The secret life of objects – 2023 #2

The secret life of objects – 2023 #2

During the visual identity course, the students had to choose an object that could perform a specific function. Once they had deciphered all the facets of the object, they were asked to come up with a visual identity concept to present the object and show it in a graphic way that best defined it.

Studio project (2023) with Adeline Mollard

Assistants
Inés Barrionuevo
Students
Karim Akel, Rebecca Alfandary, Valentin Bonzon, Olympe Boutaghane, Jonas Buxcel, Camille Choquard, Alexandra Cupsa, Sacha Décoppet, Morgane Gilliéron, Lisa Grobet, Flaurant Kadrija
Département Communication Visuelle
Graphic Design
Know-how
Editorial

Kintsugi

Through experiments with non-traditional graphic techniques, this project is built around a series of grids taken from Bernina sewing machine software. This system gives rhythm and structure to the entire identity, illustrated in a catalogue presenting the 2023 collection. Each of the 6 patches is designed to repair specific materials, reinventing the way we think about repairing and improving our objects.


"Kintsugi invites you to reconnect with your material possessions by giving them a second chance. Thanks to sewn patches, designed to meet any need, repair/recollect/improve your broken objects!"

 

By Olympe Boutaghane

BOUTAGHANE_OLYMPE_AFFICHE2.jpg
BOUTAGHANE_OLYMPE_AFFICHE1 copie.jpg
Olympe Boutaghane
Olympe Boutaghane
Olympe Boutaghane
Olympe Boutaghane
Olympe Boutaghane
Olympe Boutaghane
Olympe Boutaghane
Olympe Boutaghane
Olympe Boutaghane
Olympe Boutaghane

1/10


Ateliercolina

Ateliercolina is a brand of jewellery and accessories created from kitchen utensils found at flea markets. By showcasing the precious, hard-wearing materials of the past, the craft of jewellery makes it possible to find solutions to today's environmental problems.

 

By Camille Choquard

camille_choquard.jpg
Camille Choquard
Camille Choquard
Camille Choquard
Camille Choquard
Camille Choquard
Camille Choquard
Camille Choquard
Camille Choquard
5391

1/9


Hallock

Hallock is a visual identity project for a Vjing service where the visuals react with the passage evolving as people fill the concert hall. The visuals are therefore progressive, allowing an infinite number of combinations and diversity in the production of posters. Some of these are transcribed into a booklet illustrating the services offered by the collective.

 

By Sacha Décoppet

Poster_Hallock (glissés).jpg
Sacha Décoppet
Sacha Décoppet
Sacha Décoppet
Sacha Décoppet
Sacha Décoppet
Sacha Décoppet
Sacha Décoppet

1/7


ASEMIK—GROUPE

 

Asemik Groupe is a committed collective from Germany. Founded in the wake of the nuclear phase-out and the resumption of coal drilling, a group of artists and graphic designers from the Berlin scene came together to metabolise their ideas and start a militant movement. The group claimed no political allegiance.

The name Asemik Groupe is directly inspired by the concept of asemic writing. As well as civil disobedience actions, the collective explores new fields in typography and typeface creation, breaking free from traditional graphic dogmas.

Asemik Groupe makes its mark above all through press vandalism. This consists of intervening directly on the offset plates of official printers in order to spread their message via the press. To do this, AG members engrave asemic or illustrative slogans on the plates with a drill.

 

 

 

By Karim Akel

Karim Akel
Karim Akel
Karim Akel
Karim Akel
Karim Akel
Karim Akel
Karim Akel
Karim Akel
Karim Akel

1/9

Karim Akel
Karim Akel
Karim Akel
Karim Akel
Karim Akel
Karim Akel

1/6


Animatrics

Animatrics is a fictional collective that believes in the existence of fantastic animals. It focuses on creating computer graphics of animal movements using capture devices. Part documentation, part testament to the potential existence of these creatures in Switzerland's Jura forest, the project takes the form of a series of editions including computer graphics, a newspaper illustrating folk legends of the forest and a website bringing together information from the data collected.

 

By Faurant Kadrija

Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija
Flaurant Kadrija

1/12

Projects related to Editorial

GEOFF HAN – WORK AND TURN

BA GRAPHIC DESIGN

GEOFF HAN – WORK AND TURN

by Leandra Adler, Cansu Celen, Layana Comte, Anaïs Dermont, Camille Genoud, Eve Gremaud, Eloïse Guillod, Mathis Harmant, Marie Hintzy, Matteo Lucca, Maxime Manera, Gaëtan Mauclair, Mathys Mauron, Emma Morisseau, Sara Pedersoli, Lucie Pittet, Hélène Prongué, Leonardo Mariucci, Alice Refachinho, Justine Renevey, Gaspard Schlatter, Laura Simons, Vu Toni Thien Duc, Maïa Yassin, Jonas Zesiger

In November 2025, 27 ECAL students took part in Work and Turn, a workshop led by Geoff Han exploring the theme of labor and the often overlooked work that sustains the school. Located in a former IRIL knitwear factory in the industrial area of Renens, ECAL occupies a vast building whose daily functioning depends on many visible and invisible forms of labor. Over five days, students worked in small teams to produce a collective 96-page pocket-sized publication. Each pair created an 8-page photographic visual essay focusing on a specific aspect of labor at ECAL. Rather than relying on traditional portraits, the projects explored more poetic and indirect ways of documenting traces of work through spaces, gestures, materials, and infrastructures. The entire publication was manually printed on an offset press by the students themselves, in either black or red and black. The printing process was a central part of the workshop: participants prepared the plates, set up the press, and ran the prints. This hands-on production process echoed the theme of labor explored throughout the publication.  

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Visual Identity - Cut & Paste  - BA1 S1 2025-2026)

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Visual Identity - Cut & Paste - BA1 S1 2025-2026)

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During the visual identity course, the 1st year of the Graphic Design bachelor had to carry out a poster project from a random event. They had to define their own visual system and explored a search for hand-made typographic posters. The visual identity of the event was developed through a poster and a flyer, accompanied by a research notebook grouping their entire creative process.

Contextual Design – BA2 S1 2025

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Création d'image - Double Reading - BA1 2025-2026

BA GRAPHIC DESIGN

Création d'image - Double Reading - BA1 2025-2026

with Guy Meldem

First-year students were invited to design a 16-page publication. By experimenting with duotone through various printing techniques, they structured a dual reading experience dependent on the printed colors.

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