Feed

Type

Course

Know-how

Years

2008 2024
Picture Consequences

PHOTOGRAPHY

Picture Consequences

with Tamara Janes

The students task is to create their own story, storyline, narrative or sequences based on the existing given images. Using their personal interests, imagination and ideas they link the images together. They can continue the plot of the images, do in-depth research, write fictional stories or tell stories based on personal experiences. The students had the freedom to photograph, generate or film.

Workshop with Lorenzo Vitturi

PHOTOGRAPHY

Workshop with Lorenzo Vitturi

with Lorenzo Vitturi

The aim of this workshop is to engage students in a multidisciplinary process that combines photography with sculpture and scenography. To emphasize the importance of the creative process, students are encouraged to use primarily collected and recycled materials, which will need to be transformed and integrated into their visual narrative. The work presented at the end of the workshop will reflect this approach, combining visual results with sculptures and ephemeral installations.

Anna von Allmen – Nos vies sur vos murs

PHOTOGRAPHY

Anna von Allmen – Nos vies sur vos murs

by Anna von Allmen

Nos vies sur vos murs (Our lives on your walls) grew out of a collaboration with fourteen young people from the Pierre-à-Bot neighbourhood in the heights of Neuchâtel. Over a six-month period, I organised workshops with young people aged between seven and twelve, which formed the basis of this experiment. During our meetings, I initiated discussions around the theme of love, a feeling that is often so complex to grasp. I shared moments of their lives with them, collected their texts and asked them to use disposable cameras to draw pictures of love. In this book, our visions come together to create a portrait of the neighbourhood and the imaginary worlds that develop there.

Antoine Woeffray – I Unfold My Skin In The Morning

PHOTOGRAPHY

Antoine Woeffray – I Unfold My Skin In The Morning

by Antoine Woeffray

Antoine_Woeffray: Hi readers! Antoine_Woeffray:  I’m Antoine_Woeffray Antoine_Woeffray: But they also call me mr_paramount mr_paramount: Hi readers! mr_paramount: I’m mr_paramount mr_paramount: But my friends call me Antoine mr_paramount: My doctor call me also Antoine_Woeffray mr_paramount: Actually on my ID card the name written is Antoine_Woeffray mr_paramount: But my online lovers call me mr_paramount This project, which takes the form of a book, is an investigation into the representation of the male body and what it means to be a man. A digital construction of a physical being. The body passes through the image before being transformed.

Barnabé Masson – Encore une nuit sans Georges

PHOTOGRAPHY

Barnabé Masson – Encore une nuit sans Georges

by Barnabé Masson

I gathered eight close friends of my father, who passed away ten years ago. Together, we delved into the feelings induced by absence and mourning. With the help of cameras, I observe the bodies of these sixty-year-old men to explore tenderness, emotions, and the various spontaneous manifestations that emerge when they are confronted with strong emotions. These male bodies, usually under constant logical control, in the image of our culture and economy. The video shows hands, arms, faces, and eyes, sometimes embarrassed, sometimes resistant, and sometimes allowing themselves to be overwhelmed by emotions. This work has allowed me, through these men, to reconstruct my father, to confront him, and to examine my relationship with masculinity.

Lorane Hochstätter – 24

PHOTOGRAPHY

Lorane Hochstätter – 24

by Lorane Hochstätter

This book explores the complexity of the development of a girl's feminine identity through the education and gaze of her mother, the first and most powerful model of femininity. My mother, former model, seemed to emerge from a magazine cover: the embodiment of overwhelming norms of feminine representation. Our image develops in a mirror: she projects herself onto me, remembering what she was and inspecting what she no longer is; I project myself onto her, seeing what I would like to be but what I'am not. These self-portraits twist and disguise my body, caught between emancipation and subordination to imposed codes. This book deals with the love-rejection relationship between a mother and her daughter, who accompany and evolve together in a never-ending quest: the search for a feminine identity.

