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2008 2024
Workshop - Charlie Engman

PHOTOGRAPHY

Workshop - Charlie Engman

with Milo Keller, Clément Lambelet

"Treatment, Synthesis, and Art Direction" Charlie Engman is an artist, photographer, writer, and art director based in Brooklyn, New York.He works across a range of media and disciplines from gen-AI art, photography, video, and fashion, and balances artistic, commercial, and pedagogical practices. He is the art director of the sustainable fashion brand, Collina Strada, where he is responsible for print design, branding, and runway show design. This workshop will investigate the ways in which media, aesthetics, and culture are interwoven and overlapping and are driven in large part by the accessibility of popular technology. It will also investigate the ways in which creativity is a collaborative and iterative process that bleeds across genre and category. There will be a key focus on the intersection of photography, AI tools, and videogaming / user-driven media.In this workshop, participants are expected to explore and challenge the ways they integrate and synthesize both professional and vernacular registers and new and traditional techniques. This will also serve as an introduction to developing art direction and making “ treatments ” for commissioned projects, and practical experience concepting and executing assignments that can bridge between a distinctive artistic practice and preexisting modes of making and sharing.

Frontiere di Sabbia - DRONE WORKSHOP

PHOTOGRAPHY

Frontiere di Sabbia - DRONE WORKSHOP

with Milo Keller, Clément Lambelet

"Frontiere di Sabbia" is an exhibition of the students of the Master of Photography at ECAL/University of Art and Design Lausanne, in collaboration with the Biennale dell’Immagine di Chiasso.The collection of projects you will see has been created with drones: aircraft originally developed for warfare that have been transformed into civilian and popular forms. In just a few years, these devices have undergone a dizzying technological evolution and achieved considerable commercial success. Used for a variety of purposes - recreational and professional, political and subversive - these “unmanned aerial vehi- cles” can be easily purchased and controlled remotely, like in a video game. The opportunities offered by civilian drones combine with multiple negative con- sequences: the confusion between reality and simu- lation, privacy violations, and the use for illegal and violent actions. From a photographic perspective, drones offer infinite viewpoints for exceptional, vertical, and total vision. Equipped with all-round sensors, they fly autonomou- sly on programmed routes and are able to monitor the territory and its inhabitants. The “Frontiere di Sabbia” exhibition, presented in the Ex Saceba building, a ce- ment factory located a few kilometers from the bor- der, recalls the past of these places where materials were produced to build houses, bridges, and highways, but also walls and barriers. By diverting from prede- termined and automated paths, a new generation of image creators questions us about our perception of our limits: human, political, and technological.

WORKSHOP - CGI WITH AREA OF WORK

PHOTOGRAPHY

WORKSHOP - CGI WITH AREA OF WORK

with Area Of Work

This workshop is an introduction to 3D creation software that allows you to create images with photographic qualities that are not photographs.

Metaphotography - VR Workshop

PHOTOGRAPHY

Metaphotography - VR Workshop

with Robin Bervini, Milo Keller

During this five days workshop mentored by Milo Keller and Robin Bervini, the students worked in groups to create sublime environments inspired from reference photographs. The goal was to bring the viewer to a strange location to be observed from a static landmark. The students learned the basics of environment creation with the Unreal Engine 4 and they faced the technical complications in order to have their projects running on the standalone headset Meta Quest 2.

Materialized Photography Workshop

PHOTOGRAPHY

Materialized Photography Workshop

with Mazaccio & Drowilal, MAP

During this one week workshop, the students were challenged every morning with a sculptural challenge and in the afternoon they continued developing their semester projects with the guidance of artist duo Mazaccio & Drowilal.

Automated Photography Worshop

PHOTOGRAPHY

Automated Photography Worshop

with Marco De Mutiis

In this one week intensive workshop, digital curator Marco de Mutiis tasked the students with creating a photographic project through a process of gameification, or with otherwise automated processes.

Book making workshop

PHOTOGRAPHY

Book making workshop

with Nicolas Polli

Exquisite Corpse VR Experience

PHOTOGRAPHY

Exquisite Corpse VR Experience

with Milo Keller

On the occasion of the Biennale dell’immagine Chiasso, the 2nd year students of the Master Photography programme presented, from 17 to 19 September 2021, “Exquisite Corpse” - a series of Virtual Reality (VR) projects at the Palestra CPC. Art Direction: Milo Keller Assistants: Florian Amoser Robin Bervini Students: Emma Bedos Alexey Chernikov Mahalia “Taje” Giotto Clemens Fischer Nikolai Frerichs Hikaru Hori Augustin Lignier Sophie Schreurs Alisa Strub Yang Su

VR Workshop

PHOTOGRAPHY

VR Workshop

with Milo Keller, Robin Bervini

Virtual Reality introduction workshop tutored by Milo Keller with the technical assistance of Florian Amoser and Robin Bervini. During this 5 days introduction, students learned to use Unreal Engine 4 to prototype and test their scenes in real-time. Working in pairs, each of them started to develop a level of a global VR experience that will be presented at the Biennale dell'immagine 2021 in Chiasso.

