GRAPHIC DESIGN

Type specimen

with Aurèle Sack

Type design displayed on a specimen.

GRAPHIC DESIGN

Type specimen

with Aurèle Sack

Type design displayed on a specimen.

GRAPHIC DESIGN

Type specimen

with Aurèle Sack

Type design displayed on a specimen.

GRAPHIC DESIGN

Type specimen

with Aurèle Sack

GRAPHIC DESIGN

Type specimen

with Aurèle Sack

GRAPHIC DESIGN

Type specimen

with Aurèle Sack

Type design displayed on a specimen.

GRAPHIC DESIGN

Type specimen

with Aurèle Sack

Type design displayed on a specimen.

GRAPHIC DESIGN

Arnaud Claret – La librairie magique

with Diego Bontognali, Aurèle Sack

Mention Excellent “La librairie magique” features an optimised reading experience for dyslexic children thanks to a website. The project offers modular personalisation of the texts using the “Dyslexia Variable” font as well as many specific functions to meet their needs. In order to provide ideal reading comfort, the site enables users to adjust the form, the differentiation of letters between them and the layout of the texts. It opens up a new path to provide these children with better access to reading and to help them enjoy it.

GRAPHIC DESIGN

Loïc Dupasquier – Blackout

with Guy Meldem, Aurèle Sack

Blackest Ever Black, a British record label, announced it was shutting down in 2019. This project pays tribute to the label through a post-mortem cassette reissue of its ten most outstanding musical releases. These feature two levels of information, a listing of how the tracks make the listeners feel and the barely visible metadata of the releases. The font used is my revival of a typographic drawing by Peter Behrens, which, just like the label did, enables me to take things from the past and make them contemporary.

GRAPHIC DESIGN

Noé Proton – Riondaz Colours

with Guy Meldem, Aurèle Sack

“Riondaz Colours” is a range of inks made from natural and local products for screen printing. The inks are created in a laboratory located west of Veyras in the district of Sierre in central Valais. Some of the products used in these inks come from the garden next door. The others are available locally, which means within a radius of fifty kilometres.

GRAPHIC DESIGN

Alexandre Lescieux – Rohny

with Aurèle Sack, Nicole Udry

Rohny is back & horny! Attractive, spiky yet smooth. Genuine stunner. 16 styles. Geared 4 action. Skinny 2 xtra large. L B R M SBL BL EBL & BLK. Can be tilted. 500 glyphs/style. Well-equipped. Non-binary, chat on paper & screen. Versatile and Latin. Connoisseurs only. Take me anywhere. Soon ready in xtreme & low contrast. Born in the USA. Previous location: 606–614 Sansom Street, Philadelphia. For an experience you won’t forget. Contact me at rohny20@icloud.com for a good deal.

GRAPHIC DESIGN

Typography Design

with Aurèle Sack

GRAPHIC DESIGN

Typography Design

with Aurèle Sack

GRAPHIC DESIGN

David Massara – Ripley

with Guy Meldem, Aurèle Sack

Ripley considers how to optimize legibility in an on-screen environment; the idea  is to transpose the legibility rules of body text from print to new media. This typeface is a toolbox that combines a multitude of axes to provide the reader  with ideal reading comfort. Furthermore, the font itself is programmed to respond to light sources. It adapts to ambient surrounding light changes throughout the day, increasing readability, in order to protect the reader from eye strain. This project confirmed my ambition to continue my career in the fi eld of typography.

GRAPHIC DESIGN

Jules Boulaert – Mundaka

with Jonathan Hares, Aurèle Sack

Mundaka is a family of fonts inspired by the expressive and vernacular forms of  Basque fonts. Originating from a pre-Antiquity language that remains the last living isolate and the oldest language in Western Europe, Basque typography embodies the local identity. Halfway between regionalism and global openness, Mundaka questions the notion of heritage and its cultural propagation in a globalised era. I found it very motivating to work in this cultural context and to get to grips with  these specific fonts; this experience has given me ideas for the future.

GRAPHIC DESIGN

Type Design

GRAPHIC DESIGN

Type Design

with Aurèle Sack

GRAPHIC DESIGN

Type specimen

Type design displayed on a specimen. Second year course supervised by Aurèle Sack.

GRAPHIC DESIGN

Type Specimen

with Aurèle Sack

Type design displayed on a specimen. Second year course supervised by Aurèle Sack.

GRAPHIC DESIGN

Type Design

with Aurèle Sack

Type design displayed on a specimen. Third year course supervised by Aurèle Sack.

GRAPHIC DESIGN

Sabrina Vega – May Jailer – Sirens

with Guy Meldem, Aurèle Sack

«I believe in the country America used to be. I believe in the person I want to become, I believe in the freedom of the open road. Who are you? Are you in touch with all of your darkest fantasies? Have you created a life for yourself where you’re free to experience them? I have. I am fucking crazy.»  My project is a bootleg of the album Sirens, by May Jailer, an american folk singer.

GRAPHIC DESIGN

Valentin Kaiser – Permanent Culture: A Manual for Sustainable Living

with Nicole Udry, Aurèle Sack

Permanent Culture is a guide about Permaculture, which is a systemic and global method of conceiving agricultural systems and housing environments, but also any other systems, inspired by natural ecology, biomimicry and tradition. The challenge of the publication was to promote this new method of economical, social and cultural organisation. Through the book, Graphic Design and Permaculture meet, creating links on hierarchy, organisation and optimisation of space.

GRAPHIC DESIGN

Ariane Delahaye – Misophonia

with Aurèle Sack, Guy Meldem

Misophonia is an hypersensitivity to a certain type of trigger sounds. The rage and the distress that it provokes are extremely violent and sudden. It is hard for somebody who doesn't have the condition to understand this suffering. «Misophonia» carries the reader into nine concrete situations of crisis, mixing both the narrative aspect and the expression of the extreme sensations experienced by the misophones. This graphic novel hopes to allow their surroundings to have a better understanding of the disorder as well as to invite the Misophones to identify themselves in the illustrated cases.

GRAPHIC DESIGN

27.03.1977 ((1706:50))

with Gilles Gavillet, Jonathan Hares, Aurèle Sack

27.03.1977 ((1706:50))  aims to analyse forty years later, the different factors which led to the deadliest accident in aviation history—the Tenerife Airport Disaster—which occured in Los Rodeos Airport, in March 27, 1977 in the Canary Islands, in Spain. Gathering official and documentary sources of references, it is a visualization of the interferences, present under multiple sorts: temporal, visual, behavioral and audio. We wish by this book not only to investigate factors of danger in aeronautics, but also to shape a better future for Aviation Security and Air Traffic Control.

GRAPHIC DESIGN

Targeting Consciousness

with Gilles Gavillet, Jonathan Hares, Aurèle Sack

GRAPHIC DESIGN

OMENS

with Gilles Gavillet, Jonathan Hares, Aurèle Sack

GRAPHIC DESIGN

Event

with Aurèle Sack

The students had to choose an event and make an editorial project.

GRAPHIC DESIGN

Événement

with Aurèle Sack

Après s’être vu attribuer une année, les étudiants ont dû choisir un événement et en faire un projet éditorial. Format imposé, une police de caractères, une couleur.

GRAPHIC DESIGN

Rituel

with Aurèle Sack

Tavail sur le thème du rituel.