Overflow evokes the
excesses of hypercapitalism and its self-destructive tendencies in the abyss of
technology and artifacts.
This work is defined through these cities and
their places of transit, such as free zones. My images are an interpretation of
this acceleration of society through permanent progress and of the gradual
delegation of power to machines.
The book and the installation are a metaphor for
the ubiquity of media devices, for the virtualization of reality through an
alienating process.
Humankind is evolving in a subjective kind of
reality that resembles simulation.
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