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DESIGN FOR LUXURY & CRAFTSMANSHIP

Inbal Yarkoney – Lot's Wife

by Inbal Yarkoney

In the Bible, Lot's family fled Sodom without looking back, but Lot's wife disobeyed and turned into a pillar of salt. Historic Sodom was located near the Dead Sea, a mineral salt lake in the heart of the Judean Desert. In Israel, salt is a waste byproduct of mineral mining in the Dead Sea. Desalination all over the world has the same issue. These processes are harmful to marine life. Despite this, salt is a beautiful, purifying material that can be completely recycled. We can transform industrial surpluses into various products. Lot's Wife explores different ways of processing salt: boiling, pressing, and crystallization. Pressing was the most promising method. Modular salt blocks were created to form the lamp as an abstraction emphasizing Lot’s wife’s movement as she is turning back.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Murillo Weitz – Bird's Nest

by Murillo Weitz

The Bird’s Nest collection focuses on handloom weaving, using recycled, colorful threads from Swiss companies, reflecting the local emphasis on sustainability and recycling. The name symbolizes the intricate, resilient nature of a bird’s nest. By reusing materials, I create textiles and design pieces that are both beautiful and durable. This project highlights the importance of the craftsman's role and handcraft work, aligning with the luxury market’s demand for exclusive, high-quality products that tell a story of sustainability and innovation.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Kou Tanikami – GeoFlex

by Kou Tanikami

The design of 3D printed glasses is ideal for creating lightweight frames that fit individual faces perfectly. Utilizing advanced 3D printing technology, each frame can be customized to the exact measurements of the wearer, ensuring a unique fit. By selecting titanium, known for its exceptional durability and lightness, the frames are incredibly strong yet comfortable for extended wear. A standout feature of the design is the fine cuts on the corners of the frame and nose pads. These fine cuts maintain the flexibility of the titanium and enhance comfort and fit. This design makes the frames both functional and aesthetically pleasing, combining cutting-edge technology with sophisticated style.

DESIGN FOR LUXURY & CRAFTSMANSHIP

John Stagaman – Retrobruta

by John Stagaman

Retrobruta is a series of speakers inspired by architecture, simple geometry and radical design. The foundation of simple, geometric shapes which overlap results in a distinctive home object while being easy to manufacture, repair or dispose of. Some speakers utilize a recycled polystyrene sheet material created by Polygood, which provides interesting color & texture. The material is comprised of plastic formerly used in electronics - now given a new life in these objects in the same category. The designs serve as an example of how these advancements in sustainable, recycled plastics can be used in everyday products. Taking the form of miniature architectures - the speakers blend into the home environment and can stand alone as a design object on a shelf or countertop.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Emilie Seguin – The Heritage of Pearls

by Emilie Seguin

What if jewelry was a storyteller? Jewelry has always embodied a narrative. It highlights places, events or important moments of life. This project reveals my heritage, a family tradition of celebrating a lineage of women: Eighteen pearls for your eighteenth birthday. How does the pearl necklace evolve from one generation to another? How can I pay homage to the existing while pushing the idea of the necklace further? Composing with the old allowed me to create something new. The result is this "fossilization" of the jewel that made such an impression on me. The embossed metal reveals an abstraction of the pearl, evoking its history, its possibilities, its evolution...

DESIGN FOR LUXURY & CRAFTSMANSHIP

Nuttiya Ratchtrachenchai – Peels

by Nuttiya Ratchtrachenchai

Fruit is a universal delight, cherished by everyone. The different ways people peel and cut fruit create unique patterns that reflect individual styles. Drawing inspiration from these techniques, the basket collection embodies the intricate and distinctive patterns found in fruit peels. Crafted from high-quality leather, the baskets feature a range of colors that mimic the vibrant hues of fruit rinds. As the leather ages, its texture naturally evolves, adapting and transforming with each use to suit the owner's lifestyle. The baskets embody the elegance of simplicity, turning an everyday activity into a source of refined inspiration.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Kao Onishi – PNEUMA

by Kao Onishi

PNEUMA is a material research project that explores the possibilities of Nitinol to design movement into static objects. The term 'Pneuma' originates from ancient Greek and means 'breath' or 'air in motion', symbolizing the breath of life that animates living beings. Nitinol is a shape memory alloy that can remember two shapes and transform back and forth by heating and cooling. This project uses light and heat from candles to trigger the movement, highlighting the material’s potential without the use of electricity. PNEUMA is a collection of candle lamps that transforms the typical candle experience into something more dynamic, playful, and poetic. Starting from an unassuming cylindrical form, the vessels explore three movements to emit light: unraveling, blossoming, and expanding.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Blanche Mijonnet – Passages

