Workshop with Benoît Dervaux

Workshop with Benoît Dervaux

Second-year Bachelor's students attended a workshop with Belgian cinematographer Benoît Dervaux, known for his work on the Dardenne brothers' films. He was responsible for the cinematography on the Swiss films Laissez-moi by Maxime Rappaz (2023) and À bras-le-corps by Marie-Elsa Sgualdo (2025).

Studio project, Workshop (2025)

Students
Noé Bregnard, Eva Rust, Victor Durand Matinella, Lou Haenggi, Samuel Harari, Hana Magimel, Nolan Grando, Mileny Viera de Andrade, Zélia Zanone
Know-how
Photography direction

"When Rachel Noël asked me to come to ECAL to give a workshop on image centred on light, I thought about it for a while and then immediately thought of this quote that I really like and that has stayed with me for a long time, by Serge Daney: 'In artistic terms, an absolutely intuitive, almost animalistic understanding of what can be done is much more important than knowing what one wants to do.'

Throughout my career, I have often observed how light in cinema remains a mystery that is difficult to unravel for many people, including numerous professionals in the sector, producers, directors, etc.

However, for the director of photography, who is responsible for the image of a film, light, however fantastical and artistic it may be, inevitably requires at some point to be forged from tangible and material elements.

Starting from the axiom that a film shot must above all be structured and constructed according to the camera position, during this workshop we observed the interplay of light and shadow.

Through a series of simple, practical exercises, I attempted to introduce the students to cinema lighting so that it would no longer be an abstract concept for them.

By giving them these few keys, I hope that they will now be able to observe photography in a more analytical way and gain a deeper understanding of films."

Benoit Dervaux

Tournage dans le grand studio
Tournage dans le grand studio
Tournage dans le grand studio

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