topics in the field of design and in the time we live in. They developed a concept for a product from an original idea and artistic vision. The results are expressed in the form of products, pieces of furnitures, accessories, proposing a new vision and a new way f producing with exemplary design. Wieki Somers pushed the students to their limits in order to allow them achieving personal designs on subjects that interest them intrinsically. The areas of interest are diverse, spacing from open-source projects to process fascination. The students offer an unlimited variety of projects.

INDUSTRIAL DESIGN

Junkyard Diving

with Philippe Malouin

"Form follows function" is an expression attributed to the modernist architect Louis Sullivan. It is a statement that is quite relevant to industrial design. On the other hand, form can sometimes also determine function in a process of reverse exploration. During the workshop with Philippe Malouin, students were encouraged to look for new functions inspired by forms found in a metal recycling center. In this process, random discoveries and associations were made to generate a new and surprising vocabulary of forms.

INDUSTRIAL DESIGN

Real Facts

with Adrien Rovero

A collection of neophyte views on current agriculture through the prism of design. Invited by the Musée des Arts Décoratifs et du Design de Bordeaux (madd-bordeaux), second-year Bachelor of Industrial Design students at ECAL, under the guidance of designers Erwan Bouroullec and Adrien Rovero, have given form to their observations and questions about the current agricultural landscape. "Real Facts" is a collection of neophyte points of view on current agriculture, through the prism of design. This project was created at the initiative of Constance Rubini, director of the madd-bordeaux, on the occasion of the exhibition "Paysans designers, un art du vivant" at the Musée des Arts décoratifs et du Design de Bordeaux (madd-bordeaux) presented from 14 July 2021 to 17 January 2022. With the precious support of the Association vaudoise de promotion des métiers de la terre Prométerre, and in the framework of the Summer University programme of the Direction générale de l'enseignement supérieur (DGES) - Canton de Vaud.

INDUSTRIAL DESIGN

Mobile Fan

with Christian Spiess

Fans with USB power supply for mobile use, for the Swiss brand Stadler Form. Stadler Form is a Swiss company that produces fans, humidifiers, purifiers and other air treatment devices. For this project, the students in 2nd year Bachelor Industrial Design, directed by designer Christian Spiess, had to make a “personal” fan, equipped with a USB power supply for mobile use. They had to think of new scenarios and contexts where a small fan would be useful. They were free to explore different usage scenarios, materials, etc. other than those currently in the Stadler Form catalog. The projects had to meet Stadler Form’s high standards of industrial design, but also challenge and question their existing products. Vidéo ECAL x Stadler Form - Agnes Murmann Vidéo ECAL x Stadler Form - Alex Nguyen Vidéo ECAL x Stadler Form - Stéphane Mischler Vidéo ECAL x Stadler Form - Lucie Herter Vidéo ECAL x Stadler Form - Alexandre Desarzens Vidéo ECAL x Stadler Form - Constance Thiessoz

INDUSTRIAL DESIGN

Home Working

with Dylan van den Berg, Wieki Somers

Projects on the subject of working from home or remote working, which marks our time and leads us to question both what work is, and how and where we work. The recent remote working experience gave us many new insights. This experience could lead to new ways of working in the future, as the COVID19 pandemic amplifies and accelerates. This is a good opportunity to re-evaluate the concept of home office, which started with the emerging computization and technology from the 1950/60s, but has never happened on a global scale like this until now. From the Industrial Revolution until fairly recently, most people worked outside their homes in factories, offices, public buildings or outdoors. Those places and our ways of working in them were designed accordingly. “Home working” or “remote working” marks our time questioning both what is work, and how and where we work. Public and private spaces collapse into one realm with all its social, economical and political consequences. For this project, we wanted to see visionary ideas about where and how we will work in the future and solutions for home working, translated in a surprising/relevant design. This new “home work station” could be a piece of furniture, or an object, or a transforming space.

INDUSTRIAL DESIGN

Cut Crease Score

with Christophe Guberan

Objects created from cutting, grooving and folding, made by the students of the 1st year of the Bachelor of Industrial and Product Design.