Noé Vercaemst – Cathédrale dans le désert

PHOTOGRAPHY

Noé Vercaemst – Cathédrale dans le désert

by Noé Vercaemst

With Davide Fecarotti, a student at Ensp in Arles, we worked as a duo around a geographical area between southern Italy and Sicily. We discovered a particular structure. A structure that exists only in the collective imagination of its inhabitants. Engineers call it “the highest bridge in the world”. Here, it's simply called “ponte”, the bridge that doesn't exist. We arrived here like Ulysses in the Strait of Messina, between Scylla and Carribdis, but without the Argonauts. A ruin, an architectural project, surviving like a myth, a monster, a chimera with arms of steel... but in reality, an instrument of power and seduction, at the service of Italy's political leaders for years.

Yves Möhrle – BIPEDIE(BOO)

PHOTOGRAPHY

Yves Möhrle – BIPEDIE(BOO)

by Yves Möhrle

BIPEDIE(BOO) is a video installation that combines humour and seriousness. Inspired by rockfalls in Switzerland, a modern myth has been created. A personification of rockfalls, embodying the incomprehensible and inexplicable. The videos show a figure walking through the mountains and throwing stones down the slope. Hypocritically, she lectures us. In a naïve hope that small gestures can bring about big changes, the nostalgic aesthetic of the project underlines the link between past and present and raises the question of our management of natural risks. Do our actions really bring progress or do they fight symptoms? What is our role in the Anthropocene? Do our actions influence nature and cause stones to fall?

Mathilde Lesueur – Collision

PHOTOGRAPHY

Mathilde Lesueur – Collision

by Mathilde Lesueur

From an impressive loss of control to an explosion of shattered glass, I find myself in the middle of a wavering and inevitable chaos. I hold on to an uncertain light and let my body give in to the injuries. Between reconstruction and obsession, Collision explores how car accidents and injuries are shown in modern images. This work mixes the violence of my story with the way I make it attractive and digitalized. I represent myself through the image of broken doll, I create a confusion between the real and the unreal, symbolizing memory after a traumatic event. This project, an installation using chrome and glass, takes place in a setting where the gaze of the others and an injured girl interact.

Yan Miranda – Reverie Rebirth

PHOTOGRAPHY

Yan Miranda – Reverie Rebirth

by Yan Miranda

Guided by psilocybin, Reverie Rebirth is an intimate journey into trauma healing. These experiences allowed me to reconnect with the innocence of childhood, with myself and with nature. Through new technological tools and analog photography, I was able to document and illustrate the visions of my inner journey. Imbued with Afro-Brazilian divinities, this exploration reflects on my cultural heritage and identity. The evolution of the project moved towards an engagement with nature and ecology. Inspired by a return to Brazil, it symbolizes the confrontation of deeper issues and blends with various artistic typologies to address themes of fear, anger and the degradation of nature.

Seraphine Sallin-Mason – The ''A'' Word

PHOTOGRAPHY

Seraphine Sallin-Mason – The ''A'' Word

by Seraphine Sallin-Mason

Abortion is a fundamental right. In the United States, its practice has been restricted in half the country in recent years. The 'A' Word seeks to address this issue. In media, the associated Pro-Life/Pro-Choice iconographies are expressed with similar communication codes. These channels sensationalize the topic to startle and offend. This sensationalism distances us from the reality of abortion and the people seeking access to this care. From this visual material obtained through various resources, The 'A' Word aims to dissolve these mechanisms and reconstruct a more complex vision that, I hope, will allow us to take a critical look at this essential issue.

Lea Sblandano – Neijuan

PHOTOGRAPHY

Lea Sblandano – Neijuan

by Lea Sblandano

The pixels expand and appear ever closer to the sensible world into which I was born. Neijuan explores the complexities of identity construction in a post-pandemic, hyper-connected world. Meaning "involution" in Mandarin, it evokes a sense of generational fatigue due to an ever-faster and competitive society. Between the feeling of a collective burn-out and the increasingly immersive presence of screens, virtual worlds become places of refuge and safety, but also fertile ground for interested encounters and fantasies. The screen turns into an emancipatory and formative means of connection, while increasingly distancing the individual from the tangible world around them.

