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ECAL Alumni Milano 2018,17–22.04.2018,Milan Design Week Selection of ECAL graduates Salone Internazionale del Mobile, Milano (17 – 22 April 2018). Selection of ECAL graduates Salone Internazionale del Mobile, Milano 17 – 22 April 2018 ---- Andrea Anner & Thibault Brevet (AATB) & Brynjar Sigurðarson MA Art Direction, MA Fine Arts, MA Product Design ATELIER LUMA Palazzo Clerici (Via Clerici 5) www.aatb.ch www.biano.is Ini Archibong MAS in Design for Luxury & Craftsmanship Collection IV for Sé Spazio Rossana Orlandi (Via Matteo Bandello 14/16) www.designbyini.com Ini Archibong MAS in Design for Luxury & Craftsmanship Doppia Firma Villa Mozart, Porta Venezia www.designbyini.com Cesare Bizzotto & Tobias Nitsche (FROM) MA Product Design FROM LIGHTING ASAP (Corso Garibaldi 104) www.from.lighting Sébastien Cluzel (SCMP DESIGN OFFICE) & Terkel Skou Steffensen & Matthieu Girel MA Product Design, BA Industrial Design Omnia Su collection Paşabahçe Shop (Corso Giacomo Matteotti 3) www.scmpdesignoffice.com www.terkelskousteffensen.com www.matthieugirel.com Luciano Dell Orefice BA Industrial Design Pincettes for True Salone del Mobile, Rho (Hall 12, Stand D10) www.dellorefice.com Thibault Dussex & Yann Mathys (EGLI Studio) BA Industrial Design Easy Aluminium Palazzo Litta (Corso Magenta 24) www.eglistudio.com Claudio Gatto MA Product Design Soffio - Inflatable Furniture Collection SaloneSatellite, Rho (Stand A27) www.claudiogatto.com Kodai Iwamoto & Takahiro Yamamoto MA Product Design, MAS in Design for Luxury & Craftsmanship Exportation 2018 – The New Generation of Japanese Design Loft, Ventura Future (Via Donatello 36) www.ex-portation.com Grégoire Jeanmonod & Elric Petit & Augustin Scott de Martinville (BIG-GAME) BA Industrial Design MAGIS Salone del Mobile, Rho (Hall 20, Stand C15/D14) www.big-game.ch Josefina Muñoz MAS in Design for Luxury & Craftsmanship Game of Stone – Source Lovely Waste Isola Design District Zona K (Via Spalato 11) www.josefinamunoz.ch Donghoon Sohn MAS in Design for Luxury & Craftsmanship Atelier Sohn SaloneSatellite, Rho (Stand B15) www.sohn.work Giorgia Zanellato & Daniele Bortotto (Zanellato/Bortotto) MA Product Design MAREA for De Castelli Salone del Mobile, Rho (Hall 16, Stand E51) www.zanellatobortotto.com 7 ECAL MA Product Design students & graduates Instant Collective Loft, Ventura Future (Via Donatello 36) www.instant-collective.com 10 ECAL BA Industrial Design & MA Product Design graduates Future Artefact by NOV Gallery Spazio Rossana Orlandi (Via Matteo Bandello 14/16) www.novgallery.com 12 ECAL BA Industrial Design & MA Product Design graduates U-JOINTS curated by Andrea Caputo & Anniina Koivu Plusdesign Gallery (Via Archimede 26) www.plusdesigngallery.it Graphic design: ECAL/Valentin Kaiser
Rencontres 7e art Lausanne,24–28.03.2018,ECAL & Gallery l elac On the occasion of the first edition of the Rencontres 7e Art Lausanne (r7al), ECAL is hosting a series of masterclasses of cinema personalities as well as films in virtual reality (VR). A l occasion de la première édition des Rencontres 7e Art Lausanne (r7al) initiée par l acteur et réalisateur suisse Vincent Perez, l ECAL accueille une série de masterclasses de personnalités du Cinéma ainsi que des films en réalité virtuelle (VR). Par ailleurs, les étudiants du Bachelor Cinéma de l ECAL ont réalisé les films qui présentent les différents intervenants. (Télécharger programme complet) Michel Hazanavicius réalisateur, scénariste, producteur, Paris En conversation avec Lionel Baier, réalisateur et responsable du Département Cinéma à l ECAL Samedi 24 mars 2018 à 15 h, Auditoire IKEA, ECAL Thierry Frémaux délégué général du Festival de Cannes et directeur de l Institut Lumière, Lyon Lundi 26 mars 2018 à 17 h, Auditoire Leenaards, ECAL Darren Aronofsky réalisateur, scénariste, producteur, New York En conversation avec Lionel Baier et Alain Boillat, doyen de la Faculté des lettres à l UNIL Lundi 26 mars 2018 à 18 h 30, Auditoire IKEA, ECAL Susanne Bier réalisatrice, scénariste, Copenhague En conversation avec Lionel Baier Mardi 27 mars 2018 à 17 h, Auditoire IKEA, ECAL Léa Seydoux actrice, Paris En conversation avec Lionel Baier Mardi 27 mars 2018 à 18 h 30, Auditoire IKEA, ECAL Thomas Vinterberg réalisateur, scénariste, producteur, Copenhague En conversation avec Lionel Baier Mercredi 28 mars 2018 à 17 h, Auditoire IKEA, ECAL Sélection de films en réalité virtuelle (VR) Samedi 24 mars de 10 h à 18 h Dimanche 25 mars de 11 h à 17 h Lundi 26 au mercredi 28 mars de 11 h 30 à 19 h Galerie l elac, ECAL A l initiative de Fisheye 360, créateur du VR Arles Festival qui a lieu pendant les Rencontres d Arles, la Galerie l elac (dans l ECAL) accueille des installations, qui présentent une sélection de 10 films de fiction ou documentaire, permettant aux spectateurs de se plonger au cœur des meilleures productions mondiales en réalité virtuelle (VR). Parmi celles-ci, le projet de fin d études de Mélanie Courtinat, diplômée du Bachelor Media & Interaction Design de l ECAL en 2017. ECAL/Ecole cantonale d art de Lausanne & Galerie l elac 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 www.r7al.ch
ECAL Conference: Peter Saville,19.03.2018,IKEA Auditorium, ECAL ECAL Conference: Peter Saville – Artist and designer, London Conférences ECAL (mars 2018) Peter Saville, Artiste et designer, Londres Lundi 19 mars à 18h, auditoire IKEA, ECAL Né en 1955, Peter Saville est un artiste et designer dont la contribution à la culture a été unique. En tant que fondateur et directeur artistique du légendaire label indépendant britannique Factory Records, il a touché le grand public grâce aux séries de pochettes de disques qu il a créées pour Joy Division et New Order entre 1979 et 1993. Son style radical a cassé toutes les règles, en omettant sciemment les informations sur les artistes ou les titres, tout en questionnant les modes de consommation et de communication. Ses projets récents mêlent design, art et culture. Ces dernières années, il a ainsi occupé le poste de Creative Director auprès de Manchester, sa ville d origine. Ses réalisations ont également été célébrées entre autres au Design Museum à Londres, au Migros Museum à Zurich et partout dans le monde, où il continue toujours d exposer. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens
ECAL x QWSTION in Zurich,08.03–07.04.2018,QWSTION Store Zurich A joint project between Swiss bag brand QWSTION and ECAL students of the Master Product Design programme, exploring ways of carrying and using the new sustainable and lightweight material CottonShell®. Ten prototypes have been selected for display at QWSTION Zurich from 8 March to 7 April 2018. Images HD In the project led by Christian Paul Kaegi, Swiss Designer and Creative Director at QWSTION, the sustainably produced CottonShell® was the starting point for an extensive research. CottonShell® has so far been used for clothing only and its unique construction makes it water-resistant without the use of any coating. Questioning the norm, using straightforward materials and integrating functionality in effortless ways are the core brand values of QWSTION which completed the brief. The students engagement with both the QWSTION brand as well as the new material resulted in interesting new ideas and concepts going beyond the ordinary: a scarf with hidden pockets aims to challenge airline staff, a new method of protecting contents inspired by bubblewrap makes for minimal carry and a backpack with integrated rain coat tackles unpleasant weather surprises. From 8 March to 7 April Monday-Friday 11-7pm Saturday 11-5pm QWSTION Store Zurich Badenerstrasse 156 8004 Zürich – Switzerland www.qwstion.com
Theater, Garden, Bestiary A Materialist History of Exhibitions The history of exhibitions is currently undergoing renewed interest. While today the "medium" of exhibition is a producer of specific discourses, and while it offers new practices a stage on which to emerge, it has also become the nexus of numerous institutional neo-positivisms relating to the ontological designation ‘art . The exhibition, in the search for its reflexive forms (as in the quest for its own modernism) seems to become a genre in its own right. By distancing itself from today s flurry of studies related to curating, this research project will draft a history of exhibitions sourced from a wide corpus reaching beyond the framework of artistic institutions. The research project Theater, Garden, Bestiary: A Materialist History of Exhibitions stems from the wish to consider the exhibition as a genre, and to question its place in an expanded geography of borders and conceptual divides that have historically structured the space of art, and which continue to underlie its situation today. Its aim is to consider anew the genre of exhibition, by grounding it both in the history of modernism and in modernity as a whole, that is, in what one may call the anthropological matrix of modernity: its ontological separations, its epistemic divisions, its political economy, its sense of the negative.Main applicantsECAL/University of Art and Design Lausanne Tristan Garcia Intervenant-e-sElie During, Anselm Franke, Dorothea von Hantelmann, Pierre Huyghe, Jeremy Lecomte, Stéphane Lojkine, Celeste Olalquiaga, Peter Osborne, Filipa Ramos, Juliane Rebentisch, Joao Ribas, Ludger Schwarte, Anna-Sophie Springer, Olivier Surel, Etienne Turpin, Charles T. Wolfe, Yuk HuiPeriodseptember 2015 – march 2018Supported byECAL/University of Art and Design Lausanne Strategic fund of the University of Applied Sciences Western Switzerland (HES-SO RCDAV)DisseminationPublication Tristan Garcia and Vincent Normand (eds.), Theater, Garden, Bestiary – A Materialist History of Exhibitions, Lausanne: ECAL and Amsterdam: Sternberg Press, 2019 (with contributions from Etienne Chambaud, Elitza Dulguerova, Anselm Franke, Tristan Garcia, Fabien Giraud & Raphaël Siboni, Dorothea von Hantelmann, Yuk Hui, Pierre Huyghe, Sami Khatib, Jeremy Lecomte, Stéphane Lojkine, Rafael Mandressi, Vincent Normand, Peter Osborne, Filipa Ramos, Juliane Rebentisch, João Ribas, Pamela Rosenkranz, Anna-Sophie Springer, Lucy Steeds, Olivier Surel, Etienne Turpin, Kim West, and Charles Wolfe) Website theatergardenbestiary.com Interview Interview with Tristan Garcia and Vincent Normand by Filipa Ramos, Mousse Magazine, October 2016. PDF
The Most Beautiful Swiss Books 2017 Congratulations to Eurostandard (Pierrick Brégeon & Clément Rouzaud, ECAL Bachelor Graphic Design graduates), who won The Most Beautiful SwissBooks 2017 with "Early Video Art and Experimental Films Networks" by François Bovier and ECAL In addition, 13 graphic designers (graduates, professors or lecturers) closely connected to ECAL were awarded: Atlas Studio – Ludovic Balland – Julia Born & Laurenz Brunner – Larissa Kasper – Noémie Gygax – Urs Lehni – NORM – Teo Schifferli – Chi-Long Trieu – Lex Trüb – Scott Vander Zee – Jonas Voegeli Moreover, HubertusDesigns (with Jonas Voegeli and Scott Vander Zee) won the Golden Letter (the highest prize) and NORM received an Honorary Appreciation at the occasion of the «Best Book Design from all over the World» in Leipzig.
