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FILM STUDIES

Antoine Scalese – Hypersex

by Antoine Scalese

My diploma project is a screenplay for a feature film titled Hypersex, exploring the fantasy romance genre. It tells the story of Alfa, a young man who lends his appearance to a model of a sex android and manages to divert one sample in hopes of restoring lost intimacy with his elusive partner. Quickly, by substituting it for himself, he loses control of the situation and finds himself confronted with intense affects. This screenplay uses sexuality as a fully-fledged dramatic force within the overall narrative dynamic. Intertwined with this, the narrative rhetoric of love's return offers a queer perspective to the film, portraying the complex relationship between two male characters who, despite their selfish behaviors, choose not to give up on each other.

FILM STUDIES

Valentina Parati – Acciaio

by Valentina Parati

A lullaby of engines and love, this short movie is an emotional and hypersensorial journey into the deep world of mechanophilia.

FILM STUDIES

Theofanis Papadopoulos – Firelight

by Theofanis Papadopoulos

Firelight explores my fear of non-existence after death and that of imagining to no longer interact with an environment. It confronts the characters with the lies they tell themselves, in order to be able to survive in this absurd situation. It is about an awareness and the point of no return, where, confronted with reality, we also become aware of the fact to vainly create meaning in our lives, to make them livable. Thus, we hide from the mortal misery that awaits us every day, as in every room of the mansion. We create meanings and explanations to comfort ourselves, except that being aware of it and accepting this absurdity is equivalent to no longer being afraid of it.

FILM STUDIES

Saleh Kashefi – Overture

by Saleh Kashefi

Beneath all the noise lays silence. Overture is a cinematic journey which tries to illustrate how silence can be covered with noise through telling a typical story of a human being and their way of coping with life’s suffering in the modern world.

FILM STUDIES

Anna Joos – Niederurnen, GL

by Anna Joos

Once called ‘the magic material', asbestos has become an invisible evil. In a forgotten valley of Switzerland, death, carried by the wind, forever and ever accompanies the everyday lives of the Italian asbestos factory workers. They are silenced by the Swiss industrial state. But the insides of their bodies bear witness to their story: their asbestos-injured lungs breathe in and out, intermingling with the repetitive industrial sounds, like heartbeats, in which they were once immersed. The binary rhythm of the Tarantella, a southern Italian ritual, once had the power to counter an invisible evil.

FILM STUDIES

Pablo Guscetti – Chi ch'ien piü chiö

by Pablo Guscetti

Nena, 40, lives in the valley in Ticino where she grew up. Giulia, an urbanite in her thirties, is visiting her family's village for the first time in order to conduct field research for her post-doctorate. Nena reluctantly acts as Giulia's research guide. Animosity grows quickly between the two. The protagonists discover that mysterious and murderous attacks are ravaging the valley they left behind. Panic-stricken, the two women head for a high-altitude refuge. But this respite is quickly replaced by heartbreak. The storm is close, and so are the and monsters. Giulia and Nena face each other in the midst of horror.

FILM STUDIES

Fei Fan – Fenni in Wonderland

by Fei Fan

Fenni in Wonderland is a short fiction film in which I also use a documentary approach. In this film, the boundary between reality and dream is blurred by magical realism in order to represent the Chinese immigrant community in Paris through my personal point of view.

FILM STUDIES

Sara Dutch – Mife et Miso vont en bateau

by Sara Dutch

In the near future, Xzir, a woman in her thirties, finds herself faced with an unwanted pregnancy. In the ultra-digital, techno-authoritarian society in which she lives, pregnancies are automatically entered in a national register and monitored by the state, abortions are banned. Xzir is going to take the illegal path of the DarkWeb to her pregnancy, whatever the cost.

FILM STUDIES

Jonathan Daza Ospina – Silencio

by Jonathan Daza Ospina

Silencio is a hybrid film that narrates the story of a sound recorder from a big city in Colombia who goes to the jungles in the pacific coast, in search of the sounds from a past that is still haunting the present. A personal journey where she meets local activists of different generations engaged with the preservation of memory, and where music and oral traditions enact as liminal spaces in which mourning invokes and shakes the ghosts of a colonial heritage before the promises of the future. It is a film that traces a cartography of sound and archives the ecological present from a historical perspective, examining sensorially the embodiments of resistance in contexts of armed conflict in the west of Colombia.