by Blanche Mijonnet

Over the ages, the Silk Roads have woven many different imaginary worlds. Since the 13th century, they have been a major source of economic and artistic activity in Switzerland. Forgotten in popular history, the production of Swiss silk made Zurich’s reputation, considered the second largest silk producer in the world during the 19th century. Inspired by this powerful story, Passages shed’s new light on the history of Swiss silk by playing with the versatile properties of this natural fabric. Drawing on the image of the walkers who transported the fabrics along the way, a collection of nomadic objects emerges, all from a one-metre by one-metre square and a single ring: a bag, a scarf and a lantern. A line spreads, ready to write new stories.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Raazia Hasnain – Shiro

by Raazia Hasnain

Shiro is a project delving into a research of the haptic qualities of a seemingly ubiquitous material: paper. An exploratory journey led to the discovery of a unique surface of Japanese origin. Holding transformative characteristics under a heat source, the magical reveal of the translucency of this paper led to the origin of Shiro. A methodical process paved the road to unique discoveries. A two dimensional surface became the canvas for 3dimensional expression, quickly lending itself to become an artisanal medium by means of special heat application tools especially designed to carve unique textures into the surface. Thus began a delicate dialogue between the paper and the person, giving birth to a boundless world of sensory perception.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Min Jun Choi – Inlight

by Min Jun Choi

Often seen as waste, intestines are an underseen material that holds the potential of a delicate light diffuser. Pig intestines are initially gelatinous and flexible but once layered and dried, they achieve a leather-like hardness and texture. The material can be freely shaped depending on where it's dried. Utilizing these properties, I wrapped pig intestines around a structure and let them dry. After removing the mold, I connected the hardened pig intestines to create modular lighting designs. This modular design offers the advantage of extending in length by increasing the number of modules, adapting to the size of the space in which it is used.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Sacha Dufour – Conversation artificielle

by Sacha Dufour

Artificial Conversation is a fluid language - an exploration of liquid forms as they interact with the body. This work merges human and technology to propose a new process for creating jewelry. Using photography combined with artificial intelligence, I compose images destined to become jewelry. Experimenting with different techniques, crossing, and superimposing them until an idea is reached. I search for the form that embodies the liquid, sculpting artificial images in the same way I compose photographs. It's a game between a body, a liquid and an intelligence that needs to be guided.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Alix Malamaire – Crocodium

by Alix Malamaire

For many years, alligator straps have graced luxury watches, giving them a unique identity. Crocodium is inspired by this iconic material to develop a titanium reproduction using 3D printing. As a tribute, it responds to ethical needs by revealing a new visual of the alligator. The concept is being developed in the design of a watch featuring this pattern: the aim is to place the alligator as a protector of time, by applying the concept to the caseback of a reversible watch, which protects the gimbal and offers the option of wearing it as a watch or as an alligator strap.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Helena Choi – Flat to surface

by Helena Choi

The Flat to Surface collection features a lamp, stool, and tray crafted from a single pattern using origami techniques. These items are designed to form their own structures through folding, requiring only simple stitches or knots to maintain their shapes. Depending on the product, various types of leather are used, chosen for their transparency and flexibility.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Esther Alcade – Arrel

by Esther Alcade

Every year, 300 million shoes are discarded, with manufacturing producing 313 million tons of CO2 due to petroleum-derived materials. The Arrel project aims to extend the life of sports shoes by repurposing soles after 1000 km of use. Based in Mallorca, known for its basket weaving and shoemaking traditions, Arrel preserves artisanal knowledge and uses natural materials like palm fibers and esparto grass, also Arrel's new soles use biomaterials to reduce environmental impact. The project preserves Mallorca's cultural heritage by creating more durable shoes and reducing the ecological footprint.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Seunghyeon Yoo – T Chair

by Seunghyeon Yoo

T-Chair is a research-based project designed to accommodate diverse postures with compact, ergonomically-driven furniture for indoor spaces. By exploring a new typology suited to contemporary environments, T-Chair offers users a variety of usage scenarios. Its single-axis structure supports a range of movements, from focused to relaxed postures, providing adaptability and comfort in different settings.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Céline Witzke – From Fabric to Glass: Capturing the Movement of Textiles in Experimental Glassmaking

