Summer University in Veneto – 2024

Projects BA GRAPHIC DESIGN

Summer University in Veneto – 2024

In September 2024, 3rd year students explored the rich heritage of Italy's Veneto region, an area at the crossroads of artistic, cultural and industrial history. The trip gave the students an invaluable opportunity to immerse themselves between tradition and innovation, and to experience different facets of design and publishing through enriching encounters.

 

Other (2025) with Angelo Benedetto, Guy Meldem, Harry Bloch

Assistants
Morgane Cachin
Students
Candice Aepli, Léa Corin, Matteo Cortesi, Mathilde Driebold, Delphine Brantschen, Emilie Müller, Constance Mauler, Flora Hayoz, Lidia Molina González, Amélie Bertholet, Coraline Beyeler, Eliot Dubi, Dorian Pangallo, Paul Paturel, Hugo Scholl, Diego Steiner, Cyprien Valenza, Marc Facchinetti, Alfredo Venti
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Verona

In Verona, a visit to the Fedrigoni paper mill, which specialises in the creation of top-of-the-range paper, gave them an insight into the manufacturing process and enabled them to design a collaborative project based on paper samples. The students also had the opportunity to explore the precious collection of manuscripts in the Biblioteca del Capitolare, a unique witness to the history of the written word.

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Treviso

On the way to Venice, a stop at Carlo Scarpa's Brion Tomb gave us an insight into the architecture of this funerary monument. In Treviso, a meeting with former student Federico Barbon led to a fascinating discussion on book design.

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Venice

In Venice, they discovered the Art Biennale, exploring the exhibitions at the Arsenale and the Giardini. At the same time, a meeting with Benjamin Reichen from the Åbäke collective enabled them to find out more about his involvement in a screen-printing workshop dedicated to the rehabilitation of prisoners. A visit to the Grafiche Veneziane printing works rounded off this immersion in contemporary publishing.

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Rationality/Expressivness - Carnal Verona Workshop

BA GRAPHIC DESIGN

Rationality/Expressivness - Carnal Verona Workshop

with Yanis Carnal, Raphaël Verona

The Swiss style, also known as the International Style, established itself as the symbol of a radical approach to graphic design and typography. It embodies an ideal of efficiency and rationality. Omnipresent more than half a century after its emergence, does it still hold the same relevance today? What is its influence on our imaginations and our practice? Doesn't Switzerland have other facets through which to communicate, and what new graphic and typographic languages ​​could represent them?
Le livre d’artiste - 25/26

BA GRAPHIC DESIGN

BA PHOTOGRAPHY

Le livre d’artiste - 25/26

with Anouk Schneider Agabekov, Nicolas Polli

As part of the magazine course led by Anouk Schneider and Emmanuel Crivelli, second-year Visual Communication students had the opportunity to design a magazine during the second semester. Students were encouraged to fully embrace their artistic freedom at every level of creation, whether in terms of format, paper choice, binding, layout, illustration, text, or typography. In this course, the magazine can take shape through various forms of illustration, such as photography, reproduction, contextualization, drawing, 3D, and more. The focus is placed on the author’s artistic vision and the means used to bring it to life. Students take on multiple roles as editor, curator, and architect, assuming the responsibilities of art director, designer, photographer, stylist, illustrator, typographer, editor-in-chief, and editorial secretary. This course highlights contemporary editorial design by exploring the narrative potential of a carefully crafted content sequence.
ECAL Light House

BA GRAPHIC DESIGN

BA MEDIA & INTERACTION DESIGN

BA PHOTOGRAPHY

ECAL Light House

with Jean-Vincent Simonet, Léonard Guyot, Florian Pittet (Sigmasix), Vincent Jacquier, Julien Gurtner

During a week of collaborative work, first-year students in the Visual Communication department at ECAL were given the ambitious task of creating a complete audiovisual experience, designing a light and sound architecture based solely on five original musical compositions. Using a central totem-like screen installation and projections on the surrounding walls, enhanced with lasers, they created a visual environment, broadcast in real time, which was presented as a performance to the public at the end of the week. The aim was to construct a universe capable of fully utilizing the space and the various stage elements, inviting the audience to move around and experience the live performance in its entirety. Five cross-functional creative groups, each with a different sound base, were supervised by Jean-Vincent Simonet and Léonard Guyot to produce images and test them throughout the week on the device, which was developed, set up and operated by a sixth group under the supervision of Florian Pittet, Matthieu Minguet and Achille Masson.
Type Design BA2 – S1 2025

BA GRAPHIC DESIGN

Type Design BA2 – S1 2025

with Aurèle Sack

Second-year students were required to manually develop the lowercase letters of two typefaces.
Visual Identity – BA2 S1 2025

BA GRAPHIC DESIGN

Visual Identity – BA2 S1 2025

with Adeline Mollard

As part of the visual identity course led by Adeline Mollard, students developed a visual identity starting from a randomly selected business card. By appropriating one of its graphic elements and its title, each project offers a unique interpretation. The identity is then expanded across a range of formats, from business cards to F4 posters, including posters, flyers, business cards, and an animated poster.

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BA GRAPHIC DESIGN
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