Upcoming Talent award by SSA/SUISSIMAGE For the second year in a row, an ECAL BA Cinéma diploma film ("Valet Noir" by Lora-Mure Ravaud) was awarded by the SSA / SUISSIMAGE Emerging Talent Award (CHF 15 000.-) at the occasion of 53. Solothurner Filmtage. Two other BA Cinema films were also in competition (Lou Rambert Preiss s "Les Zumains" and Magdalena Froger s "Les Intranquilles"). Congratulations to Marie-Eve Hildbrand, teacher and BA Cinéma graduate, who won the Migros pour-cent culturel Migros (CHF 480 000.-) for her documentary film Les Guérisseurs» produced by Bande à part Films. More than 25 ECAL students and graduates participated in the festival.
IMD and ECAL launch partnership,29.01.2018,IMD & ECAL Two of the Vaud region s leading academic institutions join forces to deliver programs on business and design IMD and ECAL, the University of Art and Design Lausanne, have established a partnership agreement and are currently working together on a series of joint initiatives. The two leading academic institutions recently jointly delivered a three-day program on Foundations of Business at IMD for students undertaking ECAL s MAS in Design for Luxury and Craftsmanship. The program focused on the major facets of branding and the creation of products and companies. Several other joint initiatives with IMD and ECAL are planned for the current and upcoming semesters. The current line-up of joint programs includes: Foundations of Business This three-day program is led by IMD Professors and is destined for students in ECAL s MAS in Design for Luxury and Craftsmanship. Through practical exercises it focuses on familiarizing students with the creation of products and companies as well as the many facets of branding. Coaching IMD Professors provide personalized coaching, advising ECAL students on business projects the students undertake as part of their diploma and with a view to kick-start their careers. MBA Innovation Lab From 23 to 28 April, ECAL students and participants in the IMD MBA program work together on the Debiopharm Inartis Challenge, a competition organized to harness innovation and tackle a societal challenge: to improve the lives of healthcare patients. During the week, the IMD and ECAL students will explore the processes of creating new ideas, insight-gathering, prototyping and pitching. Orchestrating Winning Performance (OWP) On the occasion of IMD s signature program, Orchestrating Winning Performance from 25 to 29 June 2018, several graduates from ECAL will participate in discussions in the design thinking stream led by Cyril Bouquet and will focus on what business can learn from the art world. Professor Cyril Bouquet leads IMD s participation in the partnership and focuses on teaching innovation and design thinking notably in the MBA innovation Lab. Professor Stéphane J.G. Girod delivers teaching on the luxury industry and Prof. Professor Peter Vogel shares his expertise in entrepreneurship and start-ups. Other focuses include business model strategy, marketing and sustainability. Nicolas Le Moigne is in charge of the MAS in Design for Luxury and Craftsmanship at ECAL. According to IMD President Jean-François Manzoni: “IMD is delighted to partner with ECAL. We look forward to sharing our expertise in areas such as innovation and entrepreneurship and to contributing to developing up-and-coming leaders in the art and design sector. We also warmly welcome ECAL s contribution and participation in several of our programs, including the MBA and our signature program OWP. Our region is rich in outstanding academic institutions and our growing interaction with several of them is extremely promising.” Alexis Georgacopoulos, ECAL s Director said: “I am glad to collaborate with such a prestigious institution as IMD, thus connecting two worlds, business and design, that are not always taught together at the academic level. “ IMD IMD is a top-ranked business school, expert in developing leaders, transforming organizations and creating positive, sustainable impact – immediate and long-term. We strive to ensure this impact is felt by the individual, the team and the entire organization. IMD is based in Lausanne, Switzerland and Singapore. www.imd.org ECAL Enjoying international renown and featuring regularly among the world s top ten universities of art and design, ECAL is directed by Alexis Georgacopoulos. The school currently offers six Bachelor programmes (Fine Arts, Cinema, Graphic Design, Industrial Design, Media & Interaction Design, Photography), five Master programmes (Fine Arts, Film, Photography, Product Design, Type Design) and two Master of Advanced Studies (MAS) in Design for Luxury & Craftsmanship and in Design Research for Digital Innovation (with EPFL+ECAL Lab). ECAL also offers a one-year Foundation Course to prepare students for entrance to the different Bachelor s programmes. www.ecal.ch
Collaboration with RETROSUPERFUTURE – 2018 After a few collaborations with labels specialized in the fashion industry, such as APC or Carhartt, Retrosuperfuture and ECAL have teamed up to celebrate to work again with the students from the Master of Advanced Studies in Design for Luxury & Craftsmanship. They have worked on surprizing and festive eyewear and sunglasses but also more commercial pieces for the classic collections. Antiquity Savvas Laz The celebration capsule collection I created for RETROSUPERFUTURE trakes us back to antiquity and specifically in ancient Greece. I focused on the iconic and best selling glasses, Ilaria, that inspired me for its feminine and dynamic shape. Taking the laurel crown as a starting point, a symbol of glory in ancient times, I decorated the Ilaria glasses as a reference to women who already used to decorate their outfits, dresses, hands or hair with pieces of jewellery. This symbol of glory is also a perfect way to graphically celebrate the 10th anniversary of the brand, as an award for all that has been accomplished. Viadotto Angele Fourteau This project is inspired by the graphical structures and the aerial lines of inconic bridges and viaducts from Italy. I was interested by the idea that those lines support the entire structure and at the same time connect two places exactly like the metallic nose pad in the Panama or Giaguaro SUPER s iconic shapes. For the 10th anniversary of RETROSUPERFUTURE I wanted to develop this idea of a bridge in a literal way through glasses, using graphical lines based on architecture. SUPERvision Naroot Pitisongswat These glasses are a perfect metaphor for the future and the visionary spirit of RETROSUPERFUTURE. Since the beginning I was directly seduced by the brand s innovative aesthetic, that takes inspiration (with a lot of respect) on the past through vintage shapes of classic glasses. This contemporary vision is represented here by an extrusion of the TUTTOLENTE iconic shape that emphasize the character of the brand and celebrates its 10th anniversary - like binoculars that brings you further in the future. MARS Maximilian Maertens For this project I was first inspired by the subtle lines of the TUTTOLENTE collection. The clear lines of the glasses create a naked body without any protection or shell yet very strong and sophisticated. For the 10th anniversary of SUPER, I wanted to design a unique piece that illustrates strength and lightness at the same time: a transparent mask assembled on a metallic helmet in order to show a clear contrast between these two elements, as a celebration of the past and the future.
Summer University CUBA After marking the history of the twentieth century with major episodes, Cuba must confront a new historical turning point. Obama s opening speeches and the death of Fidel Castro, leader of the Cuban Revolution of 1959, push the country towards a paradigm shift without priors. Partial liberalisation measures (restaurants, taxis and tourist activities) create an uncertain balance between mass tourism and Communist historical anchorage. The will of the workshop led by Milo Keller (head of photography) and Vincent Jacquier (Head of visual communication) was to rethink the visual relationship that the collective imaginary maintains with Cuba. It was for the students to get out of the tourist cliché, be it the old American car, the colorful colonial houses or the cigar. In partnership with the Embassy of Switzerland in Cuba, this week has been punctuated by many cultural visits. Exchanges with institutions such as the Instituto Superio de Arte (ISA) and the Fototeca de Cuba, as well as meetings with photographers who have worked for decades in Cuba as Sven Creutzmann and Vives-Figueroa, allowed an understanding finer Cuban culture, with exchanges around photographic, educational and policy approaches. The architecture has been one of the major themes, whether through visits to buildings of Porro and Gottardi, or even a visit to the Swiss Ambassador s residence, designed by Richard Neutra. With the help of the Embassy of Switzerland, the students were guided by four local photographers: Raul Canibano, Chino Arcos, Gabriel Guerra and Lissette Solórzano and they were able to get in places and invisible to tourists Havana networks. The projects are varied: technology report was addressed by Margaux Piette in a film about the hot spots Wifi scattered through the city. but also in the photos of Ivo Fovanna centered on the package, physical network for the exchange of files hacked; or in the film of Tatiana Mégevand on tourism activities Airbnb and economic change involved. The social characteristics of Cuba themselves in the series Olivia Schenker and Julien Deceroi. The first has made portraits of LGBTQ minority which enjoys a special acceptance on the island. The second makes us discover Santería, majority religion in Cuba of Christian inspiration and Voodoo. Imported cultural trends was put forward by the skaters in the movie of Pierre-Kastriot Jashari and more vernacular aspects are revealed in this series of Vincent Levrat pigeons collected on roofs by the inhabitants of Havana. The eighteen projects of this workshop were presented in the form of a projection at the Fototeca of Cuba on Vendredi8 December, in the presence of the Swiss ambassador, Mr Stutz and local photographers. This workshop was an opportunity of discovery cultural and social, but also a framework that helped improve the autonomy and ambition projectual students.