Cyriane Rawyler – Medusa

PHOTOGRAPHY

Cyriane Rawyler – Medusa

by Cyriane Rawyler

Medusa is a collaborative project linking performance to hyperfemininity. This physical exploration symbolizes the reappropriation of the body through transformation. The need to exchange and meet these protagonists arose from a personal event that allowed me to regain control of a destroyed space. Blonde hair, length, and shine unite us to create a community. Through photography, the notions of self-image and control interact, creating celestial beings that tame space. Medusa aims to understand and accept the multiple facets of identity, offering a means of rebellion and self-affirmation.

Hector Codazzi – La Synthèse des Couleurs

PHOTOGRAPHY

Hector Codazzi – La Synthèse des Couleurs

by Hector Codazzi

Synopsis : From one image to another, Louise, aged 25, strives to find her place in the demanding world of modeling. As a young photographer being increasingly involved in the world of imagery and advertising through my professional experiences, I wanted to take a closer look at this world that both fascinates and repels me in some ways, but above all intrigues me with its ambiguous relationship to reality. I directed a short film that depicts the trajectory of a model in this industry, a fiction that aims to address several questions : the self-staging induced by the profusion of images, the mechanisms of oppression related to the creation of advertising images, the pursuit of social mobility by young generations and how this pursuit clashes with the reality of the job market.

Johanna Bommer – Changing Rooms

PHOTOGRAPHY

Johanna Bommer – Changing Rooms

by Johanna Bommer

Changing Rooms is a site-specific photographic installation about a very recent past. A figure in the transitional period of adolescence navigates commercial and digital environments. She constructs herself through the images she sees, engaging in a form of self-commodification while immersed in these two spaces. A pile of dust, greasy hair or a scratch on an otherwise perfect surface disturb the smoothness of the virtual and the commercial space. She finds comfort in her anonymity. She dislikes being perceived but desires to be seen. A reflection becomes a mirror becomes a screen becomes a door.

Léa Bevilacqua – Meu Anjo

PHOTOGRAPHY

Léa Bevilacqua – Meu Anjo

by Léa Bevilacqua

"I had the occasion to go back to Santarém, in northern Brazil, my origin town to discuss beauty standards, identity, and self-expression with eight individuals I met there. Growing up as a bi-national woman (Swiss and Brazilian), I struggled with conflicting beauty ideals. The people I met there were often seen as weird, ugly, or inadequate by the society, I thought they were unique and brave for standing out in a region that prize conformity over self-expression. These encounters allowed us to share experiences and, on a more political note, emphasize their value in response to the recent rising hate against minorities in Brazil."

Carla Corminboeuf – Omerta

PHOTOGRAPHY

Carla Corminboeuf – Omerta

by Carla Corminboeuf

A performance in a square of light, a surface echoing the competition carpet. A melancholy memory of a carpet that no longer exists, a carpet symbolizing constraints. The body enters this restricted space and measures it to the tempo of a metronome. Repetitive movements follow, until the effort is felt. A live projection is added in the background, produced with two cameras placed in the diagonals of the square, reproducing the jurors' point of view. Video archives footage of training scenes then scrolls past, showing a body forced into contortions by relentless trainers. It's a questioning  several aspects of rhythmic gymnastics, a sport I practiced for years, and whose training methods are being questioned by the medical world.

Matilde Croxatto – them

PHOTOGRAPHY

Matilde Croxatto – them

by Matilde Croxatto

This film is an intimate exploration of masculinity through the prism of faith. We discover the testimonies of eight young men through their relationship with God. Through interviews and scenes from everyday life, they reveal the beauty and complexity of this relationship. Based on my own experience as a believer, I've come to realise that faith, with its vulnerable and intimate qualities, can be seen as an experience that no longer affects traditional masculinity. To verify this, I gave the floor to men who choose the resilient path of faith on a daily basis. Their devotion is brought to light, an expression of the heart that goes beyond gender stereotypes and invites reflection on the humility of the individual towards an entity greater than himself.

Albane Durand-Viel – Magdalena

PHOTOGRAPHY

Albane Durand-Viel – Magdalena

by Albane Durand-Viel

Magdalena focuses on a forgotten or unknown female figure, Mary Magdalene. She was Jesus’ favorite, first witness and mysterious apostle. Her story has been written and told by men, who attributed to her several identities : as a saint, a socialite, a prostitute, a lover and a mystic woman. A thousand faces are often attributed to her, preferring to reduce her to erroneous female stereotypes. Yet Mary Magdalene was a key figure in History and a powerful symbol of feminine independence. This project aims to restore her story, by choosing our contemporary era as context. Imagining a scenario in which Mary Magdalene occupies a central place in today's media space, what would her fate and power be?

