MASTERCLASS THIERRY DE PERETTI

MASTERCLASS THIERRY DE PERETTI

Meeting with Thierry de Peretti, French actor, director and stage director

Other (2025)

Born in Ajaccio in 1970, Thierry de Peretti trained at the Cours Florent drama school. He began his career in theatre, directing plays by authors such as Koltès and Fassbinder. He received the Prix Révélation from the Syndicat National de la Critique in 2001.

After several notable roles in cinema (Ceux qui m'aiment prendront le train by P. Chéreau, Yves Saint Laurent by B. Bonello), he moved into directing with Les Apaches (Directors' Fortnight 2013), followed by Une Vie violente (Critics' Week 2017), Enquête sur un scandale d'État (San Sebastian Film Festival 2021) and À son image (Directors' Fortnight 2024).

His work, often set in Corsica, explores the social, political and intimate tensions of the island through a realistic and poetic lens, confirming his status as a committed filmmaker. His approach to casting, distribution and acting is immersive and collective. The filmmaker combines professionals and non-professionals to create a group dynamic capable of carrying the narrative. In search of authenticity, the performers draw on their personal connection to the story and the filmed location.

Discussion moderated by Paolo Moretti, Head of the Cinema Department

 

Projets similaires

Morgane Beslay – Le Mur – 2026 #1

BA FILM STUDIES

Morgane Beslay – Le Mur – 2026 #1

by Morgane Beslay

Eliane and Laure, recently separated, are preparing to leave the apartment they shared. Eliane is packing her last boxes when she discovers dampness on the living room wall. Refusing to be solely responsible for the damage, she decides to call Laure for help. As the two women are forced to spend these last moments repainting the wall together, buried emotions resurface, marking the final steps toward their goodbye. Le Mur centers the "behind closed doors" question around a single object: a wall. Therefore, the actresses' performances and the set design almost single-handedly carry the narrative, making even the slightest interactions with the object more meaningful than any words.

Charlyne Genoud – Respirer une fois sur trois

BA FILM STUDIES

Charlyne Genoud – Respirer une fois sur trois

by Charlyne Genoud

Documentary, 17min To ward off the curse of osteoporosis that hangs over the women in her family, the filmmaker's mother urges her to exercise. She joins a strength-training class attended by older women who love to sing and share coffee together. From one burst of laughter to the next, they transform this ordinary place into a refuge that nurtures both body and mind. In their company, the filmmaker explores her relationship to her mother's fragility and attempts to rethink her own perception of old age.

Maéna Hirt – Pauvre Pauvre Astrid

BA FILM STUDIES

Maéna Hirt – Pauvre Pauvre Astrid

by Maéna Hirt

"Set in a small unnamed town, Timothy disappears during a local festival. One year later, Astrid meets her friends to attend the annual trout festival. But as they approach it, her friends disappear one after another. Astrid then finds herself alone in a town that suddenly seems to have been emptied of all life." Poor Poor Astrid explores the social gaze and the consequences of becoming invisible. Through a surreal quest interwoven with fragmented memories of Timothy, Astrid is confronted with her own disappearance and tries to find her place in a world that seems to have stopped seeing her.

Robin Kaufmann – Sous ma peau

BA FILM STUDIES

Robin Kaufmann – Sous ma peau

by Robin Kaufmann

One evening, Gabriel throws a party with his friends to celebrate the conviction of the man who abused him as a child. With Lucien by his side, he turns the party into a flirty dance floor in an attempt to escape his past. Caught between Lucien's gentleness and his own need for desire, Gabriel unwittingly reenacts the confusion between affection and control. Over the course of a single night, Under My Skin explores the intimate repercussions of sexual violence and how it shapes emotional relationships. Through the relationship between Gabriel and Lucien, the film follows a character who can only conceive of his relationships with men through desire, and is confronted with a kind of intimacy he no longer recognizes.

Jann Kessler – se métamorphoser ?

BA FILM STUDIES

Jann Kessler – se métamorphoser ?

by Jann Kessler

How can one learn to have healthy relationships, on equal terms with the other? With the help of the camera, the filmmaker explores the relational dynamics between him and two close friends, Mar and Christal, through various therapeutic scenarios. In doing so, he confronts his own self-hatred, which turns out to be a tragic attempt to avoid repeating, as musch as possible, his own toxic masculine patterns. From this project, and through the medium of the camera, emerges a reflection on self-love, openness to others, overcoming shame, and the benefits of artistic creation on mental health.

Related courses