FILM STUDIES

Loïs de Goumoëns – Rase Campagne

by Loïs de Goumoëns

Rase Campagne is a feature-length comedy screenplay project. It tells the story of Elia, a helpful and polite young woman from Vaud, Switzerland, who lives in fear of disturbing... or even worse, of disappointing. One day, a ZAD arrives in her quiet region and through an unfortunate combination of circumstances, we believe she is one of the ZADists! Elia will try to prove the opposite but the adventure will prove difficult when the different forces present try to rally her to their cause. In this story, I am interested in probing Swiss “neutrality” and the consequences of refusing commitment, whether emotional or political. The project is at the V1 stage and is therefore under development.

FILM STUDIES

Loris Ciaburri – Lux Vitae

by Loris Ciaburri

Lux Vitae is a feature-length screenplay developed over two years as part of the ECAL/HEAD Master of Cinema program. The project was built from a synopsis, through various treatment versions to a V1 screenplay. Anne Brouillet supervised the writing process throughout. Lux Vitae is a film set in La Chaux-de-Fonds, incorporating the local socio-historical context. The film follows the story of Anica, a polyamorous, pansexual watchmaker who, following an accident, becomes a paraplegic. Her sex life is limited, so she decides to seek assisted suicide and meets Max, an EXIT counsellor. These two people, totally opposed in their sexuality, come together and bond intimately.

FILM STUDIES

Sara Dutch – Mife and Miso go boating (Direction)

with Elene Naveriani

FILM STUDIES

Jonathan Daza Ospina – Silence (Direction)

with Elene Naveriani

A sound engineer records the sounds of a forgotten past in the jungles of the Colombian Pacific.

FILM STUDIES

Pablo Guscetti – Those who are no longer here (Direction)

with Elene Naveriani

Two women who have nothing in common must hide in a mountain refuge to escape a zombie attack.

FILM STUDIES

Theofanis Papadopoulos – Firelight (Direction)

with Elene Naveriani

Three siblings must keep two fires alive, to protect themselves from a monster that lives in the dark.

FILM STUDIES

Valentina Parati – Acciaio (Direction)

with Elene Naveriani

Through a metaphor with mechanical overtones, an unbroken chain of three situations, divergent and yet so connected by a single element: pulsating, living steel. A family car with a mom and her kid, a furious truck, flying cars. An endless lullaby of engines.

FILM STUDIES

Anna Joos – NIEDERURNEN, GL (Direction)

with Elene Naveriani

In a forgotten Swiss valley, an evil wind haunts the lives of former asbestos factory workers.

FILM STUDIES

Fei Fan – Fenni in Wonderland (Direction)

with Elene Naveriani

While wandering around Paris, Fenni, a Chinese girl, drifts between dream and reality.

FILM STUDIES

Loïs de Goumoëns – Open Countryside (Screenplay)

with Anne Brouillet

This is the first draft of a feature film script, written over the two years of the MA programme.

FILM STUDIES

Loris Ciaburri – Lux Vitae (Screenplay)

with Anne Brouillet

This is the first draft of a feature film script, written over the two years of the MA programme.

FILM STUDIES

Antoine Scalese – Open Countryside (Screenplay)

with Anne Brouillet

This is the first draft of a feature film script, written over the two years of the MA programme.

FILM STUDIES

Balthus Kiss – In Vitro (Screenplay)

with Alice Winocour, Nadine Lamari, Michel Spinoza

Through Caillou’s point of view, In Vitro enables us to look at the world as through a broken mirror. Which reflection should we trust?

FILM STUDIES

Michail Galanopoulos – The Parade (Direction)

with Stéphane Batut

A day in the life of a group of high school students in Athens, Greece, during the day of the national military parade.

FILM STUDIES

Valentina Shasivari – Mountain Flesh (Direction)

with Jacqueline Zünd

The summer idyll is disturbed by recurring noises while a mountain village loses its foundations.

FILM STUDIES

Antoine Flahaut – The Parade (Editing)

with Gion Reto Killias

The editing of this film was a meticulous balancing act, consisting less of searching for clean and sophisticated cuts than of finding for each scene the brutality, the power, the troubled swirl of emotions that inhabit this group of teenagers fleeing through the streets of Athens.

FILM STUDIES

Selin Dettwiler – Ramboy (Editing)

with Gion Reto Killias

On Achill Island, on the west coast of the Republic of Ireland, Cian hopes to spend his summer vacation playing soccer with his friends. But his grandfather Martin reckons the time has come to introduce him to farm work in order to pass on his craft to the next generation.

FILM STUDIES

Massimo Del Gaudio – Le défilé (Sound)

with Nathalie Vidal

I worked on Michail Galanopoulos’ graduation film: Le défilé. I went to Greece in November 2021 to work on the film as sound recordist and location mixer. I then worked on the post production as sound editor, sound designer and mixer.