INDUSTRIAL DESIGN

Leila Farra – Traces

with Stéphane Halmaï-Voisard, Christian Spiess, Maddalena Casadei

“Traces” is a collection of paintbrushes made out of rattan and horsehair. The idea behind this research was to experiment with the tools. Movement, the design of the handle and the hair position influenced the result. The first tests on paper led to experiments on fabric, resulting in a series of painted textiles whose patterns stem directly from the brushstrokes. This project enabled me to immerse myself into two ancestral crafts, wickerwork and paintbrush manufacturing, which I was then able to merge to create a collection between art and design.

INDUSTRIAL DESIGN

Nadia El-Hindi – Chef !

with Stéphane Halmaï-Voisard, Christian Spiess, Maddalena Casadei

Immersion into the highly codified world of cutlery made me discover the delicate and threatening duality of knives. Guided by my observations of the forms and details relating to steel work, I chose to open up the boundaries of this field with the help of a craftsman. Thus, I created “Chef!”, a line of kitchen knives that combines the intelligence of craftsmanship with the precision of the industry. The steel blade, protected by a natural anti-corrosive treatment called “seasoning”, is attached to the handle thanks to assembly that is directly inspired by hammers.

INDUSTRIAL DESIGN

Olivia Dall'Omo – Zenith

with Stéphane Halmaï-Voisard, Christian Spiess, Maddalena Casadei

“Zenith” is a collection of durable shutters made from rattan where the weaving facilitates the management of light, heat and the outside view. Each blind consists of a steel structure covered in a relatively dense braided motif inspired by mashrabiya. The shutters project shadows inside, bringing the environment to life. This project focuses on rattan craft and rethinks its manufacturing process in a semi-industrial way.

GRAPHIC DESIGN

Noé Proton – Riondaz Colours

with Guy Meldem, Aurèle Sack

“Riondaz Colours” is a range of inks made from natural and local products for screen printing. The inks are created in a laboratory located west of Veyras in the district of Sierre in central Valais. Some of the products used in these inks come from the garden next door. The others are available locally, which means within a radius of fifty kilometres.

GRAPHIC DESIGN

Astrid Durand – Visite Maciet

with Guy Meldem, Nicole Udry

The aim of this project is to question our perception of museums and the artefacts within them. The issue here pertains to the museum’s impact on the obsolescence or enhancement of the material exhibited. With the Maciet collection, I sought to create a hybrid, flowing exhibition. The carpet, the main medium of this project, enhances our relationship with handicrafts and artefacts while providing visitors with a new museum experience and overcoming traditional hierarchies.

GRAPHIC DESIGN

Leah Hardy – Paper Diary

with Jonathan Hares, Guy Meldem

This artisanal project is an ongoing experimentation in papermaking. The successes, failures and overall evolution of techniques are documented to form a personal journal of an ancient craft. The project addresses the source and status of fibres; it addresses the opportunity to bring back to life old, used and unwanted paper that would have lost all trace of its past life through industrial recycling. The project is about accepting chance and the deficiencies of handicrafts for what they offer instead of eliminating them for what they do not.

INDUSTRIAL DESIGN

Forme Souple

with Julie Richoz

A series of objects made in textile where the volume and the pattern are on the same level of importance. This project was conceived by 2nd year Industrial Design Bachelor students.

INDUSTRIAL DESIGN

Step by Step

with Elric Petit

The "Step by Step" exercise is organised, as its title indicates, in steps - the first is to design a walking stick and the second is a ladder. What Walking sticks and ladders have in common, is that they have to withstand heavy loads. Nonetheless they can be drawn with great care.

INDUSTRIAL DESIGN

Figure Libre

with Elric Petit

Figure libre is an industrial design project realized in correlation with the thesis topic of the 3rd year students. They were advised to choose a field that the students would like to pursue after their studies. This free exercise allowed each student to express themselves on the subject of their choice. Whether it was about furniture, mobility, connected objects or so many other possible subjects, each subject treated seriously became fascinating.