Jennica Folkesson – CHACUNE

PHOTOGRAPHY

Jennica Folkesson – CHACUNE

by Jennica Folkesson

CHACUNE is an installation focusing on the theme of transmission. Clay, a symbol of connections, is extracted and shaped to bear witness to a shared past. The sense of touch, essential and unifying, is employed as a means of creation, linking us women together. Each ceramic piece represents a page in our collective story, shaped by the passage of time. Here, time manifests as a journey. From mother to daughter, from Switzerland to Mexico, we explore the lands that hold our ancestors.

Léo Paschoud – How to sell online

PHOTOGRAPHY

Léo Paschoud – How to sell online

by Léo Paschoud

This work takes the form of a series of three books compiling images from conversations collected on various online second-hand sales sites. A specific protocol defines the message sent to the sellers to obtain a photo in return. Each book focuses on a specific object: the camera, the mirror, and the laptop webcam. The aim of this project is to explore the behavior of online sellers. To obtain the desired image, with the correct shooting angle, the process relies on their desire to sell these objects and allows for the observation of their different reactions. If the protocol is successful, images are received; otherwise, responses of indignation, annoyance, insults, or even silence are encountered.

Gilian Cardaci – Pitch Green

PHOTOGRAPHY

Gilian Cardaci – Pitch Green

by Gilian Cardaci

This work documents the issues surrounding a professional football field and its artificial maintenance. The turf on these pitches must be maintained to comply with the high standards dictated by FIFA to enhance the image of the sport. Specific tools have been developed to meet this demand. Pitch Green turns football on its head with a fascination for what goes on behind the scenes, creating an imagery reminiscent of science fiction. The contrast between the natural turf and these ultra-technological tools lends an absurd edge to their real purpose. These pitches, which appear perfect to the viewer, reveal the excesses of football and its corrupt business.

Laure Brandford Griffith – La foule nous regarde

PHOTOGRAPHY

Laure Brandford Griffith – La foule nous regarde

by Laure Brandford Griffith

La foule nous regarde revolves around an obsessive gaze on strangers that resonates with the loss of a loved one. In the search for this person, he explores collective identity through clothing, physical attitude and human bonds, where the stranger becomes the reflection of a lost personal history. The crowd is both the plurality of personality in the lost being marked by crises of dissociation, and these unknown people bringing him back into my life.

Service Design - 2024

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Service Design - 2024

with Angelo Benedetto, Vincent Jacquier, Pauline Saglio, Calypso Mahieu

During the Service Design course, the 3rd year of the Graphic Design, Photography and Media & Interaction Design bachelors had to create multi-media projects. A collaboration of the Visual Communication department which had as subject the SDGs (*Sustainable Development Goals). The theme was called "For a good cause, make the SDGs a reality" and its objective was to allow students to develop a cause that is close to their hearts. Each project consists of at least two different media, one primary and one secondary. These projects could take any form that the students deemed relevant, be it a website, editions, posters, a video sequence or virtual reality.

SYNC SCREEN

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

SYNC SCREEN

with Charlotte Krieger, Jean-Vincent Simonet, Florian Pittet (Sigmasix), Vincent Jacquier, Julien Gurtner, Matthieu Minguet, Cédric Duchêne, EPFL+ECAL Lab, Giacomo Bastianelli

For a week, the first-year visual communications students worked on an installation consisting of 15 screens, accompanied by a 360° sound system developed by EPFL+ECAL Lab. This chandelier, five metres in diameter and suspended from a height of three metres, served as a support for their experiments. Using music specially composed and spatialised for the occasion, the students explored the dynamics of sound both visually and in movement.

PROJECTIONS XXL

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

PROJECTIONS XXL

with Sami Benhadj, Vincent Jacquier

An immersive and magnetic visual environment, created by ECAL students, illuminates the facades of the mudac and Photo Elysée building. As part of an interdisciplinary project within the Visual Communication department of ECAL, students in the Photography, Graphic Design and Media & Interaction Design Bachelors programs developed immersive video projects designed to adorn the facades of Photo Elysée.