by Céline Witzke

This project draws inspiration from the world of fashion, specifically the organic movements, volumes and textures found in textiles, and explores how these elements unintentionally create soft forms. In collaboration with Swiss glass manufacturer Niesenglass, a collection of multipurpose glass objects has been created, showcasing craftsmanship in a new light.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Shan Yu Kuan – BASUANN

by Shan Yu Kuan

BASUANN draws inspiration from the image of traditional Asian rattan/bamboo chairs. Its name echoes the pronunciation of the Taiwanese meaning “tie with cords”. Comprised of seven pieces of spiral ducts, BASUANN is assembled using mortise and tenon joints to connect the sitting part with the legs part. It is further reinforced by cords that securely bind the stool together. BASUANN seamlessly blends contemporary furniture design with the evocative imagery of Asian traditional craftsmanship, showcasing the aesthetic of minimalistic design.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Charitini Gkritzali – Topology of a Body

by Charitini Gkritzali

Deriving inspiration from 20th century orthopaedic braces, Topology of a Body is a series of body jewellery items that closely conform to the human anatomy and resemble the body’s structural elements. Each piece is composed by solid geometrical shapes and organic curves that are created with silver or steel wire. The thickness of the wire is altered in a dynamic rhythm, highlighting the morphology of the body. The metal structure, which is carefully designed to envelop the human figure, ultimately takes on a sculptural form. Just like orthopaedic braces, the pieces of jewellery are designed to allow the body to move, yet seem to keep it in a constant state of immobility. This paradox eventually raises a question: do these objects enable or restrain the body’s movements?

DESIGN FOR LUXURY & CRAFTSMANSHIP

Marine Col – ROPY

by Marine Col

Ropy is a seriously playful stool that plays with the past. Designed in a single, light stroke, this object draws its charm from the reuse of materials. Old naval ropes from the port of Lausanne, their colours tarnished by time, serve as raw material and become precious material once the object has been made.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Anaïs Sulmoni – IVORIA

by Anaïs Sulmoni

Once prized and valued by craftspeople, bone is now perceived as dirty and worthless. Yet, it is still widely used by cosmetics and food industries. It has appealed to me for many years because of its similarity to ivory and because of its living aspect, even though it represents death. Drawing on the abundance of this organic waste, I set out to recreate the prestige of ivory. I discovered the potential of bone as glue and powder, applied to different supports: solid wood, wood shavings and fabrics. The research book and models highlight bone, which presents new aesthetic and structural possibilities and acts as the first step towards reconciliation with this precious material.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Pruthviraj Ghosh – Ananth

by Pruthviraj Ghosh

Ananth, which means “endless” in Hindi, is a collection of home decor in collaboration with Cosy Creations India. The aim is to create a living space within your home that can provide the environment in which you wish to live. Carpets translate natural environments into visual craftsmanship, while contemporarily designed centrepieces by Balarience guarantee the functional aspect of this concept.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Hyeseung Nam – Clover Series

by Hyeseung Nam

Clover Series is an object that features user-friendly graphic patterns, created by the properties of the materials. Reinterpreting the details of the shaker box, the series creates overlapping graphics based on the number of patterns that are stacked. The objects can be used in various ways in the kitchen or living room, adding a playful vibe to the place. The surfaces of the object are assembled vertically and connected by rivets. The round-cutting detail of the connection covers the parting line of the material while providing an aesthetic finish. Clover Series offers a sensual approach to materials, at the crossroads of design and craftsmanship.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Victor Montour – Brik

by Victor Montour

Deeply rooted in the world of architecture, clay bricks have always been appreciated for their structural qualities. However, this humble building material has many other qualities that are just waiting to be revealed. The Brik vase collection aims to elevate the brutalist language of this archetype through artisanal processes. Working hand-in-hand with ceramists and specialised manufactures, this project acts as a meeting point between these two figures of design – a combination of mechanical precision and artisanal singularity. This collection of vases also questions our reflexes as creators and consumers. What if we designed novelty out of banality? Can we learn to recognise the beauty of normality?