ECAL – Ten Years in Renens,06.12.2017–16.02.2018,Gallery l elac To celebrate the 10th year anniversary of its arrival in its new building in Renens, ECAL/University of Art and Design Lausanne presents an exhibition of the best projects created during this period by students from all fields of studies. Under the impulse of Pierre Keller (director from 1995 to 2011), ECAL took up residence in Renens in 2007 in the former premises of the IRIL factory, a building renovated by the Franco-Swiss architect Bernard Tschumi and the Fehlmann office in Morges. Ten years later, ECAL presents an exhibition of the best projects created during this period, emblematic of the various disciplines taught between its walls (Art Direction, Fine Arts, Cinema, Industrial and Product Design, Design for Luxury & Craftsmanship, Graphic Design, Media & Interaction Design, Photography, Type Design). Alexis Georgacopoulos, Director of ECAL, and Heads of all Departments have selected nearly 300 projects from the harvest of a rich decade (1456 diplomas, 310 exhibitions, 655 awards, 100 collaborations), staged in a structure shaped as an X, imagined by Adrien Rovero and Béatrice Durandard, both graduates of the Bachelor Industrial Design. This is the perfect opportunity to see works that have contributed to the reputation of ECAL and perpetuated its international renown (5th Dezeen Hot List published late 2016, ranking the best schools of art and architecture in the world). The exhibition offers the opportunity to (re)discover among others: "Delirious Home", featuring a series of objects in a playful interpretation of the "smart home" concept (Award for the best show at the Milan Furniture Fair 2014). A wide selection of films including, award-winning films of the Locarno Film Festival. Many photos, posters and editions that went around the world as part of the exhibitions "ECAL Photography" and "ECAL Graphic Design". Paintings, videos, installations, drawings, attesting of the broad spectrum embraced by fine arts. Collaborations in design (industrial, product & luxury), which have marked the history of ECAL such as Alessi, Baccarat, Bernardaud, Christofle, Felco, Hermès, Hublot, Nespresso, Punkt., Scott or Vacheron Constantin. Various videos of Media & Interaction Design projects, proof of an expanding field of studies. Not to mention a hundred books and publications published by the school. ECAL – Ten Years in Renens From 7 December 2017 to 16 February 2018 (closed from 23 December 2017 to 9 January 2018). Wednesday to Friday, 1pm to 5pm ECAL & Gallery l elac 5, avenue du Temple CH-1020 Renens
ECAL Conference: Christian Patterson,15.11.2017,IKEA Auditorium, ECAL ECAL Conference: Christian Patterson – Photographer, New York Conférences ECAL (novembre 2017) A l occasion d une semaine de workshop avec les étudiants en Bachelor Photographie. Christian Patterson, photographe, New York Mercredi 15 novembre à 18 h, Auditoire IKEA, ECAL Bio (in english) Christian Patterson (b. 1972, Fond du Lac, WI) moved from Brooklyn, New York to Memphis, Tennessee in 2002 to work for photographer William Eggleston. In 2005, Patterson completed his first project, Sound Affects, a collection of color photographs that explore Memphis utilizing light and color as visual analogues to sound and music. In 2008, a Sound Affects monograph was published by Edition Kaune, Sudendorf (Cologne). His second monograph Redheaded Peckerwood was published by MACK in 2011 and was named one of the best books of the year by numerous noted international photography critics, nominated for the 2012 Kraszna-Krausz Book Awards and won the prestigious 2012 Recontres d Arles Author Book Award. The book appeared in The Photobook: A History, Volume 3, co-edited by Gerry Badger and Martin Parr. In 2013, Patterson was awarded a 2013 John Simon Guggenheim Memorial Foundation Fellowship, or Guggenheim Fellowship. In 2015, he won the Grand Prix Images Vevey 2015/2016. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
ECAL at Dubai,13–18.11.2017,Dubai On the occasion of the Dubai Design Week from 13 to 18 November, ECAL participates in several events. GLOBAL GRAD SHOW With 7 projects, ECAL is proud to participate in the "Global Grad Show" of the Dubai Design Week, a world-first exhibition of the most innovative projects from world s leading design schools. Curated by Brendan McGetrick, "Global Grad Show" offers an overview of the issues and technologies that will shape the future. The "Global Grad Show" will take place in Building 6, Dubai Design District, 14 - 18 November 2017. Open to public from 10am - 10pm (7pm on Saturday). www.globalgradshow.com ---- DRAK 17 ECAL x REUGE As part of MAS in Design for Luxury & Craftsmanship, ECAL presents two collaborations with Reuge, the Swiss manufacturer of luxury music boxes. The Gallery - Design Ras Al Khor No. 7, Street 22a, Community 612, Ras Al Khor Industrial 1, Dubai - United Arab Emirates http://designrasalkhor.com/ ECAL x CHRISTOFLE As part of the MAS in Design for Luxury & Craftsmanship, ECAL presents a collaboration with Christofle, the French luxury goldsmith manufacture. Light House (restaurant) – Building No.6, Dubai Design District – Dubai - United Arab Emirates http://thelighthouse.ae/contact/ Conference Nicolas Le Moigne, head of MAS in Design for Luxury & Craftsmanship, will also give a lecture on 14 November at 6pm at The Light House. ---- DUBAI WATCH WEEK Alexis Georgacopoulos, Director of ECAL, will participate in two panel discussions on Friday 17 November at 2pm and 4pm on the following topics: MILLENNIAL WATCHMAKERS – CURRENT CONTRIBUTIONS IMPACTING WATCHMAKING INNOVATION & TECHNOLOGY – INFLUENCING TRADITIONAL METHODOLOGIES https://www.dubaiwatchweek.com/event_type/horology-forum
ECAL at Capitole,07.11.2017,Cinéma Capitole, Lausanne Nous avons le plaisir de vous inviter à la projection des films de diplôme Bachelor 2017 du Département Cinéma de l ECAL/Ecole cantonale d art de Lausanne le mardi 7 novembre 2017. Entrée libre. 19h30 Grüezi à la ZHdK ! (film surprise présenté par la Zürcher Hochschule der Künste, Zurich) Films de l ECAL On casse le ciel on prend un bout, Céline Dondénaz, 19 27 Enbata, Imanol Pittaluga, 29 42 Dancing Encounters, Alexandre Frager, 14 47 Valet noir, Lora Mure-Ravaud, 22 10 Crépuscule*, Pauline Jeanbourquin, 20 12 A Man with a Parcel, Max Wuchner, 25 37 Entracte Bonobo, Zoel Aeschbacher, 16 37 La Historia Quebrada, Salomón Pérez, 21 08 Foulek *, Patrick Muroni, 18 10 Satan, Carlos Tapia, 17 Les intranquilles**, Magdalena Froger, 12 50 * En collaboration avec Joséphine Pittet, diplômée Scripte ** Best Swiss Newcomer Awardau Festival del Film Locarno 2017 Cinéma Capitole Avenue du Théâtre 6 1002 Lausanne www.lecapitole.ch www.cinematheque.ch Image ECAL/Calypso Mahieu
Elite Hotel by ECAL,02–11.11.2017,Elite Gallery, Lausanne The Swiss bed manufacturer Elite presents a collection of bedroom furniture, linen and accessories for hostelry in collaboration with ECAL Bachelor Industrial Design students under the guidance of Chris Kabel. Update: After the Milan Design week, exhibition presented from 2 to 11 November 2017 at Elite Gallery - Lausanne. Monday to Friday from 9:30 to 12:30 and from 13:00 to 18:30. Saturday from 9:30 to 18:00. Elite Gallery - Lausanne Rue du Grand-Chêne 5 CH - 1003 Lausanne www.elitebeds.ch The Swiss bed manufacturer Elite presents a collection of bedroom furniture, linen and accessories for hostelry in collaboration with ECAL Bachelor Industrial Design students under the guidance of Chris Kabel. HD Images Brochure with explanations Elite Hotel offers an innovative and immersive sleeping experience, as the result of an intensive collaboration between two world-famous Swiss institutions: ECAL and luxury mattress factory Elite Beds. With this audacious adventure, Elite Hotel does not take the first-class hotel bed for granted but, instead, seeks to exceed excellence and anticipate the high expectations of its customers. Thanks to the ECAL Bachelor Industrial Design students under the guidance of Chris Kabel, designer and tutor at ECAL, the luxury mattress and its direct surroundings (bed frame, bedside table, linen, pillow, slipper, pyjamas…) have been thoroughly reconsidered to provide demanding guests with much more than they could ever imagine in their wildest dreams. www.elitebeds.ch
Pool CH — ECAL at Arsenic,31.10–02.11.2017,Arsenic , Lausanne Pool CH — ECAL at Arsenic — Centre d art scénique contemporain Tuesday 31 October Wednesday 1 November Thursday 2 November The Pool CH organised by ECAL offers two distinct workshops, one lead by Cecilia Bengolea, the other by Karl Holmqvist. Each attending student registers for one workshop only. Both Cecilia Bengolea and Karl Holmqvist find themselves in shifting positions, moving alongside the art scene, towards the space of the stage, between writing practices, language, poetry, visual forms, film, and sound. The workshops will take place outside of the art school, in a location suited to host both practices, at the Arsenic – Centre d art scénique contemporain, the theatre located in the city centre of Lausanne. --- Cecilia Bengolea Workshop statement I would like to share a practice of dance and writing. The ancestors of Bolivia, the Argentine cumbia street dances and Jamaican dancehall as well as automatic writing. The work on breathing, on hyperventilation as practiced in these dances interest me particularly in order to then write and think about other rhythms and speeds. Biography Born in Buenos Aires, Cecilia Bengolea was trained in urban dances and studied anthropological dance with Eugenio Barba before graduating in philosophy and art history from the University of Buenos Aires. In 2001, she moved to Paris and attended the Ex.e.r.c.e. course in Montpeller, directed by Mathilde Monnier. In 2011, Cecilia Bengolea co-directed two short films which were in dialogue with Levi-Strauss s work : Tristes Tropiques : La Beauté (tôt) vouée à se défaire with Donatien Veisman and Cri de Pilaga with Juliette Bineau. Cecilia Bengolea performs dance like animated sculpture, with the possibility of becoming object and subject in the same instance. She regularly collaborates with artists such as Dominique Gonzalez-Foerster, Monika Gintersdorfer and Knut Klassen, as well as with dancehall specialists Damion BG Dancerz et Joan Mendy. In collaboration with the British artist Jeremy Deller, Cecilia Bengolea has also co-directed the films RythmAssPoetry and Bombom s Dream. Dates and hours Tuesday 31 October 2pm – 6pm Wednesday 1 November 2pm – 6pm Thursday 2 November 2pm – 6pm Location Arsenic – Centre d art scénique contemporain Rue de Genève 57, 1004 Lausanne --- Karl Holmqvist Workshop statement The term “Deep Listening” was coined by composer Pauline Oliveros in the 1980s and has mostly been used in relation to contemporary experimental music. I wanted to invoke it however with the sense that there s something beneath the surface, behind the noise or what artist James Benning has stated as artists being people “who are able to look at the world around them”, the notion that art making is in fact part of processing this act of looking or “listening”. Part of “deepening” it. Proposing a workshop at ecal about the use of language in art, as spoken word or graphic design. As meaning carrier or a type of flashing picture largely part of today s urban landscape. Also about memory function, “brain washing” techniques and repetition. How things can stay perfectly clear in one s memory and yet also change over time or even right there in the moment. Biography Karl Holmqvist is an artist living and working in Berlin. The main focus of his artistic practice is on language and includes writing in the form of artist s books, in video animations and room size installations as well as in spoken word performances. His writing is mostly made up of quotations from a variety of sources rearranged in the form of a type of written collage that deals with repetition, double meaning and memory function. Recent one-person exhibitions include Centre d Art Contemporain, Geneva, Indipendenza, Rome (with Klara Liden), Kunstverein Braunschweig (with Klara Liden), Power Station, Dallas and Camden Arts Centre, London. He has participated in the Venice Biennial in 2003 and 2011, and Performa, New York in 2005, 2007 and 2013. Dates and hours Tuesday 31 October 10am – 1pm, Wednesday 1 November 10am – 1pm Thursday 2 November 10am – 1pm Location Arsenic – Centre d art scénique contemporain Rue de Genève 57, 1004 Lausanne Registration conditions Students choose one workshop. Each workshop can host up to 20 students. Students cannot attend both workshops. Registration by mentioning the workshop you are interested in at dimitri.depreux@ecal.ch
ECAL Masterclass: Gus Van Sant,25.10.2017,IKEA Auditorium, ECAL ECAL Masterclass: Gus Van Sant – Filmmaker, Portland Masterclass ECAL (octobre 2017) A l occasion de l exposition Gus Van Sant au Musée de l Elysée du 25 octobre 2017 au 7 janvier 2018 et d une rétrospective à la Cinémathèque suisse du 1er novembre au 21 décembre 2017. Gus Van Sant, Cinéaste, Portland Mercredi 25 octobre 2017 à 18h, Auditoire IKEA, ECAL Né en 1952 à Louisville (Kentucky), Gus Van Sant est un réalisateur, directeur de la photographie, scénariste et musicien américain. Touche-à-tout de génie, diplômé de la Rhode Island School of Design, passionné de peinture et de musique, il s affirme dès ses débuts comme un digne hériter de la Beat Generation avec des films tels que Drugstore Cowboy ou My Own Private Idaho. Il rencontre ensuite le succès auprès du grand public avec Prête à tout, Will Hunting (Oscar du meilleur scénario pour Ben Affleck et Matt Damon) et A la rencontre de Forrester. En 2003, il connaît la consécration en recevant la Palme d or au Festival de Cannes pour Elephant. Depuis, il a notamment réalisé Harvey Milk, pour lequel il sera nommé à l Oscar du meilleur réalisateur, et des films à la veine plus indépendante comme Last Days ou Paranoid Park. En conversation avec Matthieu Orléan, commissaire de l exposition présentée à la Cinémathèque française, et Lionel Baier, responsable du Département Cinéma à l ECAL. La masterclass sera suivie à 20h30 de la projection de Drugstore Cowboy organisée par la Cinémathèque suisse au cinéma Capitole à Lausanne. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch
ECAL at the Dutch Design Week and at Grafik 17,21–29.10.2017,Eindhoven, Netherlands – Grafik 17 Zurich From 21 to 29 October during the Dutch Design Week and from 27 to 29 October durung Grafik 17, ECAL presents "ECAL Graphic Design", an exhibition of projects created by students of the Bachelor Graphic Design and the Master Art Direction. Information Dutch Design Week: http://www.ddw.nl Grafik 17: www.grafik-schweiz.ch
ECAL at Mexico Design Week 2017,11–15.10.2017,Mexico City As part of the Mexico Design Week from 11 to 15 October 2017 and its special programme "Swiss Design Mexico 2017" organised by Francisco Torres (ECAL Bachelor Industrial Design graduate), ECAL and its alumni will benefit from numerous exhibitions and events. In addition to ECAL Graphic Design at the Centro de Cultura Digital (from 11 October to 8 December, cocktail on 12 October at 7.30pm), which presents works by Bachelor Graphic Design and Master Art Direction students, and a lecture by Alexis Georgacopoulos, ECAL Director, various ECAL alumni and professors will be featured. Therefore, Giacomo Bastianelli, Thilo Alex Brunner, Michel Charlot, Christophe Guberan, Bertille Laguet, Nicolas Le Moigne, Julie Richoz, Francisco Torres will participate in this event. In collaboration with the Swiss Embassy in Mexico and Pro Helvetia. Download the programme! www.designweekmexico.com
Symposium Research in Art and Design at ECAL 10+10 Research in Art & Design at ECAL A symposium celebrating 10 years of Research in Art and Design Tuesday 10 October 2017, 8.00–18.30 IKEA Auditorium, ECAL, Renens www.researchday.ch Abstract On the occasion of the 10 years since the moving of ECAL/University of Art and Design Lausanne to its current premises in Renens and marking the 10th anniversary of the foundation of EPFL+ECAL Lab, ECAL hosted a symposium on Research in Art and Design, featuring artists, designers and scholars in these fields from all over the world, in conversation with ECAL faculty members. Program Welcome , Alexis Georgacopoulos, director, ECAL Introductory notes on Research in Art and Design in Switzerland , Davide Fornari, professor, ECAL Moderation, Vera Sacchetti, design critic, Basel Design Research: from Academia to the Real World Alba Cappellieri, professor, Politecnico di Milano, Milan in conversation with Nicolas Henchoz, director, EPFL+ECAL Lab Sophie Pène, vice president, Conseil National du Numérique, Paris in conversation with Davide Fornari, professor, ECAL Research Through Art and Design: Materials and Forms Xavier Veilhan, artist, Paris in conversation with Stéphanie Moisdon, professor, ECAL Fabio Gramazio, co-founder, Gramazio + Kohler Architects, Zurich in conversation with Patrick Keller, professor, ECAL Research Practices in Curating Art and Design Astrid Welter, head of programs, Fondazione Prada, Milan/Venice in conversation with Federico Nicolao, professor, ECAL The Future of Art and Design Research Roel Wouters, co-founder, Moniker, Amsterdam in conversation with Vincent Jacquier, professor, ECAL Skylar Tibbits, co-founder, MIT Self-Assembly Lab, Cambridge (MA) in conversation with Christophe Guberan, professor, ECAL Exhibition openings at Cinema Studio, Gallery l elac and EPFL+ECAL Lab • Caustics , curated by Mark Pauly, EPFL RAYFORM • Projects for Victorinox , curated by Thilo Alex Brunner • The Sausage of the Future , curated by Carolien Niebling • Augmented Photography , curated by Milo Keller • EPFL+ECAL Lab Research Land , curated by Nicolas Henchoz • Rapid Liquid Printing, curated by Christophe Guberan , MIT Self-Assembly Lab, Steelcase ECAL launched the book Making Sense: 10 Years of Research in Art and Design at ECAL on the occasion of the symposium . 10+10 Research in Art and Design at ECAL In collaboration with EPFL+ECAL Lab With the support of HES-SO Media partner: Disegno 10+10 Research in Art & Design at ECALA symposium celebrating 10 years of Research in Art and DesignTuesday 10 October 2017, 8.00–18.30IKEA Auditorium, ECAL, Renenswww.researchday.chAbstractOn the occasion of the 10 years since the moving of ECAL/University of Art and Design Lausanne to its current premises in Renens and marking the 10th anniversary of the foundation of EPFL+ECAL Lab, ECAL hosted a symposium on Research in Art and Design, featuring artists, designers and scholars in these fields from all over the world, in conversation with ECAL faculty members. ProgramWelcome, Alexis Georgacopoulos, director, ECALIntroductory notes on Research in Art and Design in Switzerland, Davide Fornari, professor, ECALModeration, Vera Sacchetti, design critic, BaselDesign Research: from Academia to the Real WorldAlba Cappellieri, professor, Politecnico di Milano, Milanin conversation with Nicolas Henchoz, director, EPFL+ECAL LabSophie Pène, vice president, Conseil National du Numérique, Parisin conversation with Davide Fornari, professor, ECALResearch Through Art and Design: Materials and FormsXavier Veilhan, artist, Parisin conversation with Stéphanie Moisdon, professor, ECALFabio Gramazio, co-founder, Gramazio + Kohler Architects, Zurichin conversation with Patrick Keller, professor, ECALResearch Practices in Curating Art and DesignAstrid Welter, head of programs, Fondazione Prada, Milan/Venicein conversation with Federico Nicolao, professor, ECALThe Future of Art and Design ResearchRoel Wouters, co-founder, Moniker, Amsterdamin conversation with Vincent Jacquier, professor, ECALSkylar Tibbits, co-founder, MIT Self-Assembly Lab, Cambridge (MA)in conversation with Christophe Guberan, professor, ECALExhibition openings at Cinema Studio, Gallery l elac and EPFL+ECAL Lab• Caustics, curated by Mark Pauly, EPFL RAYFORM• Projects for Victorinox, curated by Thilo Alex Brunner• The Sausage of the Future, curated by Carolien Niebling• Augmented Photography, curated by Milo Keller• EPFL+ECAL Lab Research Land, curated by Nicolas Henchoz• Rapid Liquid Printing, curated by Christophe Guberan, MIT Self-Assembly Lab, SteelcaseECAL launched the book Making Sense: 10 Years of Research in Art and Design at ECAL on the occasion of the symposium.10+10 Research in Art and Design at ECALIn collaboration with EPFL+ECAL LabWith the support of HES-SOMedia partner: Disegno
Symposium Research in Art and Design at ECAL,10.10.2017,IKEA Auditorium, ECAL 10+10 Research in Art & Design at ECAL – A symposium celebrating 10 years of Research in Art and Design 10+10 Research in Art & Design at ECAL Un symposium célébrant 10 ans de recherche à l ECAL Mardi 10 octobre 2017, 8.00–18.30 IKEA Auditorium, ECAL, Renens www.researchday.ch A l occasion des 10 ans du déménagement de l ECAL dans ses locaux actuels à Renens et marquant le 10e anniversaire de l EPFL+ECAL Lab, l ECAL organise un symposium sur la Recherche en Art et Design, mettant en vedette des artistes, des designers et des chercheurs dans ces domaines, en conversation avec les membres du corps professoral de l ECAL. Inscription gratuite via le formulaire RSVP www.researchday.ch En raison du nombre de places, le nombre d inscriptions est limité à 350. Programme (en anglais) 8.00–8.30 Registration 8.30–9.00 Welcome Alexis Georgacopoulos director, ECAL Introductory notes on Research in Art and Design in Switzerland Davide Fornari professor, ECAL Moderation Vera Sacchetti design critic, Basel Design Research: from Academia to the Real World 9.00–9.45 Alba Cappellieri professor, Politecnico di Milano, Milan in conversation with Nicolas Henchoz director, EPFL+ECAL Lab 9.45–10.30 Sophie Pène vice president, Conseil National du Numérique, Paris in conversation with Davide Fornari professor, ECAL 10.30–11.00 Coffee break Research Through Art and Design: Materials and Forms 11.00–11.45 Xavier Veilhan artist, Paris in conversation with Stéphanie Moisdon professor, ECAL 11.45–12.30 Fabio Gramazio co-founder, Gramazio + Kohler Architects, Zurich in conversation with Patrick Keller professor, ECAL 12.30–13.30 Lunch Research Practices in Curating Art and Design 13.30–14.15 Catherine Ince senior curator, Victoria and Albert Museum, London in conversation with Anniina Koivu professor, ECAL 14.15–15.00 Astrid Welter head of programs, Fondazione Prada, Milan/Venice in conversation with Federico Nicolao professor, ECAL 15.00–15.15 Coffee break The Future of Art and Design Research 15.15–16.00 Roel Wouters co-founder, Moniker, Amsterdam in conversation with Vincent Jacquier professor, ECAL 16.00–16.45 Skylar Tibbits co-founder, MIT Self-Assembly Lab, Cambridge (MA) in conversation with Christophe Guberan professor, ECAL 16.45 Closing remarks, panel discussion Alexis Georgacopoulos Vera Sacchetti Davide Fornari 17.30 Exhibition openings at Cinema Studio, Gallery l elac and EPFL+ECAL Lab Caustics, curated by Mark Pauly, EPFL RAYFORM Projects for Victorinox, curated by Thilo Alex Brunner The Sausage of the Future, curated by Carolien Niebling (preview) Augmented Photography, curated by Milo Keller (preview) EPFL+ECAL Lab Research Land, curated by Nicolas Henchoz Rapid Liquid Printing, curated by Christophe Guberan, MIT Self-Assembly Lab, Steelcase ECAL will launch the book Making Sense: 10 Years of Research in Art and Design at ECAL on the occasion of the symposium. 18.30 Cocktail 10+10 Research in Art and Design at ECAL In collaboration with EPFL+ECAL Lab With the support of HES-SO Media partner Disegno Ecole cantonale d art de Lausanne 5, Avenue du Temple, Renens
ECAL x QWSTION at the Vienna Design Week,29.09–08.10.2017,QWSTION Store, Vienna A joint project between Swiss bag brand QWSTION and ECAL students of the Master Product Design programme, exploring ways of carrying and using the new sustainable and lightweight material CottonShell®. Ten prototypes have been selected for display at Vienna Design Week from 29 September to 8 October. Cocktail will be held on 4 October, 6-9pm. Images HD In the project led by Christian Paul Kaegi, Swiss Designer and Creative Director at QWSTION, the sustainably produced CottonShell® was the starting point for an extensive research. CottonShell® has so far been used for clothing only and its unique construction makes it water-resistant without the use of any coating. Questioning the norm, using straightforward materials and integrating functionality in effortless ways are the core brand values of QWSTION which completed the brief. The students engagement with both the QWSTION brand as well as the new material resulted in interesting new ideas and concepts going beyond the ordinary: a scarf with hidden pockets aims to challenge airline staff, a new method of protecting contents inspired by bubblewrap makes for minimal carry and a backpack with integrated rain coat tackles unpleasant weather surprises. From 29 September to 8 October Monday-Friday 11-7pm Saturday 11-6pm QWSTION Store Vienna Zieglergasse 38 1070 Vienna +43 1 522 20 64 www.qwstion.com www.viennadesignweek.at
Graduation Show 2017,27.09–13.10.2017,Auditorium Leenaards, ECAL From 27 September (opening reception at 6pm) to 13 October, ECAL presents a selection of the Bachelor and Master diplomas 2017 in its building in Renens. Through editions, pictures, fonts, paintings, interactive installations or design objects, this exhibition offers the unique opportunity to discover the work of students from Bachelor (Fine Arts, Industrial Design, Graphic Design, Photography, Media & interaction Design) and Master (Art Direction, Fine Arts, Design Product) as well as the creations of the Master of Advanced Studies in Design for Luxury & Craftsmanship. The films of the Bachelor Cinema will enjoy a screening in November (Cinema Capitole, Lausanne). On this occasion, the ECAL publishes for the sixth year in a row a "Yearbook" with all the projects of the graduates. Available directly at ECAL. The exhibition will be open from 28 September to 13 October 2017, from 11am to 6pm (closed on Saturdays and Sundays). ECAL 5, avenue du Temple 1020 Renens Links images HD Bachelor Industrial Design Bachelor Photography Bachelor Graphic Design Bachelor Media & Interaction Design Bachelor Fine Arts Master Product Design Master of Advanced Studies in Design for Luxury & Craftsmanship Master Art Direction Master Fine Arts
GLASSWORKS x ECAL at TRESOR Contemporary Craft,21–24.09.2017,Messe Basel Matteo Gonet (Glassworks) and ECAL have teamed in order to design and produce a glass chandelier. The project was directed by London-based designer Bethan Laura Wood and involved the students of the Master of Advanced Studies in Design for Luxury and Craftsmanship of ECAL. At the end of a workshop, "Goethe", the project created by a group of four students (Savvas Laz, Maximilian Maertens, Mauro Martinho, Enrico Pietra), was selected and produced into a working prototype by the Münchenstein-based glassblower. From the colorful universe of sweets, these students focused on the creation of a wide variety of pieces to illustrate the different techniques that only glassblowers can master. The tubular forms interlockwith a metal structure to create a unique installation, such as a contemporary chandelier, resulting in a perfect celebration of student s creativity and craftsmanship. Wednesday, 20 September (by invitation only) 14 – 18 h: Collectors & Professionals‘ Day 18 – 21h : Vernissage 19 h: Opening Ceremony Open to the public: Thursday, 21 September 11 – 19 h Friday, 22 September 11 – 21 h Saturday, 23 September 11 – 19 h Sunday, 24 September 11 – 18 h 17 h: Discovery Award Ceremony Messehalle 3, Messe Basel, Basel | Schweiz http://tresor-craft.com/visitors/#schedule
Erika Marthins – Déguster l augmenté What if we could augment our food? Would it be possible to experience a new dimension of a meal? This project is a desire to explore the potential of integrating data and storytelling in food. A proposition of expanding three desserts in a poetic way. A wedding of sound and chocolate, poetry and lollipop and animation and dessert. In collaboration with Chef Fabien Pairon Ecole hôtelière de lausanne, RayForm (Rayform light shaping technology), Jun Shintake Laboratory of Intelligent Systems (EPFL). Special thanks to: Michel Ferla (EHL), Dario Floreano Director of Laboratory of Intelligent Systems (EPFL).