Anthracite

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Anthracite

by Emma Grosu, Seraphine Sallin-Mason, Rebecca Alfandary

The Anthracite project aims to raise public awareness about the dangers of light pollution, which threatens the survival of nocturnal insects and impacts biodiversity in Switzerland. Through a carefully crafted edition blending scientific outreach and photography, the project strikes a delicate balance between poetry and urgency. Anthracite also takes shape in two additional formats: a visual installation made up of striking images, and a teaser video. These mediums of awareness immerse the audience by adopting the perspective of an insect, inviting viewers to directly experience the effects of human-caused pollution. Ultimately, the project seeks to inspire greater protection for the vulnerable insects at risk.

Sara De Brito Faustino – Toute petite et vilaine

PHOTOGRAPHY

Sara De Brito Faustino – Toute petite et vilaine

by Sara De Brito Faustino

“This project presents the home as a place where uncanniness and vernacular commonness exist side by side. Being an intimate space, a home should be a restful and secure place. However, mine has been the scene of some painful events. Today, I see this house as threatening. Uncomfortable and dysfunctional, it bears the scars of the past. In my photographs, I revisit those memories and reclaim my body. My tiny dioramas express my young self’s ideals opposed to the wounds I currently bear. Constructing, deconstructing, objects become bodies, whereas my being feels deformed and petrified. Toute petite et vilaine (“Tiny and Ugly”) creates an antagonistic tension between appealing visuals and disturbing details.“

Matteo Angelé – If I Could Tell You/Se Potessi Dirtelo

PHOTOGRAPHY

Matteo Angelé – If I Could Tell You/Se Potessi Dirtelo

by Matteo Angelé

This reappropriation project attempts to question the influence of context and medium by reusing pornographic images from homosexual magazines of the 1980s – a decade marked by the discovery of AIDS. Originally created for purely pornographic purposes, these images, representing bodies devoid of movement and stemming from bondage culture, describe the male archetype as characterised by Rudy Lemcke in A History of Violence: “Born and shaped by violence (…), we exist in a world where these dynamics of power and control are already operating for, with and against us. The effects of violence are a part of who we are.”

Valerie Geissbühler – Soft Matter in Interwoven Worlds

PHOTOGRAPHY

Valerie Geissbühler – Soft Matter in Interwoven Worlds

by Valerie Geissbühler

“Soft Matter in Interwoven Worlds is a multifaceted installation that brings together narratives focusing on the potato. These stories retrace the tuber’s journey from Peru, its birthplace, to Switzerland. A soft matter is an entity that is perceived as unheroic and taken for granted. Instead of reducing the potato to a food plant, I see it as a resilient carrier of life as well as a creature. The boundaries between endings and beginnings blur as I navigate the ambiguity of birth, growth, death and loss. I merge ancestral knowledge and autofictional imagery by moving among multiple perspectives, territories and times, my bicultural identity and womanhood. All this brings me back to the roots of it all and leaves me to wonder: did I raise you or did you give birth to me?“

Jessica Dreier – Margem Sul

PHOTOGRAPHY

Jessica Dreier – Margem Sul

by Jessica Dreier

"Margem Sul explores the social and political history of Portugal, focusing on the south margin opposite Lisbon. I documented Barreiro, Almada, Moita and Trafaria, with a focus on Segundo Torrão. After the Carnation Revolution in 1974, Angolan, Mozambican, Cape Verdean, Guinean and Santomean populations settled here, forming a strong comunity. Local rappers denounce the growing gentrification of Trafaria. The State justifies the demolitions on security grounds but remains evasive about their real motivations. Since the end of 2022, more and more homes have been demolished and people evicted. My work seeks to amplify the voice of the actors, expressing a variety of situations, from wandering to overt situations."