INDUSTRIAL DESIGN

Paper Park

with Emile Barret, Marie Douel

Marie Douel and Emile Barret from Hors Pistes led a workshop with the 2nd year bachelor in industrial design. They asked the students to create a maze made entirely from the paper waste of the ECAL printing centre. Based on the principle of the exquisite corpse, each group created one part of the labyrinth with a strong aesthetic and structural approach, allowing the visitor to get lost in distinct universes.

INDUSTRIAL DESIGN

Diplomas

with Stéphane Halmaï-Voisard, Chris Kabel, Elric Petit

Bachelor Industrial Design diploma's projects, 2018

INDUSTRIAL DESIGN

Diplomas

with Stéphane Halmaï-Voisard, Chris Kabel, Elric Petit

Bachelor Industrial Design diploma's projects, 2017

FINE ARTS

More Rules for Modern Life

with Christophe Guberan, Stéphane Kropf

A selection of pieces by ECAL Bachelor Industrial Design and Bachelor Fine Arts students under the guidance of Christophe Guberan and Stéphane Kropf. Exhibition curated by John M Armleder.

INDUSTRIAL DESIGN

Coffee cup

with Tomas Kral

Under the guidance of Tomas Kral, teacher at ECAL and designer, 3rd year Industrial Design Bachelor students were asked to rethink the coffee cup, as part of the 2017 edition of the Agora Biennale of Bordeaux contest. The goal for the students was to imagine a scenario around their object so they could valorise this drink or the manner it is savoured.

INDUSTRIAL DESIGN

ECAL Oasis

with Adrien Rovero

On the occasion of the Designers’ Saturday in Langenthal, the third-year Bachelor Industrial Design students have created, under the lead of Adrien Rovero, an experimental and immersive space with floorings made in collaboration with Swiss carpet manufacturer Ruckstuhl.

INDUSTRIAL DESIGN

Diploma's projects

with Michel Charlot, Chris Kabel, Elric Petit

Selection of Bachelor Industrial Design diploma projects, 2016

INDUSTRIAL DESIGN

At your service

with Luc Bergeron

Students have worked in a real context by giving their skills to a person of their choice. They could for example developed tools for the shoemaker's corner, a french fries tray for a food truck or a lamp for maraicher producer.

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COLLABORATION AVEC DEDON 2023

WINDOW DISPLAY PROJECT IN GENEVA

Window display project in Zürich

Céline Witzke – From Fabric to Glass: Capturing the Movement of Textiles in Experimental Glassmaking

Shan Yu Kuan – BASUANN

Marine Col – ROPY

Anaïs Sulmoni – IVORIA

Louis Roh – Les chemins perdus

Ella Paleni – Trait de caractère

Sven Odermatt – ColorBath

Camila Hidalgo – Wood Works Swiss Edition

Naomi Nguyen – Harlequin Lamp

Hyeseung Nam – Clover Series

Victor Montour – Brik

Kiyong Lee – Hangeul Marbles

Minyeol Cho – A Piece of Nature

Heein Im – Balancing Circle

Upcycling Design

CIN CIN !

Bag It

Abundance & Scarcity

COLLABORATION WITH DEDON 2022 LIGHTING THE FUTUR

ON 2040 - MASTER PRODUCT DESIGN

Marine Bouvard – Mistral

Hands On

COLLABORATION WITH MEC-ART

Collaboration with CSEM

DNA

Junkyard Diving

Real Facts

Mobile Fan

Home Working

Cut Crease Score

Leila Farra – Traces

Nadia El-Hindi – Chef !

Olivia Dall'Omo – Zenith

Noé Proton – Riondaz Colours

Astrid Durand – Visite Maciet

Leah Hardy – Paper Diary

Forme Souple

Step by Step

Figure Libre

Paper Park

Diplomas

Diplomas

More Rules for Modern Life

Coffee cup

ECAL Oasis

Diploma's projects

At your service