DESIGN FOR LUXURY & CRAFTSMANSHIP

Kiyong Lee – Hangeul Marbles

by Kiyong Lee

Hangeul Marble is an object that is designed based on the principle of Hangeul (Korean alphabet), in which letters are formed as strokes are added, e.g. ㅡ, ㄱ, ㄴ, ㄷ, ㄹ, etc. Using the traditional game of marbles – a game known to and enjoyed by all – as a motif, the object is primarily intended to be used on a table. The rule of the game is to move the glass marble from start to finish using your finger. The object is made from ash wood and natural leather and, when not in use, it can serve as a contemporary decorative object.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Heein Im – Balancing Circle

by Heein Im

Balancing Circle is a sculptural object that experiments with the tension and flexibility of textiles. As people walk past, the installation generates unexpected excitement by swaying lightly and interacting with the surrounding space. The object also focuses on material research with elements that are commonly used for fashion accessories such as leather, yarn and fabric. The circle is a shape that is considered to be perfectly balanced. However, by placing it in a critical position, our attention is drawn to the second moment of balance applied to the circle. It is as if we were attempting to establish stability in every situation, forgetting that we are already perfectly balanced beings.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Checkie Ieong – Dynamic Reflections

by Checkie Ieong

In the realm of high jewellery, where opulence and elegance often reign supreme, the quest for innovation and creativity continues to push the boundaries of design. The convergence of technology and artistry has paved the way for an exciting evolution in the world of jewellery, giving rise to interactive and playful pieces that transcend traditional aesthetics. This high jewellery collection draws inspiration from the mesmerising allure of kinetic movement. The collection is a testament to the harmonious marriage of motion and meticulous craftsmanship. Inspired by the captivating dynamism found in kinetic art, each piece in this collection encapsulates the essence of movement, inviting the wearer to engage, interact and partake in the unfolding narrative of the jewellery.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Ambre Tuttle – A(r)table

by Ambre Tuttle

Eating used to be a basic need, but today aesthetics have never been so important at the table. As cooking evolves into art, let us turn our food into unique creations, ephemeral experiences and vectors of identity. A(r)table is a collection of objects that result from a search focused on visual impact and how we present our dishes. This project assumes that pleasure resides as much in the tasting as in the confection. The plate becomes an empty canvas for drawing, tracing and composing, calling for creativity. Paying attention to the appearance of our dishes may seem pointless, but it is the very origin of our desire to eat. The pleasure of tasting starts with our imagination, and sublimating our plates is also sublimating a moment.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Johannes Seibel – Mono 4T Exhibition

by Johannes Seibel

The spatial design Mono 4T Exhibition was developed for an event of the German design manufactory Mono in collaboration with the German Design Graduates for the 40th anniversary of the Mono teapot. The core elements of the modular system are reused tea glass shipping boxes, which are stabilised by four stainless steel L-profiles fixed together with a packaging strap. A stainless-steel sheet is placed on the support structure providing a high-quality stage for the ten sculptural objects designed by the selected graduates. Text on the sheet’s bent front sides informs about the designer’s name and object title. After the exhibition, the sheets will be recycled into production. Large-format detail photos of the objects, printed on fabric banners, enhance the exhibition’s visual experience.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Cristina Rodríguez Solé – Arrassall

by Cristina Rodríguez Solé

Drought and high temperatures in Catalonia cause many fires during the summer. The authorities are responsible for the forestry work in the country’s woods to prevent them. Pine wood, which makes up most of these forests, is considered of lower value because it is harvested as part of forest management. However, its characteristics are similar to those of other woods in the area. To enhance the value of this material and to give highlight the issue, the project aims to use this wood for the manufacture of limited-edition furniture. As an example, a stool and a bench have been created. Their shape is dictated by the size of the slats obtained from the tree, minimising processes and making the most of the material. Furthermore, to reduce the carbon footprint, all the furniture is made locally.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Naomi Nguyen – Harlequin Lamp

by Naomi Nguyen

Illuminating Elegance Through Glass The Harlequin Lamp set is available in three sizes in clear glass, to adorn various surfaces such as tables, desks and bedside stands. Each size brings its own unique charm and luminosity, providing a harmonious blend of practicality and artistic flair. the Harlequin Lamp set is a testament to the timeless allure of glass as a medium for creative expression that invites one to immerse oneself in a world of light, beauty and carnival spirit.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Nathanaël Baby – Passe-MAS-partout

by Nathanaël Baby

Art and design meet to highlight the research aspect. This fictitious exhibition takes viewers through the work of MAS Design for Luxury & Craftsmanship students. The passe-partout is an in-between object that creates space around a work of art. It gives its name to the exhibition and inspires a series of display stands, specific to each sample.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Morgane Chiron – TILTED

by Morgane Chiron

TILTED is an architectural project that focuses on ceramic tiles that help transcend norms, manipulate light and transform spaces. Slightly tilted, hence the name, these tiles interact dynamically with light, casting captivating patterns and enhancing depth. Texture, colour and finish modulate the behaviour of light, creating a bespoke experience. Colours evolve and transform with daylight, evoking emotions and infusing spaces with personality. These dynamic canvases shift the paradigm in tile usage, choreographing light, redefining space and captivating the senses to offer a compelling fusion of artistry and innovation.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Minyeol Cho – A Piece of Nature

