In September 2024, 3rd year students explored the rich heritage of Italy's Veneto region, an area at the crossroads of artistic, cultural and industrial history. The trip gave the students an invaluable opportunity to immerse themselves between tradition and innovation, and to experience different facets of design and publishing through enriching encounters.
Other (2025) with Angelo Benedetto, Guy Meldem, Harry Bloch
In Verona, a visit to the Fedrigoni paper mill, which specialises in the creation of top-of-the-range paper, gave them an insight into the manufacturing process and enabled them to design a collaborative project based on paper samples. The students also had the opportunity to explore the precious collection of manuscripts in the Biblioteca del Capitolare, a unique witness to the history of the written word.
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On the way to Venice, a stop at Carlo Scarpa's Brion Tomb gave us an insight into the architecture of this funerary monument. In Treviso, a meeting with former student Federico Barbon led to a fascinating discussion on book design.
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In Venice, they discovered the Art Biennale, exploring the exhibitions at the Arsenale and the Giardini. At the same time, a meeting with Benjamin Reichen from the Åbäke collective enabled them to find out more about his involvement in a screen-printing workshop dedicated to the rehabilitation of prisoners. A visit to the Grafiche Veneziane printing works rounded off this immersion in contemporary publishing.
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BA GRAPHIC DESIGN
with Robert Huber
First-year students were invited to manually sketch the typographic skeleton of lowercase alphabet letters. The objective was to maintain the proportions, curves, and characteristic axes of each letter while paying close attention to visual coherence and consistency in the drawing.
BA GRAPHIC DESIGN
with Guy Meldem
First-year students were invited to design a 16-page publication. By experimenting with duotone through various printing techniques, they structured a dual reading experience dependent on the printed colors.
BA GRAPHIC DESIGN
with Harry Bloch
During the editorial design course with Harry Bloch, the first-year students each laid out a chapter of Charles Dickens' Great Expectations. A final edition compiling all the chapters was produced for the occasion.
BA FINE ARTS
BA GRAPHIC DESIGN
with Joël Vacheron, Angelo Benedetto, Olympe Boutaghane, Francis Baudevin
Based on archives and experiences associated with Vibrations (1991–2013), this research analyses how the magazine's textual, graphic and photographic content provides insight into the challenges of communicating about popular music today.
BA GRAPHIC DESIGN
by Alfredo Venti
Points de rencontre/Treffpunkte is an inclusive graphic system designed to make sociocultural resources more visible and accessible to people facing linguistic isolation, or to anyone seeking to join a social network. Inspired by educational tools used with non-native speakers, it combines pictograms, color coding, visual keywords, and modular signage. Installed at the entrances of community centers through interchangeable panels, and complemented by poster campaigns (print and web), it brings these structures into public view for those looking for a service, a network, or simply a welcoming place.