ECAL x MEHARI EDEN - Hyères Design Parade

Projects BA INDUSTRIAL DESIGN

ECAL x MEHARI EDEN - Hyères Design Parade

A series of accessories that will make up the electric Mehari of tomorrow.

The 2CV Mehari Club Cassis has developed an electric version of the iconic Citroën car released in 1968: the EDEN. From the outset, this car was intended for summer sports and leisure activities. Today, our renewed interest in outdoor activities combined with electric technology makes this vehicle all the more attractive. With this in mind, the 2nd year Bachelor of Industrial Design students, under the direction of designer Elric Petit, are proposing a series of accessories that will make up the electric Mehari of tomorrow. This project was realized in partnership with the 2CV Mehari Club Cassis, at the initiative of Massilia.design and Nathalie Dewez, with the precious support of Bananatex® and the Hyères Design Parade Festival.

Collaboration (2021) with Elric Petit

Assistants
Victor Jacquard
Students
Dario Aguet, Masen Al-Saghir, Fanny Bichet, Marine Bouvard, Frederik Buchmann, Paul Carluy, Emma Casella, Yann Cistac, Alexandre Desarzens, Léon Félix, Guillaume Gindrat, Gabriel Hafner, Lucie Herter, Camila Hidalgo, Nima Kaufmann, Anaïs Lehmann, Timothée Lehmann, Kim Lissy, Alexandre Margueron, Lirjeta Maxhuni, Stéphane Mischler, Alex Nguyen, Jillian Reichlin, Anaïs Rochat, Theodore Simon, Constance Thiessoz, Laure Wasser, Sophie van der Bij
Know-how
soft goods / accessories, Furniture
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Image Maxime Augay
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Image Maxime Augay
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Image ECAL/Jimmy Rachez
Image ECAL/Jimmy Rachez
Image ECAL/Jimmy Rachez
Image ECAL/Jimmy Rachez
Image ECAL/Jimmy Rachez

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Images ECAL/Anthony Guex & Victor Jacquard
Images ECAL/Anthony Guex & Victor Jacquard
Images ECAL/Anthony Guex & Victor Jacquard

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Images ECAL/Anthony Guex & Victor Jacquard
Images ECAL/Anthony Guex & Victor Jacquard

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Images ECAL/Anthony Guex & Victor Jacquard

Projects related to Furniture
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DNA – 2022

BA INDUSTRIAL DESIGN

DNA – 2022

with Wieki Somers

  Second year BA Industrial Design students had to formulate their own brief instead of getting one from their teachers. In the project's introduction, they were assigned the task of introspectively mapping their own design DNA by contemplating the question: What defines my essence as a designer? They introduced a clear brief related to their own fascinations and relevant topics in the field of design and in the time we live in. Then thes students developed a concept for a product from an original idea and artistic vision. The results are expressed in the form of  products, pieces of furnitures, accessories, proposing a new vision and a new way of producing. The areas of interest are diverse, spacing from open-source projects to process fascination.  
Home Working

BA INDUSTRIAL DESIGN

Home Working

with Dylan van den Berg, Wieki Somers

Projects on the subject of working from home or remote working, which marks our time and leads us to question both what work is, and how and where we work. The recent remote working experience gave us many new insights. This experience could lead to new ways of working in the future, as the COVID19 pandemic amplifies and accelerates. This is a good opportunity to re-evaluate the concept of home office, which started with the emerging computization and technology from the 1950/60s, but has never happened on a global scale like this until now. From the Industrial Revolution until fairly recently, most people worked outside their homes in factories, offices, public buildings or outdoors. Those places and our ways of working in them were designed accordingly. “Home working” or “remote working” marks our time questioning both what is work, and how and where we work. Public and private spaces collapse into one realm with all its social, economical and political consequences. For this project, we wanted to see visionary ideas about where and how we will work in the future and solutions for home working, translated in a surprising/relevant design. This new “home work station” could be a piece of furniture, or an object, or a transforming space.
Junkyard Diving

BA INDUSTRIAL DESIGN

Junkyard Diving

with Philippe Malouin

"Form follows function" is an expression attributed to the modernist architect Louis Sullivan. It is a statement that is quite relevant to industrial design. On the other hand, form can sometimes also determine function in a process of reverse exploration. During the workshop with Philippe Malouin, students were encouraged to look for new functions inspired by forms found in a metal recycling center. In this process, random discoveries and associations were made to generate a new and surprising vocabulary of forms.
Toc Toc Toc!

BA INDUSTRIAL DESIGN

Toc Toc Toc!

with Stéphane Halmaï-Voisard

For this project, the 1st year students were asked to design a handle or door knob. They had to focus mainly on the part on which the hand rests when closing, opening, pulling or pushing a door. They were free to choose the type of handle, as long as it was compatible with an existing mechanism. The context of the object as well as its use and ergonomics were aspects that were at the heart of their project.
ECAL x FREITAG - Access over ownership

BA INDUSTRIAL DESIGN

ECAL x FREITAG - Access over ownership

with Christophe Guberan

Second-year industrial design students collaborated with Zurich-based brand FREITAG Lab, leveraging their expertise in environmental awareness, material upcycling, and the circular economy. Using the FREITAG manifesto as a foundation, they developed new shared products centered on the principle of "access over ownership."  

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BA INDUSTRIAL DESIGN
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