by Minyeol Cho

I was captivated by the Swiss lifestyle of embracing nature and enjoying outdoor experiences. Inspired by the beauty of people conversing and dining outdoors under clear skies, I conceived the idea of an outdoor tableware set to evoke nature and facilitate conversations. My design focused on maintaining a natural aesthetic, using materials that foster a connection with nature. I aimed for a simple design that preserves the integrity of the wood while highlighting its inherent beauty. The tableware set’s interior is coated with a natural dye from lacquer trees, offering waterproofing and eco-friendly production. This design allows users to appreciate the characteristics, aesthetics and practicality of the material.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Caterina Valletta – Up & Down

by Caterina Valletta

Since ancient times, cutlery has always featured in light-hearted, shared moments around the dining room table. Yet, it has always been considered as purely functional, designed for savouring and appreciating dishes and very often relegated to the background, unlike plates and glasses, as we forget its importance from an aesthetic point of view. Up & Down offers to revisit cutlery by creating a non-traditional set with a strong character. Starting with a 2D cut-out on a steel plate, a small detail raises the cutlery so that it does not touch the surface, thus solving a problem that is both functional and aesthetic.

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Alexis Perron-Corriveau – Flip Off

by Alexis Perron-Corriveau

This project seeks to explore the world of sunglasses and its related fashion accessories. The side shields used for mountaineering glasses combined with the unique style of the cycling cap were the conceptual premises of this research. The reinterpretation of these elements gives this pair of sunglasses a distinctive chic, sporty look – a must-have accessory. Stand alone, these handmade glasses are versatile. However, the possibility of adding a visor easily, thanks to a magnetic clip, allows the wearer to be ready for action and stylish at the same time.

DESIGN FOR LUXURY & CRAFTSMANSHIP

JiYeong Kim – Epiphany

by JiYeong Kim

Epiphany refers to a sense of or insight into eternity that is suddenly experienced in ordinary and everyday objects. I wanted to create a meditation object for everyday life that attracts curiosity and encourages us to immerse ourselves in a meditative journey, as I believe in the saying “the unconscious determines our destiny”. The world of the human unconscious is an unknown one that many people try to reach through meditation. But we cannot meditate as often as monks. If you meditate a little every day in your daily life, you will feel a deep sense of peace. Inspired by amazing natural phenomena such as fire, water and fog, this project aims to help your mind stop for a moment and explore its subconscious.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Gala Espel – Archéologie du futur

by Gala Espel

What will future archaeological discoveries look like? What meaning will they give our present time through the objects that will have been unearthed? Archéologie du futur (Archaeology of the Future) is a futuristic project featuring a series of objects that give a prospective representation of our material footprint. This project uses photogrammetry – a common tool in archaeology – to scan existing items and, based on these, to create, recompose and think up a possible scenario. A plant wraps around a container eroded by time. A shell fossilises around a metallic rod. A set of objects is created evoking a future where industrial forms are eventually taken over by nature. In time, this digital collection will materialise into silverware and jewellery made with this technology applied to design.

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Kévin Goury – Intersection

by Kévin Goury

Intersection explores the work of lines with glass. The project takes shape through a dialogue between designer and craftsperson. This set of vases, divisible into three parts, provides containers that can be adapted to all types of flowers. Small and compact bouquet, traditional container or soliflore. Each piece is decorated with colourful motifs. These are the result of graphic research on the weave and creation by accumulation. Through conversations and experimentation with the glassblower, they grow in shape, size and shades to adapt to the practice of this unique material. The superimposed motifs respond to one another and create new ones when assembled. At this moment, the vase takes on a totemic and sculptural aspect that livens up the room it occupies. Photo credit: Samuel Spreyz

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Briac Laforge – Time in Balance

by Briac Laforge

Having spent a year in Switzerland and being interested in the world of watchmaking, I naturally turned to this universe for my graduation project. I liked the idea of using the codes of Swiss watchmaking to adapt them to my work. For my graduation project, I sought to create an object using the precision, details and materials of various Swiss manufactures. The final object is a mobile clock with two balanced hands. The appearance of the object is simple and ethereal, due to the small number of visible parts. Nevertheless, the mobile hides a complex mechanism inside. The goal was to intrigue the user by creating a magical effect with these two balanced hands. Depending on the light, it is possible to read the time thanks to the shadow cast by the object on the ground.

