So, how can we live better? – 2024

So, how can we live better? – 2024

Beyond questions of functionality, comfort and individual or collective well-being, the built environment is capable of responding in a stimulating way to societal, energy and environmental challenges. Workplaces, homes, public spaces, interiors and streets are all driven by real statements of intent that motivate their design. 

The 2nd year Graphic Design students worked on a communication based on one of these principles (or others) and on the architectural creation that refers to it in order to promote it.

Studio project (2024) with Nicole Udry

Assistants
Morgane Cachin
Students
Candice Aepli, Léa Corin, Matteo Cortesi, Eliot Dubi, Flora Hayoz, Marc Facchinetti, Mathilde Driebold, Amélie Bertholet, Coraline Beyeler, Delphine Brantschen
Know-how
Imagemaking, Editorial

Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli

1/10

Noli Oblivisci 

Book

In this edition, I analyse the influence of time on the architecture of the Family House, which has been abandoned for many years. Exploring the intergenerational dimension at the heart of this temporal investigation, I have structured each aspect in terms of degrees, generational degrees. 
As the great-granddaughter of the house's last residents, I represent degree 2, while my father embodies degree 1. So, as we explored the house, we described it by sharing anecdotes and affinities specific to our respective degrees. The investigation thus evolved into a family dimension, going beyond its purely temporal nature.

By Candice Aepli

 


Abri Anti Atomique

Book

Swiss atomic shelters are an architectural phenomenon that contrasts with the country's neutrality.
This is why, when Switzerland publishes documents relating to war and the defence of its citizens, the tone used is very modest, even naïve, given the seriousness of the subjects covered. In the same way, the publication contrasts the seriousness of the subject of shelters with the spectacular beauty of the disasters that justify the use of shelters.

 

By Eliot Dubi

 

Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi

1/10


Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet

1/10

Ruelle Thomas 21 

Book

Ruelle Thomas 21 is where my mum's bookshop used to be, on the ground floor of our family home, and which went bankrupt in 2015. Each room was dedicated to a particular audience: cookery books in the kitchen, children's books in the bedroom, and novels in the living room, for adults. The best way for me to express this was to use this separation of the flat to delimit the literary space of each person. I took my point of view as a child who didn't like to read, to experiment with and deconstruct the sequence imposed by literature, using my mum's literary criticism, book covers and a manifesto to make people feel less guilty.

 

By Amélie Bertholet

 


I never felt at home

Video

"I never felt at home" is about the feeling, the discomfort and the melancholy of never feeling at home, no matter where you live. 
The discomfort felt outside is brought into the intimacy of the home through projection.

 

By Léa Corin

 


Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold

1/11

ce qu'il reste de la vérité

Book

Childhood, an ephemeral and singular stage, forms the basis of our identity. "Ce qu'il reste de la vérité" is a narrative and personal exploration of childhood in care. The key idea is to present this nuanced experience, oscillating between fleeting happiness and complex issues, through a dual narrative: that of the child who, without really understanding the circumstances, undergoes them with innocence and dissociation; and that of the adult, whose more mature view offers a retrospective reflection on this singular period of life.

 

By Mathilde Driebold

 


Manifeste Photométrique

Book

This research project involves a technical analysis of lighting interactions within a residential space, with particular emphasis on the mental health criteria engendered by lighting and the visual preferences of potential occupants. The aim of this analysis is to deconstruct the mechanisms and variables influencing interior lighting, architecture and the environment in order to create a synthesis between functionality and aesthetics.

 

By Marc Facchinetti

 

Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti

1/10

Projects related to Editorial

GEOFF HAN – WORK AND TURN

BA GRAPHIC DESIGN

GEOFF HAN – WORK AND TURN

by Leandra Adler, Cansu Celen, Layana Comte, Anaïs Dermont, Camille Genoud, Eve Gremaud, Eloïse Guillod, Mathis Harmant, Marie Hintzy, Matteo Lucca, Maxime Manera, Gaëtan Mauclair, Mathys Mauron, Emma Morisseau, Sara Pedersoli, Lucie Pittet, Hélène Prongué, Leonardo Mariucci, Alice Refachinho, Justine Renevey, Gaspard Schlatter, Laura Simons, Vu Toni Thien Duc, Maïa Yassin, Jonas Zesiger

In November 2025, 27 ECAL students took part in Work and Turn, a workshop led by Geoff Han exploring the theme of labor and the often overlooked work that sustains the school. Located in a former IRIL knitwear factory in the industrial area of Renens, ECAL occupies a vast building whose daily functioning depends on many visible and invisible forms of labor. Over five days, students worked in small teams to produce a collective 96-page pocket-sized publication. Each pair created an 8-page photographic visual essay focusing on a specific aspect of labor at ECAL. Rather than relying on traditional portraits, the projects explored more poetic and indirect ways of documenting traces of work through spaces, gestures, materials, and infrastructures. The entire publication was manually printed on an offset press by the students themselves, in either black or red and black. The printing process was a central part of the workshop: participants prepared the plates, set up the press, and ran the prints. This hands-on production process echoed the theme of labor explored throughout the publication.  

Service Design - 2025

BA GRAPHIC DESIGN

BA MEDIA & INTERACTION DESIGN

BA PHOTOGRAPHY

Service Design - 2025

with Angelo Benedetto, Vincent Jacquier, Pauline Saglio, Calypso Mahieu

During the Service Design course, the 3rd year of the Graphic Design, Photography and Media & Interaction Design bachelors had to create multi-media projects. A collaboration of the Visual Communication department which had as subject the SDGs (*Sustainable Development Goals). The theme was called "For a good cause, make the SDGs a reality" and its objective was to allow students to develop a cause that is close to their hearts. Each project consists of at least two different media, one primary and one secondary. These projects could take any form that the students deemed relevant, be it a website, editions, posters, a video sequence or virtual reality.

Création d'image - Double Reading - BA1 2025-2026

BA GRAPHIC DESIGN

Création d'image - Double Reading - BA1 2025-2026

with Guy Meldem

First-year students were invited to design a 16-page publication. By experimenting with duotone through various printing techniques, they structured a dual reading experience dependent on the printed colors.

ECAL x Moncler

BA PHOTOGRAPHY

ECAL x Moncler

with Philippe Jarrigeon

Drawing on Moncler’s Alpine heritage, its timeless style, and its technical mastery, the ECAL Bachelor Photography students developed their own interpretation of the brand’s visual language, blending documentary photography with staged scenes, and merging reality with fiction, under the artistic direction of French photographer Philippe Jarrigeon. As part of Paris Photo 2025, the students’ work was showcased at the Moncler boutique on the Champs-Élysées.

Genius Loci - Spirit of the place – 2025 #2

BA GRAPHIC DESIGN

Genius Loci - Spirit of the place – 2025 #2

with Nicole Udry

Genius Loci, or the spirit of the place, refers to the unique identity or essence of a location. In architecture, this principle suggests that the specific characteristics of a place should be reflected and extended in a design. In the case of the second-year graphic design students, they have applied this principle to communication projects focused on promoting or extending the identity of a particular place through design. Their work likely explores how to visually capture and communicate the essence of a space, using graphic design elements that resonate with the architectural features or history of the place.

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