Overflow evokes the
excesses of hypercapitalism and its self-destructive tendencies in the abyss of
technology and artifacts.
This work is defined through these cities and their places of transit, such as free zones. My images are an interpretation of this acceleration of society through permanent progress and of the gradual delegation of power to machines.
The book and the installation are a metaphor for the ubiquity of media devices, for the virtualization of reality through an alienating process.
Humankind is evolving in a subjective kind of reality that resembles simulation.