Louis Victorin Michel – Deus Corporatæ

PHOTOGRAPHY

Louis Victorin Michel – Deus Corporatæ

by Louis Victorin Michel

Deus Corporatæ weaves connections between the world of money and power, attempting to portray the corporate world as a numinous fortress. Its imposing architectures convey a sense of absolute presence, an almost sacred dimension. Symbols are scattered around these places, resembling coats of arms, allowing for the recognition of the various corporations in the city. These glass facades illuminate the surroundings by reflecting light through contemporary materials such as glass and steel. All of the rules of capitalist, globalised work culture create a new contemporary mythology, associated with rituals that foster a sense of belonging to this world. The project seeks to establish these new mythologies of financial power, whose façade appears transparent, but often wields influential power on an international level.

Noa Chevalley – Bêche pour dame

PHOTOGRAPHY

Noa Chevalley – Bêche pour dame

by Noa Chevalley

“In the middle of this gravel pit, a vast, artificial and monumental landscape, I try to leave my mark. In mimicry of this environment, I cut into the soil with the strength of my arms. The naked body becomes a tool for digging and filming. It is desexualised in this vain and infinite action. I use my strength to feel more powerful and to detach myself from the normative injunctions that are imposed to me. Despite this, I cannot compete with this place. A relentless battle takes place between the shovel and the ground – a battle that breaks the body and dismantles it. This work mirrors the feeling of inadequacy that comes from the dynamic of striving to meet the expectations that are imposed on us. I do not listen to my body anymore and I am conditioned to accept a world that rips it apart.“

Eloïse Genoud – INSIDE

PHOTOGRAPHY

Eloïse Genoud – INSIDE

by Eloïse Genoud

“INSIDE is a project that focuses on contemporary dance, movement and the human body. It stems from my deep passion for dance and aims to capture the essence of this art form from a personal perspective. Drawing from my 18 years of experience as a dancer, I strive to bring forth the energy, collective spirit and love for the stage that is inherent in this art form. INSIDE alludes to that special moment of stepping into the spotlight, where bodies and light come together in a profound connection. This work is not a documentary on dance, but rather an experimental journey where individuals merge into a common entity. A major part of the project was staged, requiring choreography and active participation in the dances designed exclusively for this production.“

Dominique Bartels – The Threads That Hold the Earth Together

PHOTOGRAPHY

Dominique Bartels – The Threads That Hold the Earth Together

by Dominique Bartels

“Nostalgia for media that resonate with my body. The installation The Threads That Hold the Earth Together explores the plasticity of photographic and videographic image through weaving. Making and juxtaposing photographs is a way for me to create tangible links. The materiality, the body of the image are my starting point. To seize the passage of formlessness to form, I work with different media around linen: the first fabric to cover, clothe and preserve the human body. Three canvases, woven and unwoven with linen, photographic film and magnetic tape, are suspended in space. A video which explores the transformation of flax through different image textures runs in a loop on a TV.“

Inès Mermoud – OS CRIAS

PHOTOGRAPHY

Inès Mermoud – OS CRIAS

by Inès Mermoud

OS CRIAS attempts to shed light on the relationship between children living in various favelas in Rio de Janeiro and the violence that surrounds them. It addresses the subject from a personal point of view, based on family stories and experiences. The documentary book evokes Brazil’s political and social issues from a critical perspective, and links together different types of images. A participatory approach is also highlighted.

Tony Altermatt – huǒlóng

PHOTOGRAPHY

Tony Altermatt – huǒlóng

by Tony Altermatt

“ Huǒlóng evokes the memories and feeling that we might get from a country we have never lived in. We explore then intertwine symbols and images, giving birth to our own culture. From East to West, I create my representation of the second generation of the Chinese diaspora. Silently built, two distinct landscapes merge. Our youth evolves, oscillating between two cultures. The osmosis is palpable, between traditional heritage and desire for emancipation. This fictional story is the fruit of a journey. The protagonists gather to exchange their views. We connect lands, objects and environments. This is our way of representing ethnic mixing: a poetic symphony, where boundaries are dissolved.“

Gaétan Uldry – I NO LONGER LOVE BLUE SKIES

PHOTOGRAPHY

Gaétan Uldry – I NO LONGER LOVE BLUE SKIES

by Gaétan Uldry

The drone is a machine for control, surveillance and suppression that is increasingly used and improved in its technological evolution. The drone acts as a prism that recreates a new reality, filtering and annihilating the real world. The image produced is a kind of mirage, devoid of meaning. The machine creates a deliberate feeling of distance with the need to confront death. This book highlights this new reality by collecting, cropping and assembling images produced by drones to denounce the absurdity and danger of these devices for carrying out violence. It questions the status of these images, whose plasticity and aesthetics obscure and conceal the true nature of their function, which remains to control, monitor and kill.

