VAC (Vacuum Assembled Composites)

Projects MA PRODUCT DESIGN

Antonio Severi – VAC (Vacuum Assembled Composites)

VAC focuses on assembling objects without conventional fasteners, using vacuum as a binder. This technique, known as «jamming,» originates from soft robotics but also occurs when vacuum-sealing goods like coffee. It increases friction between parts like glue but allows the process to be reversible. Various bags were filled with different materials, creating unique seating options that address technical challenges and explore material combinations. The project produced five chair prototypes using different methods, showcasing binding techniques that allow for easy separation and recycling, highlighting 
a commitment to sustainability and innovation.

Diploma project (2024)

Students
Antonio Severi
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ECAL X GOOGLE - A Message From Tomorrow

MA PRODUCT DESIGN

ECAL X GOOGLE - A Message From Tomorrow

with Chris Kabel

The Industrial Design team at Google (Google ID) initiated a collaboration with ECAL/University of Art and Design Lausanne to develop a concept for a mobile-focused product inspired by a daily ritual. ECAL’s Master Product Design students were invited to envision innovative hardware engaging with contemporary habits. Through compelling storytelling, these conceptual projects consider the human dimension of mobile technology: how it shapes everyday gestures and how our relationships with devices might evolve in the future. This collaboration reflects ECAL’s forward-looking approach to design, combining experimentation, critical thinking, and a strong receptivity to emerging technologies.
Adam Friedrich – Airy

MA PRODUCT DESIGN

Adam Friedrich – Airy

by Adam Friedrich

Airy is a research project that explores the use of air as a primary resource. It uses inflatable structures to protect valuable devices during travel. The design employs contemporary materials and pays particular attention to detail to offer relevant, everyday solutions for safeguarding increasingly fragile and valuable electronic devices.
Alicia Stricker – Stricker

MA PRODUCT DESIGN

Alicia Stricker – Stricker

by Alicia Stricker

Folly approaches the craft of beaded embroidery from a product design perspective. It explores the value of tactility above the visual aspects that the technique is traditionally valued for. Consequently, the project manifested as something that is experienced by the body - a sofa. Scaling up the traditionally small beads and applying principles of beaded embroidery in the development of a textile sofa cover allowed for the sofa to transcend its classic typology, creating a three-dimensional surface with a biological sculptural presence - an object that breaks the mould of what we expect of something as familiar as a sofa and begs to be experienced through touch.
Brice Tempier – Péninsule

MA PRODUCT DESIGN

Brice Tempier – Péninsule

by Brice Tempier

  In a context where domestic space is being reduced and reconfigured, living sometimes becomes a temporary act. Places are passed through rather than settled in, and the question is no longer so much one of layout as of presence. Inspired by the archetype of the mezzanine, Péninsule takes the form of a mobile structure the size of a bed. Set within a room, it acts as a habitable frame, delimited without being enclosed, introducing domestic depth where there was previously only an available surface. Conceived as a place of rest, retreat, and appropriation, it combines a bed, a daybed, and a folding desk, as well as mobile elements such as shelves, hooks, and curtains, modulating light, movement, and presence. Without offering formal modularity, the object provides an open support for everyday uses and movements. Péninsule is thus defined less by what it can be transformed into than by the way it is used.  
Carl Johan Jacobsen – Hardwear

MA PRODUCT DESIGN

Carl Johan Jacobsen – Hardwear

by Carl Johan Jacobsen

In the U.K new court ruling threatens trans-people while the US government is doing a full assault on trans and female bodies. Hardwear is a collection of wearable objects offering a sense of protection in urban environments, as a response to a growing tendency of hostility towards the body. Hard surfaces become flexible armor, protective shields transform into high heels. Whether to preserve personal space on public transport or to create cognitive distance Hardwear aims to create a sense of security. By using hard materials, the feeling of being safe inside a car is transformed to the outside resulting in a line of wearable objects made for for everyday resistance. Drawn on protection typologies from sportswear, Hardwear is made of 100% recycled plastic with 3D printed elements.

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