The Sausage of the Future Can we count on the sausage to provide a solution, in order to reduce the consumption of meat? And can the use of new ingredients increase the diversity of our diets? Can the sausage make a considerable contribution to a sustainable food culture? To answer these questions, a chef of molecular gastronomy, a master butcher and a designer have teamed up to look into sausage production techniques and potential new ingredients – such as insects, nuts, and legumes – to reinvent the sausage of the future. The final publication Sausage of the Future takes the reader on a journey through all the building blocks of a sausage. It stops along the way to explore issues like moistness, flavoring, glue, and preservation. The publication catalogues different types of sausages and presents lesser-known ingredients, carefully selected for their potential regarding the future. In our days, according to the Food and Agriculture Organization (FAO), we are facing a serious shortage of protein-rich-food. The reason is the overconsumption of animal products. Meat, in particular, will be scarce: thus, we need alternatives. The sausage is one of mankind s first-ever designed food items. A paragon of efficient butchery, it was originally designed to make the most of animal protein in times of scarcity. With its wide variety of sizes and its endless choice of possible fillings, the sausage offers itself again to take a pioneering role. This time, not only to make the most of animal protein, but to be a shell for all kinds of nutrition.Main applicantsECAL/University of Art and Design Lausanne (project leader)Research teamSupervision Mock-ups Gabriel Serero Herman ter Weele Graphic design and illustrations Helge Hjorth Bentsen Olli Hirvonen Photography Emile Barret Noortje Knulst Jonas MarguetPeriodmarch 2014 – november 2017Supported byECAL/University of Art and Design LausanneDisseminationPublication Carolien Niebling, The Sausage of the Future, Zurich: Lars Müller Publishers, 2017. Exhibitions Design Parade, Hyères, Villa Noailles, June 30 – Sept 24, 2017. Hublot Design Miami, Miami, December 7, 2017. The Sausage of the Future, Milan, SaloneSatellite, April 4–9, 2017. WantedDesign, Brooklyn, May 17–21, 2018. Design Parade, Hyères, Villa Noailles, June 29 – September 23, 2018. Dutch Design Week, Eindhoven, Strijp, October 20 – 28, 2018. Food Revolution 5.0, Winterthur, Gewerbemuseum, December 2, 2018 – April 28, 2019 FOOD: Bigger than the plate, London, Victoria and Albert Museum, May 18 – October 10, 2019. Broken Nature: Design Takes on Human Survival, Milano, Triennale, March 01–November 09, 2019. Serial Eater, Hornu, CID Grand-Hornu, May 27 – November 29, 2020. Design Preis Schweiz, Langenthal, November 02 – 10, 2019. Awards Winner of Design Prize Switzerland (Research) – 2019 Winner of Norway s most beautiful books competition (Nonfiction) – 2018 Silver Hare (second prize) in Hochparterre s Die Besten (design and research category) – 2017 Winner of Hublot Design Prize – 2017 Winner of Design Parade Hyères Grand Prix at Villa Noailles – 2017 Press Penelope Vaglini, The Future Sausage, lofficielitalia.com, 11 mai 2017 Phillip Löwe, Wurst case scenario, Spiegel.de, 10 avril 2017 Emma Rawson, In search of the missing link: Tasting the future of sausage with Carolien Niebling, thisNZlife.co.nz, 12 Septembre 2019 Daphne Milner, Designer Carolien Niebling wants you to meet the meat we eat, itsnicethat.com, 25 Avril 2018 Spencer Bailey, How the Sausage Is Made, Literally, surfacemag.com, 30 décembre 2017 Alexander Kühn, Die Wurst der Zukunft, tagesanzeiger.ch, 7 décembre 2017 Dutch food designer Carolien Niebling on why the future of food might not be fake meat or veganism, but sausages, idealog.co.nz, 22 août 2019 Katharine Schwab, The Sausage Gets A Radical Redesign, Fastcompany.com, 4 juillet 2017 Sofia Lekka Angelopoulou, the future sausage by carolien niebling wins the design prize switzerland 2019, designboom.com, 2 novembre 2019 Ali Morris, Alternatives for meat consumption to be explored by ECAL during Milan design week, dezeen.com, 29 mars 2017 Conferences And the day after? lecture, TEDxGeneva, Geneva, March 22, 2018 Semi-Permanent, lecture, Semi-Permanent, Auckland, August 15, 2019 Design Indaba conference, lecture, Design Indaba, Cape Town, February 27, 2019 Future of Production, Panel talk, Global Design Forum at V&A, London, September 14, 2019 Sustainability by Design: Innovation for a Circular Economy, Panel talk, Swissnex, San Francisco, January 14, 2020
Best Swiss Newcomer Award to Magdalena Froger Congratulations to Magdalena Froger who has won the Best Swiss Newcomer Award with «Les Intranquilles» (Bachelor Cinema diploma film 2017) on the occasion of the Locarno Festival https://pardo.ch
ECAL at Locarno 2017,02–12.08.2017,Festival del Film, Locarno Présence de l ECAL/Ecole cantonale d art de Lausanne au 70e Festival del Film Locarno du 2 au 12 août 2017 . - Les intranquilles de Magdalena Froger, diplômée Bachelor Cinéma 2017 (Sélection Pardi di domani) - ECAL Cinéma 2017, vernissage du DVD. Lundi 7 août à 16 h au Spazio Cinéma ------ Anciens étudiants : - Villa Ventura de Roman Hüben diplômé Bachelor Cinéma 2014. Produit par Cinédokké et Amka films (Sélection Pardi di domani) - Resistance de Laurence Favre, diplômée Master Cinéma ECAL/HEAD 2012. Produit par Matza (Sélection Pardi di domani) - L Opéra de Paris de Jean-Stéphane Bron. Produit par Bande à Part Films (Section Panorama Suisse). Egalement juré à la Compétition internationale - Le Vénérable W. de Barbet Schroeder. Coproduit par Les Films du Losange et Bande à Part Films. Avec la participation des diplômés Bachelor Cinéma 2016 (orientation Caméra) Lieux et dates des films disponibles sur le site officiel du festival www.pardolive.ch www.ecal.ch
Senta Simond – Rayon Vert “The Rayon Vert” project takes its title from the optical phenomenon and the 1986 Eric Rohmer film, both of which are reflected in the project approach to portraiture. The work can be seen as a continuation of the tradition focussing on the relationship between artist and model. The images feature a circle of acquaintances and respond to the existing, and too often clichéd, representation of femininity. The images are based on fact and are devoid of narrative and of a patriarchal vision of beauty. The project is presented as both a series of exhibited prints and a book. “The Rayon Vert” project takes its title from the optical phenomenon and the 1986 Eric Rohmer film, both of which are reflected in the project approach to portraiture. The work can be seen as a continuation of the tradition focussing on the relationship between artist and model. The images feature a circle of acquaintances and respond to the existing, and too often clichéd, representation of femininity. The images are based on fact and are devoid of narrative and of a patriarchal vision of beauty. The project is presented as both a series of exhibited prints and a book.
Salomón Pérez – Broken story A director persists in continuing the filming he had begun while floods gradually destroy the Peruvian city. Fiction / 21 min Synopsis A director returns to his home town to shoot a fictional film about delinquency. During the revision of the sets the day before the shooting, he perceives a disturbance in the distance, in the mountains which surround the city. That night a heavy rain began to fall. In the days that follow, the torrent from the mountains causes rivers to overflow, destroying the city as well as the dream of his film.
Carlos Tapia – Satán Tiago goes everyday outside the house to feed the crocodile that killed his brother. Fiction / 17 min Synopsis Tiago feeds the crocodile that killed his brother. Spellbound by this crocodile called Satan, Tiago will go see him every day in his enclosure. As in a dream, the ghost of his brother Santi appears, Tiago will spend time with him before he disappears definitively. A symbolic tale about a boy who frees himself from a fatal curse, a weight borne by several family generations. Comment There is a little lord in his castle, like in Italo Calvino s stories. There is a threatening beast, defying men, like Buzzati s "K". There is a blond boy, with a rebellious look, too quiet to be innocent as in Pasolini. The vibrating air, the magnolias floating in the water, the procession of women who feed Satàn in his tropical lair, all of this takes us back to Mexico, that of Carlos Tapias. A mythical land where the dead speak to the living, where time is cold-blooded. Like that of a reptile. Lionel Baier / Director
Imanol Pittaluga – Enbata A young man, Iago, wakes up in a hospital waiting room and finds out that he now has to look after his 3yr old brother who he s never met. Fiction / 30 min Synopsis A young man, Iago, wakes up in a hospital waiting room and finds out that he now has to look after his 3yr old brother who he s never met. For a few hours, he s responsible for a life that s just beginning. In the middle of natural scenery, yet confronted by the real world, buffeted by gusts of wind and surrounded by abandoned ships and skeleton-like cranes, Iago realizes that life can come to an end. Comment The great success of the film is that it never loses sight of its narrative stakes, a young adult and a child who learn to discover each other, while slipping quietly into a more experimental region, which Imanol Pittaluga populates with dreamlike visions that are always inspired. This shift, through the play of time and the use of scenery, produces a troubling connection between these two characters even though they are long separated. This game of persistence of figures, as well as these two fascinating actors to watch simply walking, waiting for each other, turning around or getting lost, make all the strength of Embata. Thomas Salvador / Director
Max Wuchner – Stories of a Stopover A man must deliver a package to a city that he once had fled and which he fears. Fiction / 25 min Synopsis A man must deliver a package of which he does not know the contents. Once at the station, no one awaits him for the meeting. He must then remain in that city, which he had fled, and which he fears. Between film noir, adventure novel or Greek tragedy, the film traces the confrontation of a man to a geographical and intimate place.