Iconic

PHOTOGRAPHY

Iconic

with Lauren Huret, MAP

In this workshop, first and second year students had group discussions around what makes an image iconic and developed group and individual projects. The workshop was tutored by Lauren Huret

Model Behaviour, Version 2

PHOTOGRAPHY

Model Behaviour, Version 2

with Simone Niquille

The assignment draws inspiration from traditional portraiture but intentionally diverges, enabling a critical exploration of the cultural and digital constructs of 'self' and 'family' through the lens of Neural Filters, emphasizing daily output over quality, with editing deferred until later in the presentation preparation stage.

Book making workshop

PHOTOGRAPHY

Book making workshop

with Nicolas Polli

The workshop is a complement to the Photobook semester project during which the first year students, tutored by graphic designer Nicolas Polli, learned to think of the photobook as an object. Each student developed their sequence and made creative choices that led to the production of a dummy.

Metaphysical Content

PHOTOGRAPHY

Metaphysical Content

with Area Of Work

A one week transversal CGI workshop tutored by Area of Work to the first year Master Photography students in November 2020. Tutors: Area of Work Students: Emma Bedos, Alexey Chernikov, Mattia Dagani Rio, Thomas Dreux (HEAD Geneva), Clemens Fischer, Nikolai Frerichs, Mahalia Giotto, Hikaru Hori, Joanne Joho (HEAD Geneva), Augustin Lignier, Yshao Lin, Sophie Schreurs, Alisa Strub and Renée Verhoeven. Assistants: Florian Amoser, Robin Bervini, Thomas Le Provost. Digital architecture: Florian Amoser Virtual walkthrough: Robin Bervini Soundtrack: Hatari - MSH03X

Still Life Photography

PHOTOGRAPHY

Still Life Photography

with MAP, Charles Negre

During this practical workshop tutored by Charles Negres, the students have been introduced to studio lighting for still life photography and realized images on topics connected to climate.

Still Life Photography

PHOTOGRAPHY

Still Life Photography

with MAP, Charles Negre

The students created still life compositions developing a consistent body of images. Tutored by Charles Negres.

Guardare l’utopia

PHOTOGRAPHY

Guardare l’utopia

with Milo Keller, MAP

Utopia is invisible; only utopians can see it. A class of 12 students from the Photography Master at the ECAL/University of Art and Design of Lausanne, in residence at Casa Corti in Pellio, Val d’Intelvi (Italy), elaborated the concepts of utopia and community. Identifying the malaise of a generation trapped in social networks, confused between reality and the virtual sphere, and in need of establishing new values, the group developed a range of different strategies: morning meditation sessions, walks to Monte Generoso, shared meals and discussions to produce photographs and videos which, while gradually shifting away from reality, reach imaginary dimensions that oscillate between utopia and dystopia, figuration and abstraction. --- Students Emidio Battipaglia Robin Bervini Jasmine Deporta Anja Karolina Furrer Alessia Gunawan Christian Harker Johanna Hullár Philipp Klak Doruk Kumkumoglu Jelly Luise Igor Pjörrt Gedvile Tamosiunaite Curator Milo Keller Assistants Florian Amoser Calum Douglas Graphic Design Nicolas Polli biennaleimmagine.ch https://casacorti.org/

There is no spoon

PHOTOGRAPHY

There is no spoon

with Area Of Work

This workshop is an introduction to 3D creation software that allows you to create images with photographic qualities that are not photographs.

Dominic Hawgood workshop

PHOTOGRAPHY

Dominic Hawgood workshop

We are living in a feedback loop between digital technologies and our perception of the world, and what surrounds are multitudes of constructed realities. Light fields, 3d scanning, and photogrammetry are advancing the potential of computational realism, drawing upon scientific principles, theories and techniques prior to the advent of photography. It was Leonardo da Vinci who originally conceived of the Plenoptic Function, and Michael Faraday who theorised light to have a field. What has had to happen is for technology to catch up, and the result is the rapid metamorphosing of lens-based media, and an explosion of a new kind of realism.

