Kyū Maru Gothic

Projects MA TYPE DESIGN

Niklas Herrmann – Kyū Maru Gothic

Inspired by hand-painted Japanese station signs from the late 1950s, Kyū Maru Gothic interprets and expands their handmade heritage into a coherent rounded sans serif and multiscript Latin/Japanese typeface. It carefully considers the warm and individual character created by the brush of the original sign painters and integrates it coherently into a typeface that is aimed at contemporary use. Further following the source, the typeface comes on a width axis to allow for more flexible typesetting for its intended use at display sizes.

Diploma project (2023) by Niklas Herrmann

Mention
Excellent
Know-how
Type design
Exhibition
Exhibition
Exhibition
Exhibition
Exhibition

1/5
Specimen
Specimen
Specimen
Specimen
Specimen
Specimen
Specimen

1/7

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Type Design BA1 S1 2024/2025 – 2025 #2

BA GRAPHIC DESIGN

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Hugo Scholl – Modulat – 2025

BA GRAPHIC DESIGN

Hugo Scholl – Modulat – 2025

by Hugo Scholl

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BA GRAPHIC DESIGN

Cyprien Valenza – Patterna

by Cyprien Valenza

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MA TYPE DESIGN

Stephanie Wilson – Iconic

by Stephanie Wilson

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BA GRAPHIC DESIGN

Diego Steiner – Hybrid Modules

by Diego Steiner

Hybrid Modules explores the link between traditional craftsmanship and contemporary technologies through the creation of a 3D-printed modular typographic tool for use with a manual letterpress. Designed on a grid, the modular alphabet becomes a set of physical dies, which can be inserted by hand into the press. The slow, repetitive process becomes an integral part of the visual language, making visible the time and care of the gesture. A series of A2 posters promotes a series of fictitious conferences entitled “ART, CRAFT & TECHNOLOGY - Guests in Switzerland”.

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MA TYPE DESIGN
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