Patrick Muroni – Foulek Niels, a twenty-year-old young man, rediscovers a friend became professional rap artist. Fiction / 18 min Synopsis Overwhelmed by loneliness and the inertia of his country life, Niels, a twenty-year-old young man, does not endeavour to embellish his everyday life anymore. One day, a childhood friend is back in the village. She has become a professional rap artist. Niels both rediscovers his friend and her texts. Commentaire Foulek or the introspection of a young man in need of reference, whose "only homeland is rap." Patrick thus continues to question his relationship to the world through hard-hitting rhymes that mix violence, solitude and obstinacy, against a backdrop of romance. A bluffing direction of actor, a fragile thread that the director unrolls and holds from beginning to end, a film with a tense flow, like an intimate flow that reveals the fragility of this world of youth, where everything should still be possible.
Lora Mure-Ravaud – Blackjack Leila is a dealer at the casino and sleeps at the hotel. A room neighbor arrives and disturbs her daily routine. Fiction / 22 min Synopsis Leila, singularly androgynous, works at a casino, a predominantly male environment. Croupier at night, she returns to her hotel room early in the morning. Camil has just arrived at the hotel, and spends his days alone, disappearing in the morning and returning at nightfall. They are neighbours. Gradually, a mutual and silent attraction develops. Comment Blackjack takes up the challenge of a filmmaker s fascination for her main actress, the audacity of a story where incarnation is the key word. The confident gestures, the telling glances are accomplished in a montage of great elegance. This film, sincere and coherent, goes to the end of itself, to the end of its choices and its own grammar. Long after having seen it, the memory of Leila s look does not leave us and still opens the window to a thousand landscapes. Delphine Gleize / Scriptwriter and director
Option cinéma – 2017 Sélection de films répondant à divers exercices. Atelier sur le lieu, avec le réalisateur Damien Manivel: Coline Confort "Entre deux notes" 4 30 Linn Henz "Mon repos" 7 10 Rodrigo Munoz* "Le voleur d encre rouge" 9 35 Projet libre: Kimyan Flückiger "Le nomade" 9 02 Fanny Reynaud "La morsure" 6 55 GANZ GANZ, dix regards sur le prix d honneur du cinéma suisse 2017 (Bruno Ganz), en partenariat avec la RTS: Rodrigo Munoz "Le journal" 3 13 *Damien Manivel a rédigé ces quelques lignes pour accompagner le film de Rodrigo Munoz "Le voleur d encre rouge" : "Nous sommes partis d une contrainte : fabriquer une fiction à partir d un lieu. L immensité des bâtiments, la gare déserte, le téléphérique... dès les photos de repérage, la fascination de Rodrigo pour ces espaces était palpable. Sa très belle idée a été d y confronter le corps de son petit frère, une enfance dans le monde... Tout était déjà là mais Rodrigo y a apporté la douceur de son regard, l exercice s est changé en film. Damien Manivel" Sélection de films répondant à divers exercices.Atelier sur le lieu, avec le réalisateur Damien Manivel:Coline Confort"Entre deux notes"4 30 Linn Henz"Mon repos"7 10 Rodrigo Munoz*"Le voleur d encre rouge"9 35 Projet libre:Kimyan Flückiger "Le nomade"9 02 Fanny Reynaud "La morsure"6 55 GANZ GANZ, dix regards sur le prix d honneur du cinéma suisse 2017 (Bruno Ganz), en partenariat avec la RTS:Rodrigo Munoz "Le journal"3 13 *Damien Manivel a rédigé ces quelques lignes pour accompagner le film de Rodrigo Munoz "Le voleur d encre rouge" :"Nous sommes partis d une contrainte : fabriquer une fiction à partir d un lieu. L immensité des bâtiments, la gare déserte, le téléphérique... dès les photos de repérage, la fascination de Rodrigo pour ces espaces était palpable. Sa très belle idée a été d y confronter le corps de son petit frère, une enfance dans le monde... Tout était déjà là mais Rodrigo y a apporté la douceur de son regard, l exercice s est changé en film. Damien Manivel"
"Workbays Village" exhibition in collaboration with Vitra,29.06–24.09.2017,Port des créateurs, Toulon Following a workshop led by Camille Blin and Erwan Bouroullec, Master Product Design students of ECAL present projects around the Workbays created by Ronan & Erwan Bouroullec and edited by Vitra. Together with new functionalities, these prospective work environments are presented on the occasion of Design Parade Toulon – festival international d architecture d intérieur. DOWNLOAD IMAGES HD DOWNLOAD POSTER With Workbays, which they created for Vitra a few years ago, the French designers Ronan & Erwan Bouroullec, who regularly collaborate with ECAL, have developed a micro-architectural system that redefines the working environment and breaks with the typical rigid planning structure of offices. Thus Workbays create distinct areas where individuals or groups can retreat from the general office environment to carry out specific activities. The units come equipped with everything users need: work surfaces, seating, optional storage and power connections. The structure of Workbays consists of slim aluminium profiles and organically shaped wall elements made of pressed polyester felt. “The ECAL students suggested we devised new typologies for these working environments, adding novel features and supplying them with new accessories”, says Camille Blin, the designer and professor who headed the project. So the Master Product Design students worked for a full semester under the watchful eye of Erwan Bouroullec and invented new structures that call to mind Japanese 0capsule hotels, a prototyping workshop, a gym, a bar, a garden or a resting area. For each of these spaces, the students created specific and original objects, ranging from Bluetooth loudspeakers to miniature lamps reminiscent of stadium ones, desk pads-cum-bags, a semi-standing stool, a cable-covering carpet, in & out wastepaper baskets, multi socket trays or a desk partition with vases and drawing pins. A 3D animation film specifically created by TRAUM Inc. presenting these unusual Workbays can also be seen at the exhibition. Opening reception on Thursday 29 June 2017 from 6.30 pm to 21 pm at the Port des Créateurs Exhibition from 30 June to 2 July, from 10am to 6pm during the Festival. Then until 24 September, from Monday to Saturday, from 9am to 7pm. Le Port des Créateurs Place Savonnières 83000 Toulon www.villanoailles-hyeres.com www.ecal.ch www.vitra.com
Sereina Kessler – K-A-F-F K-A-F-F is a poster series to announce concerts of a culture space. This project is a manifestation of manual and independent print production using screen printing. The compositions are manually and directly posed on the screen to flash the frame. The instant power of music is transmitted through the manual gesture into a visual language and gets reproducible through screen printing. It is the search for an efficient manual production to find a powerful and raw identity through adapted tools. This project allowed me to work manually at 100%. K-A-F-F is a poster series to announce concerts of a culture space. This project is a manifestation of manual and independent print production using screen printing. The compositions are manually and directly posed on the screen to flash the frame. The instant power of music is transmitted through the manual gesture into a visual language and gets reproducible through screen printing. It is the search for an efficient manual production to find a powerful and raw identity through adapted tools. This project allowed me to work manually at 100%.
«ECAL Graphic Design» at swissnex San Francisco,16.06–25.08.2017,swissnex San Francisco In collaboration with swissnex San Francisco, ECAL presents an exhibition of projects created by students of the Bachelor Graphic Design and the Master Art Direction. Images HD ECAL/University of Art and Design Lausanne has long been recognised as a world reference in terms of – amongst others – graphic design. Be it in designing books, catalogues, magazines or posters, typography or digital projects, ECAL students are able to embrace all fields of this discipline and to masterfully perform a wide variety of assignments. This success is largely based on a policy of workshops allowing them to learn from the best Swiss or international graphic designers directly on the school premises. With this in mind, ECAL has had the good fortune of welcoming in recent years leading figures such as Ludovic Balland, Bibliothèque, Mirko Borsche, Thomas Buxo, Veronica Ditting, Europa, Johann Kauth, Jürg Lehni, Ari Marcopoulos, Maximage, Young Na Kim, NORM, OK-RM, Brian Roettinger, Hansje van Halem, Cornel Windlin and Job Wouters aka Letman. The exhibition and book “ECAL Graphic Design” largely retraces projects conducted in the Bachelor Graphic Design and Master Art Direction courses over the past five years in the framework of these visits, but also of other courses which have contributed to the School s reputation. Edited by the Gavillet & Rust studio, the book revolves around a long succession of tracking shots in which projects are not classified in categories, but organised by colour. The exhibition design orchestrated by Adrien Rovero is based on the same concept, allowing a total flexibility of the exhibition. «ECAL Graphic Design» exhibition Exhibition from 16 June 2017 to 25 August 2017. swissnex San Francisco Pier 17, Suite 800, San Francisco California 94111 www.swissnexsanfrancisco.org Book "ECAL Graphic Design" Distributed by JRP|Ringier Collection Anthologies & Art Theory www.jrp-ringier.com Edited by: Angelo Benedetto, Lionel, Bovier, Vincent Devaud (Graphic design), Gilles Gavillet (Graphic design), Alexis Georgacopoulos Authors: Angelo Benedetto, Alexis Georgacopoulos, François Rappo Photography: Philippe Fragnière Technical specifications: Hardcover, 225 x 295 mm, 160 pages, 64 color images, English/French, March 2016 ISBN: 978-3-03764-455-3 Price: CHF 48 / EUR 40 / £ 30 / US 49.95
ECAL x QWSTION A joint project between Swiss bag brand QWSTION and ECAL students of the Master Product Design programme, exploring ways of carrying and using the new sustainable and lightweight material CottonShell®. In the project led by Christian Paul Kaegi, Swiss Designer and Creative Director at QWSTION, the sustainably produced CottonShell® was the starting point for an extensive research. CottonShell® has so far been used for clothing only and its unique construction makes it wa-ter-resistant without the use of any coating. Questioning the norm, using straightforward materials and integrating functionality in effortless ways are the core brand values of QWSTION which completed the brief. «A good answer is the result of the right question. I think it s a really important part of studying to keep questioning the status quo, of society, technology and their relation.» mentions Christian Paul Kaegi. The student s engagement with both the QWSTION brand as well as the new material resulted in interesting new ideas and concepts going beyond the ordinary: a scarf with hidden pockets aims to challenge airline staff, a new method of protecting contents inspired by bubblewrap makes for minimal carry, and a backpack with integrated rain coat tackles unpleasant weather surprises. A joint project between Swiss bag brand QWSTION and ECAL students of the Master Product Design programme, exploring ways of carrying and using the new sustainable and lightweight material CottonShell®.In the project led by Christian Paul Kaegi, Swiss Designer and Creative Director at QWSTION, the sustainably produced CottonShell® was the starting point for an extensive research. CottonShell® has so far been used for clothing only and its unique construction makes it wa-ter-resistant without the use of any coating. Questioning the norm, using straightforward materials and integrating functionality in effortless ways are the core brand values of QWSTION which completed the brief.«A good answer is the result of the right question. I think it s a really important part of studying to keep questioning the status quo, of society, technology and their relation.» mentions Christian Paul Kaegi.The student s engagement with both the QWSTION brand as well as the new material resulted in interesting new ideas and concepts going beyond the ordinary: a scarf with hidden pockets aims to challenge airline staff, a new method of protecting contents inspired by bubblewrap makes for minimal carry, and a backpack with integrated rain coat tackles unpleasant weather surprises.