Copy and paste

PHOTOGRAPHY

Copy and paste

with MAP, Taiyo Onorato

Mirage Club

PHOTOGRAPHY

Mirage Club

with Golgotha, MAP

Computer Generated Imagery (CGI) is everywhere. More real than reality, the images created by 3D software are mainly used in the advertising and entertainment  industries. The photorealism of these photographic visuals blurs the boundaries between the real and the virtual. Guided by Golgotha studio, students from the Photography Master’s at ECAL have explored potential advantages and drawbacks of these particular processes by investigating their illusionary powers. During Paris Photo, an immersive installation  will guide visitors through a labyrinthine space, a physical translation of the complexity of our relationship to photographic media. https://vimeo.com/302879066

Global Market

PHOTOGRAPHY

Global Market

What does a global city look like? Over the course of one week, thirteen students of the newly-launched Master in Photography program at ECAL/ University of Art and Design of Lausanne, Switzerland were invited by Lorenzo Vitturi to explore London. The city’s diversity makes it unique as a global capital of the arts, economics, scientific and technological research and developments. 37% of the city’s inhabitants were born outsidethe UK, the highest foreign-born population of any city in the world with over 300 languages spoken. London is the contemporary Babel. Each student was assigned a different area of London in orderto engage with, observe and discover the diversity and specificities of various different cultures, contexts and realities. The work presented here is the result of three intensive days of shooting, one night of editing, one day of printing, endingwith a performative presentation during Offprint at Tate Modern, where the images are combined and sequenced in order to reveal a new vision of London. During Offprint, our thirteen students transform into merchants,lowering their prices as the evening approaches to aid in a successful sale, advising their customers not to combine still-lifes with portraits, or not to place studio-lighting next to natural light etc.

3DDD

PHOTOGRAPHY

3DDD

with Golgotha, MAP

In our actual socio-cultural context where boundaries between reality and vir-tuality are blending, where connexions between virtual networks, art and beauty are influencing our everyday behaviours, where photography and CGI (Computer Generated Imagery) never been doing so perfectly together through the infinite possibilities they offer now, it is now time to experiment and make our creativity travel through them. How a virtual shape can become real, and virtual again, and real again? When does the process stops?

Virtual Excavations

PHOTOGRAPHY

Virtual Excavations

This workshop focuses on different uses of ‘installation’ in its broadest sense and its relationship to photographic practice. The starting point for this installation will be to explore the virtual world of interior architectural design. Each student will be given a “room” to create where they will extract objects/surfaces/motifs from the virtual domestic space and give it a physical presence. The imagery that students draw from might be their own constructed virtual objects, or found online virtual domestic interiors.

SuperStudio

PHOTOGRAPHY

SuperStudio

with MAP, Thomas Traum

In CG you have total control over all aspects of the image, making it the photographer's perfect studio. In CG, space is even bigger than the studio, its infinite. The students were invited to dream of images that wouldn't be otherwise possible to make during a one week workshop with Thomas Traum.The students utilised different techniques such photogrammetry, found 3D models and their own photography to build their own dream images. This was presented as a group show in the photographic studio at ECAL. Accompanying the exhibition was a video of the virtual exhibition in the very same space.

Image Archives

PHOTOGRAPHY

Image Archives

with Joe Hamilton, MAP

Image Archives Description: In this workshop, students will dive into the depths of online image archives and explore the potential for using found imagery as a material. Aesthetic, material, and political concerns surrounding images archives will be discussed. Students will get hands-on experience searching for images online, building their own image archives and exploring possible outcomes towards a final presentation. The workshop will conclude with an exhibition of final artworks. Objectives: Explore and discuss the world of image archives available online. Experiment with—and think critically about—methods of collecting, issues of ownership, techniques of manipulation, material and presentation. Create and exhibit an artwork that makes use of these learnings.

Workshop in Berlin

PHOTOGRAPHY

Workshop in Berlin

To celebrate the launch of a new master’s degree in photography at ECAL in 2016, the first year students worked together with Taiyo Onorato and Milo Keller (Head of Photography at ECAL) in Berlin for one week to produce a book about the city’s architecture in turmoil. Using the wide streets of Berlin as a blank canvas, the students were encouraged to interpret rather than document the spaces of the vast metropolis and build their own story of its distinctive character. The picturesdepict the shift that Berlin has undergone in the past, from the perspective of unexpected encounters, vacant spaces, countless construction sites and shared revelations. The book was printed and bound at Helmut Newton Foundation during the C/O Berlin Book Days, 29.9 – 2.10.2016. Participants: Johannes Bauer, Vilhelm Björndahl, Senta Simond, Nicolas Toulotte, Laura Zoccarato, Marc Asekhame, Calum Douglas, Bastien Gomez, Karla Hiraldo Voleau, Yuliya Khan, Stéphane Mocan, Eunwook Nam, Shin Young Park, Robert Swierczynski, Maria Tasula, Justinas Vilutis, Maria Grazia Grasso The book has been produced in collaboration with C/O Berlin for the Book Days 2016.

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