Gwendoline Albasini – Dear Kingdom

PHOTOGRAPHY

Gwendoline Albasini – Dear Kingdom

by Gwendoline Albasini

Dear Kingdom is a story told through storytelling. A fictional figure embodies the princess trapped in her role, the horse who frees her and the witch who casts a spell. These archetypes confront intimate questions about the female gender and seek to dismantle collective ideals. The dream castle, once we look beyond its ramparts, vanishes into thin air. The video immerses the viewer in a world as majestic as it is oppressive. The soundtrack consists of singing and violin. The sounds can be both powerful and frail, revealing the beauty of the disparities. “Dear Kingdom is an appeal to the projections of a social and personal ideal. In this message there is a desire to share my path in this imposing, theatrical and fanciful universe.“

Samuel Spreyz – MSM. Rx

PHOTOGRAPHY

Samuel Spreyz – MSM. Rx

by Samuel Spreyz

"Are cis gay men trapped in the medical system forever? Like desiring clones under chemical influence, they are enjoying a new sexual revolution – a revolution under legal drugs. If they want to bring liberalism into their sexuality, they have to become long-term patients. By virtue of PrEP, their use of the health system intensifies and MSM Rx is an attempt to represent this era. My visual essay is driven by my fascination for this lifestyle, a fusion of legal and illegal drugs, sultry parties and consensual hardcore practices."

Diego Fellmann – Lopo

PHOTOGRAPHY

Diego Fellmann – Lopo

by Diego Fellmann

“This work focuses on the last fragments of memories of one of my relatives, Lopo. Initially destined for a political career, he decided to follow a different path. Leaving his family home with his savings, he journeyed through the deserts and salt flats of the Altiplano, seeking his own way. Several years later, my father found his trace in a hotel where they had recorded some songs that Lopo had composed, drawing inspiration from his journey. After that, he mysteriously disappeared and there is almost no trace of him left, except for these recordings. Using models and landscapes, I explore the flaws of memory and their volatile nature and attempt to recreate a portrait of him based on the rare and last memories that my father and mother have of him.“

Ulises Lozano – Coming in

PHOTOGRAPHY

Ulises Lozano – Coming in

by Ulises Lozano

“Adolescence is synonymous with identity construction. Identity is redefined by today’s youth. The aesthetics they adopt reflect a desire for singularity in a changing society. In a collaborative way, I accompany a process of self-affirmation. They blossom and I offer them a space in which to express themselves. Photography takes shape: a safe place for participants to unfold their fantasised personalities – a kind of alter ego in the making. These self-portraits echo the intimate experience of coming in. They become moments of breath, of reconciliation. Through encounters, drawing and photography, they reveal their intimate selves to me. Coming in is a visual interpretation of this process.“

Magazine - 2023

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Magazine - 2023

with Anouk Schneider Agabekov, Chi-Long Trieu

As part of the magazine course led by Anouk Schneider and Chi-Long Trieu, 2nd-year Visual Communication students had the opportunity to design a magazine during the second semester. Students were encouraged to explore their artistic freedom at all stages of creation, whether it be in terms of format, paper choice, binding, layout, illustrations, text, or typography. In this course, the magazine can take shape through various forms of illustrations, such as photography, reproduction, contextualization, drawing, 3D, etc. The focus is on the artist's vision and the methods used to bring it to life. Students take on multiple roles as editor, curator, and architect, covering responsibilities such as art director, designer, photographer, stylist, illustrator, typographer, editor-in-chief, and editorial assistant. This course highlights contemporary editorial design by exploring the narrative potential of a well-structured content sequence.

Vampire week

PHOTOGRAPHY

Vampire week

with Jean-Vincent Simonet

During one week, the students developed techniques that transform perception and the relationship with the corpus of images: erasure, displacement, loss of the sensation of reality.