Image en mouvement – 2017 "Make believe" Projet ayant pour but de pouvoir expérimenter les étapes de préparation, de création et de production d un film. Le travail est divisé en 3 parties: la création de l objet, le pitch et la production du film. Le film doit promouvoir un objet imaginaire, purement fictionel créé par les étudiants eux-même, ainsi qu un univers visuel et sonore qui le mette en contexte. "Make believe"Projet ayant pour but de pouvoir expérimenter les étapes de préparation, de création et de production d un film. Le travail est divisé en 3 parties: la création de l objet, le pitch et la production du film.Le film doit promouvoir un objet imaginaire, purement fictionel créé par les étudiants eux-même, ainsi qu un univers visuel et sonore qui le mette en contexte.
Exhibited cinema Artists films, video art and exhibition of moving images in French-speaking Switzerland The aims of this project are twofold: to reconstruct the place of films and moving images in the field of contemporary art through researches into Swiss French archives; and to experience, through workshops with filmmakers and visual artists, conferences of curators and moving image practitioners, the involvements of the exhibition context on the open forms of film experiments (the treatment of duration, the multiplicity of screens, the mobile spectator).Main applicantsECAL/University of Art and Design Lausanne (project leader)Research teamAdeena Mey (assistant) Bachelor students in Visual Arts and Film Department of ECALPeriodseptember 2012 – june 2017Supported byECAL/University of Art and Design Lausanne Strategic fund of the University of Applied Sciences Western Switzerland (HES-SO RCDAV)DisseminationPublications François Bovier, Early Video Art and Experimental Films Networks, Renens: ECAL 2017 François Bovier, Adeena Mey, Cinéma Exposé / Exhibited cinema, Renens: ECAL 2015 Website cinemaexpose.ch Exhibition Films screenings «Exhibited Cinema»PartnersJRP|Ringier, Swiss Film Archive
ECAL Cinema in Renens,01.06.2017,Place du Marché, Renens ECAL Cinéma Place du Marché à Renens, jeudi 1er juin 2017 à 21h30 La Ville de Renens est heureuse de vous proposer quelques-uns des meilleurs crus de la dernière cuvée des films de l ECAL. Tonnerre de Brecht, Nicolas Rohrer, 2016, fiction, 16 Dans la salle des fêtes d un village suisse, Stanislas présente « Mère Courage et ses enfants » de Bertolt Brecht avec sa troupe de comédiens amateurs. Lorsque sa femme le surprend dans les bras d une autre, la fidélité de la pièce est mise à rude épreuve. La séance de 15 h, Pauline Jeanbourquin, 2016, documentaire, 21 Chaque jour à la Cinémathèque suisse à Lausanne, des habitués de la séance de 15 h viennent partager une projection, ensemble mais dans l anonymat. Certains viennent depuis peu, tandis que d autres font partie des meubles. Pourtant, même s ils se côtoient depuis des années, un silence absolu règne dans la salle. Comme des Loups, Aude Sublet, 2016, fiction, 20 Menée par Julie, jeune cheftaine scoute, la patrouille des Loups part en raid pour un bivouac en montagne. Hugo, un ancien, est là pour évaluer la jeune femme. Alors que les Loups s amusent, Julie se souvient de son premier camp où Hugo était un beau et jeune chef. Martien, Maxime Pillonel, 2016, fiction, 10 Un soir, deux braqueurs font irruption dans une station-service. Ils pointent leurs fusils sur le caissier, mais malgré leurs hurlements, ce dernier ne réagit pas comme prévu. La Sève, Manon Goupil, 2016, fiction, 13 Dans une vieille maison de campagne isolée, Lena, 12 ans, vit seule avec sa mère. Son refuge est un arbre. De là, elle voit Marie, sa grande sœur, et Eloi, son futur mari, arriver pour passer le week-end en famille. Petit à petit, Lena va développer une fascination pour Eloi et va tenter de l emmener dans son arbre. ----- Accès libre, âge légal 12 ans/suggéré 14 ans En cas de fortes intempéries, la projection se fera à l abri : Espace CJS rue Neuve 1/Pl. Corso Organisation : Ville de Renens www.renens.ch Informations : 021 632 75 06 ECAL Cinéma Place du Marché à Renens, jeudi 1er juin 2017 à 21h30 La Ville de Renens est heureuse de vous proposer quelques-uns des meilleurs crus de la dernière cuvée des films de l ECAL. Tonnerre de Brecht, Nicolas Rohrer, 2016, fiction, 16 Dans la salle des fêtes d un village suisse, Stanislas présente « Mère Courage et ses enfants » de Bertolt Brecht avec sa troupe de comédiens amateurs. Lorsque sa femme le surprend dans les bras d une autre, la fidélité de la pièce est mise à rude épreuve. La séance de 15 h, Pauline Jeanbourquin, 2016, documentaire, 21 Chaque jour à la Cinémathèque suisse à Lausanne, des habitués de la séance de 15 h viennent partager une projection, ensemble mais dans l anonymat. Certains viennent depuis peu, tandis que d autres font partie des meubles. Pourtant, même s ils se côtoient depuis des années, un silence absolu règne dans la salle. Comme des Loups, Aude Sublet, 2016, fiction, 20 Menée par Julie, jeune cheftaine scoute, la patrouille des Loups part en raid pour un bivouac en montagne. Hugo, un ancien, est là pour évaluer la jeune femme. Alors que les Loups s amusent, Julie se souvient de son premier camp où Hugo était un beau et jeune chef. Martien, Maxime Pillonel, 2016, fiction, 10 Un soir, deux braqueurs font irruption dans une station-service. Ils pointent leurs fusils sur le caissier, mais malgré leurs hurlements, ce dernier ne réagit pas comme prévu. La Sève, Manon Goupil, 2016, fiction, 13 Dans une vieille maison de campagne isolée, Lena, 12 ans, vit seule avec sa mère. Son refuge est un arbre. De là, elle voit Marie, sa grande sœur, et Eloi, son futur mari, arriver pour passer le week-end en famille. Petit à petit, Lena va développer une fascination pour Eloi et va tenter de l emmener dans son arbre. Accès libre, âge légal 12 ans/suggéré 14 ans En cas de fortes intempéries, la projection se fera à l abri : Espace CJS rue Neuve 1/Pl. Corso Organisation : Ville de Renens www.renens.ch Informations : 021 632 75 06
«Corps-concept» exhibition in collaboration with ECAL,21.05–19.11.2017,Maison d Ailleurs, Yverdon-les-Bains “Corps-concept” is an exhibition that reflects on contemporary conceptions of the body that underpin numerous ideological movements, including transhumanism. Issues regarding the body-object, the body-draft, body-commodity and the anthropological consequences of these different “conceptional reductions” will be examined. The aim of the exhibition is to offer an unprecedented insight into our current utopias and on the technoscientific driving force that irrigates these. From 21 My to 19 November at the Maison d Ailleurs in Yverdon-les-Bains. Opening reception 21 May from 5pm. At the invitation of Marc Atallah, director and curator of the Maison d Ailleurs, first-year Bachelor degree Photography students at the ECAL/University of Art and Design Lausanne tackled the very contemporary issue of transhumanism. For two semesters, they confronted this school of thought which advocates the advent of a new human being and contends that the progress of science and technology makes it possible to transcend human nature. The project was led by Natacha Lesueur, a French artist-photographer and teacher at the ECAL. This exhibition presents a selection of photographic and filmic works, reflecting the transdisciplinary training programme offered by the ECAL. By contrasting different visions on ways of shaping the humanity of tomorrow, these projects express the numerous controversies and debates regarding transhumanism, as well as its accompanying ideologies. Exhibition opens from 21 May to 19 November 2017 Tu-Sun 11am-6pm Maison d Ailleurs Place Pestalozzi 14 Case postale 945 1400 Yverdon-les-Bains T. : + 41 24 425 64 38 www.ailleurs.ch
"Corps-concept" Exhibition “Corps-concept” is an exhibition that reflects on contemporary conceptions of the body that underpin numerous ideological movements, including transhumanism. Issues regarding the body-object, the body-draft, body-commodity and the anthropological consequences of these different “conceptional reductions” will be examined. The aim of the exhibition is to offer an unprecedented insight into our current utopias and on the technoscientific driving force that irrigates these. From 21 My to 19 November at the Maison d Ailleurs in Yverdon-les-Bains. Opening reception 21 May from 5pm. At the invitation of Marc Atallah, director and curator of the Maison d Ailleurs, first-year Bachelor degree Photography students at the ECAL/University of Art and Design Lausanne tackled the very contemporary issue of transhumanism. For two semesters, they confronted this school of thought which advocates the advent of a new human being and contends that the progress of science and technology makes it possible to transcend human nature. The project was led by Natacha Lesueur, a French artist-photographer and teacher at the ECAL. This exhibition presents a selection of photographic and filmic works, reflecting the transdisciplinary training programme offered by the ECAL. By contrasting different visions on ways of shaping the humanity of tomorrow, these projects express the numerous controversies and debates regarding transhumanism, as well as its accompanying ideologies. Exhibition opens from 21 May to 19 November 2017 Tu-Sun 11am-6pm 50% discount for ECAL students upon presentation of their legitimation card. Maison d Ailleurs Place Pestalozzi 14 Case postale 945 1400 Yverdon-les-Bains T. : + 41 24 425 64 38 www.ailleurs.ch “Corps-concept” is an exhibition that reflects on contemporary conceptions of the body that underpin numerous ideological movements, including transhumanism. Issues regarding the body-object, the body-draft, body-commodity and the anthropological consequences of these different “conceptional reductions” will be examined. The aim of the exhibition is to offer an unprecedented insight into our current utopias and on the technoscientific driving force that irrigates these. From 21 My to 19 November at the Maison d Ailleurs in Yverdon-les-Bains. Opening reception 21 May from 5pm. At the invitation of Marc Atallah, director and curator of the Maison d Ailleurs, first-year Bachelor degree Photography students at the ECAL/University of Art and Design Lausanne tackled the very contemporary issue of transhumanism. For two semesters, they confronted this school of thought which advocates the advent of a new human being and contends that the progress of science and technology makes it possible to transcend human nature. The project was led by Natacha Lesueur, a French artist-photographer and teacher at the ECAL. This exhibition presents a selection of photographic and filmic works, reflecting the transdisciplinary training programme offered by the ECAL. By contrasting different visions on ways of shaping the humanity of tomorrow, these projects express the numerous controversies and debates regarding transhumanism, as well as its accompanying ideologies.Exhibition opensfrom 21 May to 19 November 2017Tu-Sun 11am-6pm50% discount for ECAL students upon presentation of their legitimation card.Maison d Ailleurs Place Pestalozzi 14 Case postale 9451400 Yverdon-les-Bains T. : + 41 24 425 64 38www.ailleurs.ch
ECAL x Vitra Following a workshop led by Camille Blin and Erwan Bouroullec, Master Product Design students of ECAL present projects around the Workbays created by Ronan & Erwan Bouroullec and edited by Vitra. Together with new functionalities, these prospective work environments are presented on the occasion of Design Parade Toulon – festival international d architecture d intérieur. With Workbays, which they created for Vitra a few years ago, the French designers Ronan & Erwan Bouroullec, who regularly collaborate with ECAL, have developed a micro-architectural system that redefines the working environment and breaks with the typical rigid planning structure of offices. Thus Workbays create distinct areas where individuals or groups can retreat from the general office environment to carry out specific activities. The units come equipped with everything users need: work surfaces, seating, optional storage and power connections. The structure of Workbays consists of slim aluminium profiles and organically shaped wall elements made of pressed polyester felt. “The ECAL students suggested we devised new typologies for these working environments, adding novel features and supplying them with new accessories”, says Camille Blin, the designer and professor who headed the project. So the Master Product Design students worked for a full semester under the watchful eye of Erwan Bouroullec and invented new structures that call to mind Japanese 0capsule hotels, a prototyping workshop, a gym, a bar, a garden or a resting area. For each of these spaces, the students created specific and original objects, ranging from Bluetooth loudspeakers to miniature lamps reminiscent of stadium ones, desk pads-cum-bags, a semi-standing stool, a cable-covering carpet, in & out wastepaper baskets, multi socket trays or a desk partition with vases and drawing pins. A 3D animation film specifically created by TRAUM Inc. presenting these unusual Workbays can also be seen at the exhibition. Following a workshop led by Camille Blin and Erwan Bouroullec, Master Product Design students of ECAL present projects around the Workbays created by Ronan & Erwan Bouroullec and edited by Vitra. Together with new functionalities, these prospective work environments are presented on the occasion of Design Parade Toulon – festival international d architecture d intérieur.With Workbays, which they created for Vitra a few years ago, the French designers Ronan & Erwan Bouroullec, who regularly collaborate with ECAL, have developed a micro-architectural system that redefines the working environment and breaks with the typical rigid planning structure of offices. Thus Workbays create distinct areas where individuals or groups can retreat from the general office environment to carry out specific activities. The units come equipped with everything users need: work surfaces, seating, optional storage and power connections. The structure of Workbays consists of slim aluminium profiles and organically shaped wall elements made of pressed polyester felt. “The ECAL students suggested we devised new typologies for these working environments, adding novel features and supplying them with new accessories”, says Camille Blin, the designer and professor who headed the project. So the Master Product Design students worked for a full semester under the watchful eye of Erwan Bouroullec and invented new structures that call to mind Japanese 0capsule hotels, a prototyping workshop, a gym, a bar, a garden or a resting area. For each of these spaces, the students created specific and original objects, ranging from Bluetooth loudspeakers to miniature lamps reminiscent of stadium ones, desk pads-cum-bags, a semi-standing stool, a cable-covering carpet, in & out wastepaper baskets, multi socket trays or a desk partition with vases and drawing pins.A 3D animation film specifically created by TRAUM Inc. presenting these unusual Workbays can also be seen at the exhibition.