FILM STUDIES

Léa Célestine Bernasconi – The mountains are still growing (Sound)

with Nathalie Vidal

My job was to create the soundtrack for this film from sound recording to mixing and editing.

FILM STUDIES

Yatoni Roy Cantu – Ramboy (Sound)

with Nathalie Vidal

Ramboy provided me with the opportunity to look after the whole sound process of a film, from the sound recording to the music, the editing and the mixing. It was a real adventure.

FILM STUDIES

Matthias Joulaud – Ramboy (Direction)

with Jacqueline Zünd

Ramboy is a 30-minute documentary short film, the result of work done with a family of sheep farmers on an Irish island. Being immersed for several months in this island allowed me to weave strong links and to offer a documentary which condenses at the same time problems related to the adolescence of a young boy, and to the hard social and economic reality of a trade whose traditions are under threat.

FILM STUDIES

Jiahui Huang – The mountains are still growing (Editing)

with Gion Reto Killias

Laurence, a Parisian in her fifties, is spending a few days in an isolated holiday cottage in southern France. There she meets Antoine, the young owner of the place. Antoine is a little boorish and macho and tries to seduce her. But Laurence is there for a specific purpose: to give him a letter containing a secret.

FILM STUDIES

Victor Comte – Carne (Screenplay)

with Nadine Lamari, Alice Winocour, Michel Spinoza

This is the first draft of a feature film script, written over the two years of the MA programme.

FILM STUDIES

Rokhaya Balde – La passion d'Aline (Screenplay)

with Nadine Lamari, Alice Winocour, Michel Spinoza

My graduation project is a version 1.0 of a feature film script on the life of Aline Sitoé Diatta. Aline is a heroine of the Senegalese resistance and particularly of Casamance against French colonisation in the 1920s and 1940s.

FILM STUDIES

Marie Chemin – The mountains are still growing (Direction)

with Stéphane Batut

FILM STUDIES

Leopold Helbich Frey – The Scent of Burning Time (Direction)

with Stéphane Batut

Three people searching for a better future on an island are confronted with the climate catastrophe.

FILM STUDIES

Marine Maye – Mountain Flesh (Sound)

with Nathalie Vidal

The summer idyll is disturbed by recurring noises while a mountain village loses its foundations.

FILM STUDIES

Lucas Rubio Martinez – Europa (direction)

by Lucas Rubio Martinez

Pedro, working in Switzerland, must take one cow to the slaughterhouse at the same time his mother dies in Spain. lucadelfresno@gmail.com

FILM STUDIES

Raphaël Meyer – La Sentinelle (screenplay)

by Raphaël Meyer

France. 2016. Operation Sentinel. One step. Two steps. Look right. Look left. Mya has just turned 18 and is walking in her uniform. Rifle against her breast. Barrel facing down. Her finger on the stock, just above the trigger. One more step. Two more steps. Look right. Look left. Mya is on patrol. Mya waits. For something. For someone. At last.

FILM STUDIES

Vuk Vukmanovic – Soraya Luna (sound)

by Vuk Vukmanovic

A cinematographic necromancy calls the spectres of the past: by the means of VHS find the spectator submerges into the Berlin family's intimate play of the author's childhood. iamvuk@gmail.com https://www.iamvuk.com

FILM STUDIES

Paul Choquet – Tous les chemins (direction)

by Paul Choquet

A group of people is searching for an old lady who got lost in the Vaud countryside. paulchoquet@gmail.com

FILM STUDIES

Sarah Rathgeb – Stray (direction)

by Sarah Rathgeb

Joana has just moved in with her boyfriend and her dog Boris. This is an important step in their relationship, a life-changing step.In their new apartment they have everything they need for their future together: except a mattress. sarah.rathgeb@hotmail.com

FILM STUDIES

Elisa Gómez Alvarez – Soraya Luna (direction)

with Pedro Pinho

A cinematographic necromancy calls the spectres of the past: by the means of VHS find the spectator submerges into the Berlin family's intimate play of the author's childhood. gomezalvarez@gmx.de http://www.elisagomezalvarez.com

FILM STUDIES

Noémie Guibal – Taking the desert (direction)

by Noémie Guibal

Cevennes, 1702. In a totalitarian political state, four men take up arms.