Pop Ups and Masks

PHOTOGRAPHY

Pop Ups and Masks

with Taiyo Onorato

This workshop focused on staged photography, particularly emphasizing staged portraits. The concentration was on the two essential elements of the portrait: working with the object and manipulating its background. Staged portraits set themselves apart from mere snapshots by actively creating an image, steering clear of reality. Tools like light, background, and pose were employed to craft a deliberate narrative. Individuals were staged, altered in specific ways, adorned with outfits and masks. The workshop delved into the interest in masks as tools for transformation and representation. Throughout the workshop, masks were produced using available means, and they became the central objects of staging. Students photographed and filmed them, capturing the essence of transformation. The second element of the workshop, which focused on the background, pop-up techniques were experimented with. The backdrop, a dynamic part of the narrative, was manipulated using cleverly designed sets and unexpected spatial techniques. The focus was not just on capturing moments but on crafting them, bringing forth stories that transcended the boundaries of reality. The workshop provided a platform for unleashing creativity and experimentation.

Dissolution of genres and austerity in prise de vue

PHOTOGRAPHY

Dissolution of genres and austerity in prise de vue

with Geray Mena

The workshop focused on the dissolution of genres within photography: documentary, fashion, still life and portraiture. Students built bridges between commercial and artistic practice.

Afterhuman

PHOTOGRAPHY

Afterhuman

with Elizaveta Porodina

For this workshop, Elizaveta Porodina asked the students to explore the theme "AFTERHUMAN". This theme opens up perspectives for capturing futuristic landscapes, representing the potential fusion of technology and humanity. Think about visually depicting the coexistence of artificial intelligence, cybernetics or biotechnology with natural elements. Experiment with innovative techniques to convey a sense of evolution or transcendence. This exploration invites photographers to creatively interpret and visually narrate a future beyond conventional human experience.

Hyperlab

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Hyperlab

with Vincent Jacquier, Angelo Benedetto, Ali-Eddine Abdelkhalek, Jean-Vincent Simonet, Clément Rouzaud

In collaboration with the HYPEROUEST music festival, ECAL students were given the opportunity to design a visual installation in the room adjacent to the festival's ephemeral club, located on the Veillon wasteland in Crissier. For this project, 1st-year students worked in groups, mixing Bachelors in Graphic Design, Media & Interaction Design and Photography. Their main objective was to create powerful and creative visual sequences around the central theme of "HYPER". At the same time, second-year students in the Graphic Design option enriched this project by developing the exhibition's visual identity. These interdisciplinary collaborations stimulated exchanges and encouraged visual cohesion, connecting the different ideas and reinforcing the "laboratory" and experimental aspect of the project.

Le livre d’artiste - 2022

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Le livre d’artiste - 2022

with Anouk Schneider Agabekov, Chi-Long Trieu

As part of the publishing course led by Anouk Schneider and Chi-Long Trieu, 2nd year Visual Communication students had the opportunity to design an artist's book during the first semester. This book project stands out for its contemporary approach aimed at creating an editorial object that harmoniously integrates form and content in the current context of the editorial landscape. Students were encouraged to exploit their artistic freedom at all levels of creation, whether in terms of format, choice of paper, binding, layout, illustrations, text or typography. As part of this course, the artist's book can take shape through various illustration modalities, such as photography, reproduction, contextualization, drawing, 3D, etc. The emphasis is on the author's artistic vision and the means implemented to realize it. Students take on multiple roles as editor, curator and architect, covering the responsibilities of artistic director, designer, photographer, stylist, illustrator, typographer, editor-in-chief, and editorial secretary. This course highlights contemporary editorial design by exploring the narrative potential of a sequence of controlled content.

Redesign 2022

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Redesign 2022

with Giliane Cachin

As part of the course given by Giliane Cachin, 1st year students are required to produce an edition by examining the different axes that make it up. The course offers a study of various grid systems and the fundamentals of micro-typography. During the semester, students will look for the best way to structure and arrange the content they have chosen (or which has been assigned to them, depending on the semester's data). Some essential rules to know in terms of printing and bindings will be reviewed at the end of the semester, in order to bring the conceptualized object to life.

Filter