Το Ρόδι – The Pomegranate

Projects BA PHOTOGRAPHY

Sofia Papaefthymiou – Το Ρόδι – The Pomegranate

« Being half-Cypriot half-Swiss, I somehow felt the need to understand my relationship to the territory, borders, exile and my shared origins. Το Ρόδι–The Pomegranate is a short film that has become a tool for exploration and deconstruction, bringing the geopolitical conflicts of my country up to the level of my own conflicts. This project is also a space where I can dream freely of other places, my own island – the reflections of my desires. Unable to reach this homeland, I try to grasp what I do not have, to reproduce the sensations that I experienced there. I collect archives, I commission images. I bring my female body, which I appropriate and re-appropriate through various representations, back to its origin, to find my place and speak up again.»

Diploma project (2021) by Sofia Papaefthymiou

Mention
Good
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate

1/9
Trailer
Το Ρόδι – The Pomegranate
Το Ρόδι – The Pomegranate

1/2

Projets similaires
See more projects

ECAL X MHL – Photosensible

BA PHOTOGRAPHY

ECAL X MHL – Photosensible

with Philippe Jarrigeon

Drawing inspiration from the 19th-century archives of photographer André Schmid, second-year Bachelor’s students collaborated with the Lausanne History Museum to create an inspiring dialogue between the past and the present. For most of the students, his name was unfamiliar. Discovering his work, preserved in the collections of the Lausanne History Museum, opened up a field of exploration that was both historical and artistic. Through André Schmid’s images, a foundational chapter in Swiss photography was revealed to them. Through an immersion in the archives, they were invited to engage in a dialogue with this pioneering practice—not to cite or reproduce it, but to reimagine it, question it, and interpret it, thereby creating a tension between the origins of photography and its most contemporary developments.
Staged Photography – 2026

BA PHOTOGRAPHY

Staged Photography – 2026

with Charlotte Krieger

Unseen This course introduces students to the creation of a seven-image series built around the theme Unseen. They will learn to combine set design, characters, and lighting to produce strong, coherent staged images. Through a practical and technical approach, the course develops their ability to conceive and manage a complete photographic project, direct models, work with natural and artificial light, and collaborate under conditions similar to professional editorial or commercial shoots. Students will refine their photographic vision while preparing for the creative and technical demands of the industry.
Création cinématographique– 2026

BA PHOTOGRAPHY

Création cinématographique– 2026

with Orsola Valenti

Off-camera By exploring what lies outside the frame, students develop a sensitive and reflective approach to audiovisual creation. Throughout the semester, students are encouraged to reflect on the political and formal issues surrounding the moving image, as well as the relationship between the visible and the invisible. 
Analog Medium format workshop – 2026

BA PHOTOGRAPHY

Analog Medium format workshop – 2026

with Anoush Abrar

Deconstructed Portrait The goal of this workshop, led by photographer Anoush Abrar, is to explore the meaning of the contemporary portrait.  Working with the concept of the “deconstructed portrait,” the students created an image in pairs.  The Digital Medium Format workshop week serves as an introduction to both photography equipment and specialized software.  
Création photographique– 2026

BA PHOTOGRAPHY

Création photographique– 2026

with Natacha Lesueur

Documentary, the power of make-believe Based on projects developed around a common theme, the students develop a personal, in-depth project around the theme of pretense. They build a project that plays with the limits of veracity in photography, using it as an artifice of deception. 

Related courses
See all courses

BA PHOTOGRAPHY
Nous utilisons des cookies pour collecter des informations sur la manière dont vous utilisez ecal.ch.
Nous utilisons ces informations pour faire fonctionner le site web au mieux et améliorer nos services.