FILM STUDIES

Olivia Frey – Ecce homo (editing)

by Olivia Frey

Juan Antonio finds his father who is back home after a long absence. There, during the preparation of the most important religious festival of the city : the Ecce homo; father and son go to share in solitude, their hatreds for each other. oliviaandreafrey@googlemail.com

FILM STUDIES

Nina Defontaine – Clémente (direction)

by Nina Defontaine

The portrait of Monique (my grandmother) as i accompany her in the great sorting of her objects (her ghosts) at her family house (Clémente). ninadefontaine@gmail.com https://cargocollective.com/ninaphotographies/cinematographie

FILM STUDIES

Ketsia Stocker – Europa (production)

by Ketsia Stocker

Pedro, working in Switzerland, must take one cow to the slaughterhouse at the same time his mother dies in Spain. ketsia.stocker@gmail.com

FILM STUDIES

Malou Briand – Dalia (screenplay)

by Malou Briand

From the 2007 presidential elections to the emergence of the #MeToo movement, from the suburbs to the French capital, “Dalia” traces the journey of a young woman in the contemporary world. It is a story of friendship and of upward social mobility. maloubriand@gmail.com

FILM STUDIES

Santiago Chacón – Ecce homo (direction)

with Claire Burger, Rachel Lang

FILM STUDIES

Sayaka Mizuno – The invisible sanctuary

by Sayaka Mizuno

In Kyoto, the former imperial capital of Japan, Masayo Fujio and Nobuko Takahashi narrates the painful account of their life. Through their stories, mingled with that of the district, Suujin, the past of an invisible Japanese community that is still discriminated against today gradually surfaces again.

FILM STUDIES

Jorge Cadena – Sister Jarariju

by Jorge Cadena

In the middle of an austere landscape contaminated by a coal mine in northern Colombia, Viviana and Yandris, two teenage sisters of the Wayuu ethnic group, discover their traditions through ancestral rituals. At the death of their father and, in an act of audacity and courage, the sisters Jarariju leave their country.

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Type

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Years

Antoine Scalese – Hypersex

Valentina Parati – Acciaio

Theofanis Papadopoulos – Firelight

Saleh Kashefi – Overture

Anna Joos – Niederurnen, GL

Pablo Guscetti – Chi ch'ien piü chiö

Fei Fan – Fenni in Wonderland

Sara Dutch – Mife et Miso vont en bateau

Jonathan Daza Ospina – Silencio

Loïs de Goumoëns – Rase Campagne

Loris Ciaburri – Lux Vitae

Sara Dutch – Mife and Miso go boating (Direction)

Jonathan Daza Ospina – Silence (Direction)

Pablo Guscetti – Those who are no longer here (Direction)

Theofanis Papadopoulos – Firelight (Direction)

Valentina Parati – Acciaio (Direction)

Anna Joos – NIEDERURNEN, GL (Direction)

Fei Fan – Fenni in Wonderland (Direction)

Loïs de Goumoëns – Open Countryside (Screenplay)

Loris Ciaburri – Lux Vitae (Screenplay)

Antoine Scalese – Open Countryside (Screenplay)

Balthus Kiss – In Vitro (Screenplay)

Michail Galanopoulos – The Parade (Direction)

Valentina Shasivari – Mountain Flesh (Direction)

Antoine Flahaut – The Parade (Editing)

Selin Dettwiler – Ramboy (Editing)

Massimo Del Gaudio – Le défilé (Sound)

Léa Célestine Bernasconi – The mountains are still growing (Sound)

Yatoni Roy Cantu – Ramboy (Sound)

Matthias Joulaud – Ramboy (Direction)

Jiahui Huang – The mountains are still growing (Editing)

Victor Comte – Carne (Screenplay)

Rokhaya Balde – La passion d'Aline (Screenplay)

Marie Chemin – The mountains are still growing (Direction)

Leopold Helbich Frey – The Scent of Burning Time (Direction)

Marine Maye – Mountain Flesh (Sound)

Lucas Rubio Martinez – Europa (direction)

Raphaël Meyer – La Sentinelle (screenplay)

Vuk Vukmanovic – Soraya Luna (sound)

Paul Choquet – Tous les chemins (direction)

Sarah Rathgeb – Stray (direction)

Elisa Gómez Alvarez – Soraya Luna (direction)

Noémie Guibal – Taking the desert (direction)

Olivia Frey – Ecce homo (editing)

Nina Defontaine – Clémente (direction)

Ketsia Stocker – Europa (production)

Malou Briand – Dalia (screenplay)

Santiago Chacón – Ecce homo (direction)

Sayaka Mizuno – The invisible sanctuary

Jorge Cadena – Sister Jarariju