So, how can we live better? – 2024

So, how can we live better? – 2024

Beyond questions of functionality, comfort and individual or collective well-being, the built environment is capable of responding in a stimulating way to societal, energy and environmental challenges. Workplaces, homes, public spaces, interiors and streets are all driven by real statements of intent that motivate their design. 

The 2nd year Graphic Design students worked on a communication based on one of these principles (or others) and on the architectural creation that refers to it in order to promote it.

Studio project (2024) with Nicole Udry

Assistants
Morgane Cachin
Students
Candice Aepli, Léa Corin, Matteo Cortesi, Eliot Dubi, Flora Hayoz, Marc Facchinetti, Mathilde Driebold, Amélie Bertholet, Coraline Beyeler, Delphine Brantschen
Know-how
Imagemaking, Editorial

Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli
Candice Aepli

1/10

Noli Oblivisci 

Book

In this edition, I analyse the influence of time on the architecture of the Family House, which has been abandoned for many years. Exploring the intergenerational dimension at the heart of this temporal investigation, I have structured each aspect in terms of degrees, generational degrees. 
As the great-granddaughter of the house's last residents, I represent degree 2, while my father embodies degree 1. So, as we explored the house, we described it by sharing anecdotes and affinities specific to our respective degrees. The investigation thus evolved into a family dimension, going beyond its purely temporal nature.

By Candice Aepli

 


Abri Anti Atomique

Book

Swiss atomic shelters are an architectural phenomenon that contrasts with the country's neutrality.
This is why, when Switzerland publishes documents relating to war and the defence of its citizens, the tone used is very modest, even naïve, given the seriousness of the subjects covered. In the same way, the publication contrasts the seriousness of the subject of shelters with the spectacular beauty of the disasters that justify the use of shelters.

 

By Eliot Dubi

 

Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi
Eliot Dubi

1/10


Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet
Amélie Bertholet

1/10

Ruelle Thomas 21 

Book

Ruelle Thomas 21 is where my mum's bookshop used to be, on the ground floor of our family home, and which went bankrupt in 2015. Each room was dedicated to a particular audience: cookery books in the kitchen, children's books in the bedroom, and novels in the living room, for adults. The best way for me to express this was to use this separation of the flat to delimit the literary space of each person. I took my point of view as a child who didn't like to read, to experiment with and deconstruct the sequence imposed by literature, using my mum's literary criticism, book covers and a manifesto to make people feel less guilty.

 

By Amélie Bertholet

 


I never felt at home

Video

"I never felt at home" is about the feeling, the discomfort and the melancholy of never feeling at home, no matter where you live. 
The discomfort felt outside is brought into the intimacy of the home through projection.

 

By Léa Corin

 


Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold
Mathilde Driebold

1/11

ce qu'il reste de la vérité

Book

Childhood, an ephemeral and singular stage, forms the basis of our identity. "Ce qu'il reste de la vérité" is a narrative and personal exploration of childhood in care. The key idea is to present this nuanced experience, oscillating between fleeting happiness and complex issues, through a dual narrative: that of the child who, without really understanding the circumstances, undergoes them with innocence and dissociation; and that of the adult, whose more mature view offers a retrospective reflection on this singular period of life.

 

By Mathilde Driebold

 


Manifeste Photométrique

Book

This research project involves a technical analysis of lighting interactions within a residential space, with particular emphasis on the mental health criteria engendered by lighting and the visual preferences of potential occupants. The aim of this analysis is to deconstruct the mechanisms and variables influencing interior lighting, architecture and the environment in order to create a synthesis between functionality and aesthetics.

 

By Marc Facchinetti

 

Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti
Marc Facchinetti

1/10

Projects related to Editorial

Clara Besson – L'Or du Transvaal / L'Or des DuBois

BA GRAPHIC DESIGN

Clara Besson – L'Or du Transvaal / L'Or des DuBois

by Clara Besson

L'Or du Transvaal / L'Or des DuBois is the first volume of the Recto / Verso collection, which aims to encourage Swiss people, and especially young people, to question the history of their country. This volume explores how Switzerland has been and remains imperialist, through the story of the DuBois family from Le Locle, who left to exploit gold in Transvaal in the 19th century. Each double page mirrors two simultaneous realities: the imperialist narrative on the left and its multidimensional critique on the right, the same events told from radically different points of view, by entities that coexist without ever directly interacting. In a context of rising far-right politics across the West, L'Or du Transvaal / L'Or des DuBois intends to fight by the transmission of knowledge beyond academic circles.

Contextual Design – BA2 S2 2026

BA GRAPHIC DESIGN

Contextual Design – BA2 S2 2026

with Nicole Udry

  Genius Loci, or the spirit of the place, refers to the unique identity or essence of a location. In architecture, this principle suggests that the specific characteristics of a place should be reflected and extended in a design. In the case of the second-year graphic design students, they have applied this principle to communication projects focused on promoting or extending the identity of a particular place through design. Their work likely explores how to visually capture and communicate the essence of a space, using graphic design elements that resonate with the architectural features or history of the place.    

Staged Photography – 2026

BA PHOTOGRAPHY

Staged Photography – 2026

with Charlotte Krieger

Unseen This course introduces students to the creation of a seven-image series built around the theme Unseen. They will learn to combine set design, characters, and lighting to produce strong, coherent staged images. Through a practical and technical approach, the course develops their ability to conceive and manage a complete photographic project, direct models, work with natural and artificial light, and collaborate under conditions similar to professional editorial or commercial shoots. Students will refine their photographic vision while preparing for the creative and technical demands of the industry.

Da Silva Romão Caroline – Ce qui nos fica

BA GRAPHIC DESIGN

Da Silva Romão Caroline – Ce qui nos fica

by Da Silva Romão Caroline

The book Ce qui nos fica brings together Frentuguese, a hybrid French-Portuguese language that emerged within Portuguese immigrant families in French-speaking Switzerland. Through words that were never written down but passed on orally, it captures a memory that is both collective and personal: that of a linguistic, cultural, and familial in-between. The book offers a snapshot of this language, frozen in time as it exists in 2026. What we are left with are not only these words and expressions, but also the memories of the annual journeys between Switzerland and Portugal: the long trips by car or autobus, which are, like us, suspended between two countries. Este livro reúne o frantuguês, uma língua híbrida franco-portuguesa nascida nas famílias da imigração portuguesa na Suíça (França). Através de palavras nunca escritas, mas transmitidas oralmente, ele capta uma memória ao mesmo tempo coletiva e pessoal: a de um entre-dois linguístico, cultural e familiar. A obra propõe assim uma fotografia desta linguagem, fixada no tempo, no seu estado de 2026. O que nos fica são essas palavras, mas também as memórias das viagens anuais entre a Suíça e Portugal: as longas viagens de carro ou de autocarro, que são também elas, como nós, um entre-dois países.

Image Creation - Mirrored Motifs (ECAL × Chillon) - BA1 2025-2026

BA GRAPHIC DESIGN

Image Creation - Mirrored Motifs (ECAL × Chillon) - BA1 2025-2026

with Guy Meldem

As part of the ECAL x Chillon exhibition, which will take place at the eponymous castle, the students of the Bachelor in Graphic Design have created patterns inspired by the castle’s features. Under the supervision of Guy Meldem, they developed a variety of graphic systems. These patterns will be printed as hangings in the armory hall of Chillon Castle.

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