Création d'image - Double Reading - BA1 2025-2026

Création d'image - Double Reading - BA1 2025-2026

First-year students were invited to design a 16-page publication. By experimenting with duotone through various printing techniques, they structured a dual reading experience dependent on the printed colors.

Studio project (2026) with Guy Meldem

Assistants
Dorian Pangallo
Students
Marc Auderset, Melissa Appelon, Olivia Bindon, Baptiste Boulanger, Suriya Brambilla, Marta Casemi, Alizée Clavien, Ethan Degano, Andrea Dominguez, Mathias Dugenne, Lila Gomez Gaillet, Juliana Granato, Xenia Grange, Bérangère Gremion, Salomé Huwiler, Rebecca Indermühle, Kevin Jeangros, Nolan Latorre, Zachary Ramelet, Gabrielle Richard, Théo Rizzo, Anastassia Siebold, Baptiste Sultana, Margaux Tinguely
Department Visual Communication
Graphic Design
Know-how
Imagemaking, Photography direction, Editorial






Projects related to Imagemaking

ECAL x Moncler

BA PHOTOGRAPHY

ECAL x Moncler

with Philippe Jarrigeon

Drawing on Moncler’s Alpine heritage, its timeless style, and its technical mastery, the ECAL Bachelor Photography students developed their own interpretation of the brand’s visual language, blending documentary photography with staged scenes, and merging reality with fiction, under the artistic direction of French photographer Philippe Jarrigeon. As part of Paris Photo 2025, the students’ work was showcased at the Moncler boutique on the Champs-Élysées.

Tourism

BA GRAPHIC DESIGN

Tourism

with Nicolas Haeni, Robert Huber

Graphic designer Robert Huber and photographer Nicolas Haeni piloted a transversal workshop between the first years Bachelor Graphic Design and Photography. By joining their complementary skills, several groups of students selected a swiss tourism-related activity, offering an alternative and offbeat vision in edition form.

ECAL × JEAN PAUL GAULTIER: SPORT - CORPS – 2025

BA PHOTOGRAPHY

ECAL × JEAN PAUL GAULTIER: SPORT - CORPS – 2025

with Florence Tétier, Nicolas Coulomb

"Le Mâle" - 30th anniversary In 2025, "Le Mâle" will celebrate its 30th anniversary. With this in mind, students have been working on the brand's fragrance. Reflections on masculinity and different representations of the body in 2025.

Maisie Cuisine Book

BA PHOTOGRAPHY

Maisie Cuisine Book

with Maisie Cousins

The aim of this workshop, led by photographer Maisie Cousins, is to use photography as a tool to broaden our powers of observation. During the week, students explored macro photography to create miniature and abstract worlds using everyday objects and accessories. This invites us to reflect: what else are we overlooking in our immediate environment?

GEOFF HAN – WORK AND TURN

BA GRAPHIC DESIGN

GEOFF HAN – WORK AND TURN

by Leandra Adler, Cansu Celen, Layana Comte, Anaïs Dermont, Camille Genoud, Eve Gremaud, Eloïse Guillod, Mathis Harmant, Marie Hintzy, Matteo Lucca, Maxime Manera, Gaëtan Mauclair, Mathys Mauron, Emma Morisseau, Sara Pedersoli, Lucie Pittet, Hélène Prongué, Leonardo Mariucci, Alice Refachinho, Justine Renevey, Gaspard Schlatter, Laura Simons, Vu Toni Thien Duc, Maïa Yassin, Jonas Zesiger

In November 2025, 27 ECAL students took part in Work and Turn, a workshop led by Geoff Han exploring the theme of labor and the often overlooked work that sustains the school. Located in a former IRIL knitwear factory in the industrial area of Renens, ECAL occupies a vast building whose daily functioning depends on many visible and invisible forms of labor. Over five days, students worked in small teams to produce a collective 96-page pocket-sized publication. Each pair created an 8-page photographic visual essay focusing on a specific aspect of labor at ECAL. Rather than relying on traditional portraits, the projects explored more poetic and indirect ways of documenting traces of work through spaces, gestures, materials, and infrastructures. The entire publication was manually printed on an offset press by the students themselves, in either black or red and black. The printing process was a central part of the workshop: participants prepared the plates, set up the press, and ran the prints. This hands-on production process echoed the theme of labor explored throughout the publication.  

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