"Walk with Pierre Hardy" exhibition in Japan,18–22.05.2017,Paris Photo After Paris, Pierre Hardy & ECAL/University of Art and Design Lausanne are pleased to present the photo exhibition WALK WITH PIERRE HARDY in Japan. UPDATE Exposition «Walk with Pierre Hardy» au Japon After Paris, Pierre Hardy & ECAL/University of Art and Design Lausanne are pleased to present the photo exhibition WALK WITH PIERRE HARDY in Japan. Exhibition open to the public from 18 May to 22 May 2017, from 12:00 to 19:00 PIERRE HARDY Yusen Building A-103 5-5-25 Minami-Aoyama Minato-ku, Tokyo www.pierrehardy.com On the occasion of Paris Photo, Pierre Hardy & the ECAL/University of Art and Design Lausanne present the exhibition "Walk with Pierre Hardy". Fifteen iconic models by the designer were visually reinterpreted by the students of Bachelor Photography under the direction of Philippe Jarrigeon. Additionally, a luxurious special publication marks the occasion. To be discovered from 11 to 13 November 2016 (10 am to 7 pm) at the Pierre Hardy boutique (9-11 Place du Palais-Bourbon). HD pictures: www.ecal.ch/en/1649 “I really enjoyed interacting with the students. At ECAL, my role was very different from that of a teacher coaching the students on their work – as I myself was the subject I knew the stuff inside out! Just show me half a centimetre of a heel and I instantly recognise the model which I created”, says Pierre Hardy. The ECAL Bachelor Photography students thus worked on various collections produced by the Parisian designer in the past fifteen years in order to give them a new visual interpretation. Photographer Philippe Jarrigeon comments on the method he chose to conduct this workshop at ECAL: “Together with Pierre Hardy s team we selected fifteen pairs of shoes in the archives – a purely practical decision which allowed us to keep the models as long as we wanted at ECAL. In addition, this allowed students to free themselves from seasonal trends. At the beginning of the workshop in October 2015, each student got a model on which to work by drawing lots”. This project allowed the students to question the relationship between photography and footwear, and by extension to confront the interconnection between photography and fashion. Milo Keller, Head of Photography at ECAL, observes that “Students, working without any business constraints in that case, are less formatted than a professional and therefore often offer unexpected approaches”. The results are indeed surprising and offbeat, sometimes even provocative or poetic, but always treat the original creations with respect. "Walk with Pierre Hardy" Exhibition 11 to 13 November 2016 10 am to 7 pm Pierre Hardy 9-11 Place du Palais-Bourbon 75007 Paris www.pierrehardy.com "Walk with Pierre Hardy" Publication Text (French): conversation between Pierre Hardy, Philippe Jarrigeon and Milo Keller Transcript: Sylvain Menétrey Softcover, 220 × 280 mm, 52 pages, 48 colour images, November 2016 ISBN: 978-2-9700962-9-0 Price: CHF 15 / EUR 15
"Workbays Village" exhibition in collaboration with Vitra,18–24.05.2017,Gallery l elac, ECAL Following a workshop led by Camille Blin and Erwan Bouroullec, Master of Product Design students of the ECAL present projects around the Workbays created by Ronan & Erwan Bouroullec and edited by Vitra. Together with new functionalities, these prospective work environments are presented here in preview, then will take the direction of the Festival Parade Toulon from 29 June to 24 September 2017. Opening reception on Thursday 18 May 2017 from 6 pm to 8 pm at the Gallery l elac. Exhibition from 19 May to 24 May, from Monday to Friday, from 1 pm to 5 pm. Also to discover, a 3D animation specially made for the occasion by TRAUM Inc. Galerie l elac 5, avenue du Temple CH-1020 Renens www.ecal.ch www.vitra.com
"Walk With Pierre Hardy" in Tokyo PIERRE HARDY & the ECAL/University of Art and Design Lausanne present the exhibition Walk with Pierre Hardy . Fifteen iconic models by the designer were visually reinterpreted by the students of Bachelor Photography under the direction of Philippe Jarrigeon. Additionally, a luxurious special publication marks the occasion. Presented for the first time in November 2016 during Paris Photo at the PIERRE HARDY boutique (Palais Bourbon), this exhibition was a huge success. Pierre Hardy thought that it was absolutely necessary to share this event with his Japanese friends. Therefore, the exhibition will be discovered from 18 to 22 May in the exhibition space related to the PIERRE HARDY boutique in Tokyo. “I really enjoyed interacting with the students. At ECAL, my role was very different from that of a teacher coaching the students on their work – as I myself was the subject I knew the stuff inside out! Just show me half a centimetre of a heel and I instantly recognise the model which I created”, says Pierre Hardy. The ECAL Bachelor Photography students thus worked on various collections produced by the Parisian designer in the past fifteen years in order to give them a new visual interpretation. Photographer Philippe Jarrigeon comments on the method he chose to conduct this workshop at ECAL: “Together with PIERRE HARDY s team we selected fifteen pairs of shoes in the archives – a purely practical decision which allowed us to keep the models as long as we wanted at ECAL. In addition, this allowed students to free themselves from seasonal trends. At the beginning of the workshop in October 2015, each student got a model on which to work by drawing lots”. This project allowed the students to question the relationship between photography and footwear, and by extension to confront the interconnection between photography and fashion. Milo Keller, Head of Photography at ECAL, observes that “Students, working without any business constraints in that case, are less formatted than a professional and therefore often offer unexpected approaches”. The results are indeed surprising and offbeat, sometimes even provocative or poetic, but always treat the original creations with respect. PIERRE HARDY & the ECAL/University of Art and Design Lausanne present the exhibition Walk with Pierre Hardy . Fifteen iconic models by the designer were visually reinterpreted by the students of Bachelor Photography under the direction of Philippe Jarrigeon. Additionally, a luxurious special publication marks the occasion. Presented for the first time in November 2016 during Paris Photo at the PIERRE HARDY boutique (Palais Bourbon), this exhibition was a huge success. Pierre Hardy thought that it was absolutely necessary to share this event with his Japanese friends. Therefore, the exhibition will be discovered from 18 to 22 May in the exhibition space related to the PIERRE HARDY boutique in Tokyo. “I really enjoyed interacting with the students. At ECAL, my role was very different from that of a teacher coaching the students on their work – as I myself was the subject I knew the stuff inside out! Just show me half a centimetre of a heel and I instantly recognise the model which I created”, says Pierre Hardy. The ECAL Bachelor Photography students thus worked on various collections produced by the Parisian designer in the past fifteen years in order to give them a new visual interpretation. Photographer Philippe Jarrigeon comments on the method he chose to conduct this workshop at ECAL: “Together with PIERRE HARDY s team we selected fifteen pairs of shoes in the archives – a purely practical decision which allowed us to keep the models as long as we wanted at ECAL. In addition, this allowed students to free themselves from seasonal trends. At the beginning of the workshop in October 2015, each student got a model on which to work by drawing lots”. This project allowed the students to question the relationship between photography and footwear, and by extension to confront the interconnection between photography and fashion. Milo Keller, Head of Photography at ECAL, observes that “Students, working without any business constraints in that case, are less formatted than a professional and therefore often offer unexpected approaches”. The results are indeed surprising and offbeat, sometimes even provocative or poetic, but always treat the original creations with respect.
ECAL Conference: Peter Knapp,26.04.2017,IKEA Auditorium, ECAL ECAL Conference: Peter Knapp – Art director, photographer, artist, graphic designer, filmmaker, Paris Conférences ECAL (avril 2017) A l occasion d une semaine de workshop avec les étudiants en Bachelor Photographie. Peter Knapp, Directeur artistique, photographe, artiste, designer graphique, cinéaste, Paris Mercredi 26 avril à 18 h, Auditoire IKEA, ECAL Né en 1931 à Bäretswil (Suisse), Peter Knapp commence par suivre les cours de l Ecole des arts et métiers de Zurich. En 1952, il décide de s installer à Paris où il peint, encouragé notamment par Robert Rauschenberg et Barnett Newmann. Egalement photographe de mode, il exerce en tant que directeur artistique de Elle jusqu en 1978. Il continue ensuite à travailler pour des publications telles que le Sunday Times, Vogue ou Stern. Touche-à-tout de génie, il a aussi redessiné le logo des Galeries Lafayettes et réalisé de nombreux documentaires et émissions télévisuelles, dont le célèbre Dim, Dam, Dom. Multi-récompensé, son talent a été salué par près d une vingtaine de médailles du Art Directors Club International. Ecole cantonale d art de Lausanne 5, avenue du Temple CH-1020 Renens Tél. : +41 (0)21 316 99 33 Mail : ecal@ecal.ch