Röma

Projects MA TYPE DESIGN

Jacopo Aztori – Röma

Röma synthesises and reinterprets the original Elzevir model, whose attraction is its elegant posture and its high-readability qualities. While its style has been historically and pragmatically exploited, Röma's generous rhythm and sophisticated details stand for higher quality print, shared across the four weights and matching italics. Ho to craft across the weights the muscularity of this living yet sober book typeface? The resulting sharp reading texture promotes the ergonomics of reading while adding value to the content.

Diploma project (2017) by Jacopo Aztori

Röma synthesises and reinterprets the original Elzevir model, whose attraction is its elegant posture and its high-readability qualities. While its style has been historically and pragmatically exploited, Röma's generous rhythm and sophisticated details stand for higher quality print, shared across the four weights and matching italics. Ho to craft across the weights the muscularity of this living yet sober book typeface? The resulting sharp reading texture promotes the ergonomics of reading while adding value to the content.

Röma , diploma project by Jacopo Aztori
Röma , diploma project by Jacopo Aztori
Röma , diploma project by Jacopo Aztori
Röma , diploma project by Jacopo Aztori
Röma , diploma project by Jacopo Aztori
Röma , diploma project by Jacopo Aztori
Röma , diploma project by Jacopo Aztori
Röma , diploma project by Jacopo Aztori

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MA TYPE DESIGN

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MA TYPE DESIGN

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MA TYPE DESIGN

Chandra Sperle – Gradual

by Chandra Sperle

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MA TYPE DESIGN

Giulia Zanzarella – Minut

by Giulia Zanzarella

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Jamie Michiki – Dutyfree

MA TYPE DESIGN

Jamie Michiki – Dutyfree

by Jamie Michiki

Dutyfree is a bi-script sans-serif typeface that supports both the Latin alphabet and Japanese scripts. It includes eight weights and covers the full range of Hiragana, Katakana, and Kanji characters. Designed to harmonize the atmosphere of both writing systems through shared skeletal structure, detail, and contextual nuance, Dutyfree bridges two distinct typographic origins: the Latin typeface Venus and the Japanese Ishi Chu-Futo Gothic.　With a theme of overlap and crossover between writing systems and design cultures, the project was developed under the concept of "logistics graphics." Beyond just a typeface, Dutyfree also includes symbols and signage elements designed for use in logistics and packaging contexts.

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MA TYPE DESIGN
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