Kyū Maru Gothic

Niklas Herrmann – Kyū Maru Gothic

Inspired by hand-painted Japanese station signs from the late 1950s, Kyū Maru Gothic interprets and expands their handmade heritage into a coherent rounded sans serif and multiscript Latin/Japanese typeface. It carefully considers the warm and individual character created by the brush of the original sign painters and integrates it coherently into a typeface that is aimed at contemporary use. Further following the source, the typeface comes on a width axis to allow for more flexible typesetting for its intended use at display sizes.

Diploma project (2023) by Niklas Herrmann

Mention
Excellent
Know-how
Type design
Exhibition
Exhibition
Exhibition
Exhibition
Exhibition

1/5

Specimen
Specimen
Specimen
Specimen
Specimen
Specimen
Specimen

1/7

Projects related to Type design

Type Design BA1 S1 2024/2025 – 2025 #2

BA GRAPHIC DESIGN

Type Design BA1 S1 2024/2025 – 2025 #2

with Robert Huber

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Hugo Scholl – Modulat – 2025

BA GRAPHIC DESIGN

Hugo Scholl – Modulat – 2025

by Hugo Scholl

MODULAT is a variable typeface designed around the concept of a musical visualizer. Starting from a neutral design, it branches out into multiple character sets, each allowing adaptation to different graphic and sonic worlds. Its variation axes enable it to adjust to a wide range of display formats, making it suitable for use across various digital platforms. Conceived as a modular tool, it questions how a typeface can accompany music while maintaining visual coherence. The project combines formal experimentation with a search for graphic adaptability.

Cyprien Valenza – Patterna

BA GRAPHIC DESIGN

Cyprien Valenza – Patterna

by Cyprien Valenza

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Stephanie Wilson – Iconic

MA TYPE DESIGN

Stephanie Wilson – Iconic

by Stephanie Wilson

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Diego Steiner – Hybrid Modules

BA GRAPHIC DESIGN

Diego Steiner – Hybrid Modules

by Diego Steiner

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