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Seungmok Lee – Play Collection for Picnic

by Seungmok Lee

My project is based on a personal experience in Switzerland. Whenever I go for a picnic in parks or by the lake in Switzerland, I see people playing cards on the train or giant chess in the park with their family and friends. There is always a joyful atmosphere and a sense of happiness around them. That is why I decided to design this Play collection for picnic. I used sustainable materials like cork and paper, but at the same time, I sought to keep the aesthetics of the object. A thing of long-lasting beauty is engraving. Not only does it reduce chemical ink for printing but it also allows people to feel the contrast between light and shadow through the object.

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Clementine Le Guerec – Contact

by Clementine Le Guerec

Contact is a collection of various visors that play with the notion of the gaze. After the recent pandemic, the majority of our interactions and emotions are read through the eyes. They play a key role in our interactions but we sometimes feel the need to isolate ourselves and cut ourselves off from the world. Inspired by different hat shapes, each model is designed according to a precise functional principle and plays with the gaze. The intention through this exploration of functional, hybrid and playful forms is to allow the wearer to play with the gaze of others, as well as to isolate him- or herself and create a bubble through the feeling of comfort and security that these accessories can provide. Contact protects you as well as it reveals you.

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Roxanne Del Val – Noue-moi un bijou

by Roxanne Del Val

When I started climbing, I had to learn the various knots. I immediately liked their shape, but also their meaning: they catch us if we fall, but they also allow us to move forward and progress on the climbing wall. Noue-moi un bijou (Tie me a jewel) is a collection of three items of jewellery inspired by climbing knots. I wanted to decontextualise them by using well-known types of jewellery such as rings, bracelets and necklaces. By modifying the shape of the knots, I created three pieces that wrap themselves around the hand, the finger and the chest. The jewellery is made of nylon paracord, to recall the primary inspiration of the collection. I also created small silver attachments that allow the jewellery to adjust to the shapes of the body.

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Camille Dutoit – Eclipse

by Camille Dutoit

Nowadays, we are constantly confronted with the vision of our appearance, whether through a reflection on a window, a mirror in a shop or even on the screens of our mobile phones. Halfway between a figurative and functional object, this table mirror enables people wishing to see themselves to measure the intensity of their reflection thanks to a circular surface coloured with a gradient from intense black to transparent. By rotating this disc, you can discover your own reflection in a poetic way, play with its intensity and admire yourself. Eclipse is also a figurative object. Indeed, thanks to the interplay of reflections and transparency, it has the advantage of being subtly present and enhancing the room in which it is placed.

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Ömer Akkas – Chevron

by Ömer Akkas

This project is a study that aims to explore and design playful items of jewellery based on the link between the human body and jewellery in terms of emotions to create different shapes by rotating layers, a process inspired by traditional Turkish mosaics.

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Yuoning Chien – Grid Collection

by Yuoning Chien

Based on basic graphic design elements, this research focuses on the functionality of graphic shapes from two- to three-dimensional objects. This is a collection of vases made with different grid arrangements. Whether on the floor or on a desk, they are crafted like an art sculpture. To put the flowers into the vase, make the vase work as a three-dimensional painting.

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Charlotte Angéloz – Weave It

by Charlotte Angéloz

How does one create volumes using perforated material and fabric? This graphic and technical research focuses on the grid and weaving. I am interested in the construction of a volume from a graphic cut. The pattern cut into the leather gives rhythm to the creation and acts as a support for the weave. This helps create shapes and volumes. Following this research, I have chosen to design three bags that fit into a pop and colourful universe. The volumes created give the bag its shape and the place for the handles. The manufacturing system of these accessories allows for multiple possibilities. You can play with sizes and integrate various materials. You can also use scraps of fabric, recycled materials, and easily change parts when they are worn.

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Cristina Veltri – Ritual – Gesture of Light

by Cristina Veltri

Gesture of Light is about rituals in the socio-anthropological field, about rites of passage, which mark the transition of an individual from one socio-cultural state to another, and about changes that affect the cycle of life. Light plays a fundamental role in everyone’s life, as it influences our actions from sunrise to sunset. Through its different intensities it gives a sense of security, spirituality and familiarity, creating various atmospheres that influence our moods and daily rituals. I have always been fascinated by the power of light, by how it fits naturally into domestic spaces, introducing twists, cuts, reflections on surfaces and changes over time, making us aware that beauty is everywhere if only we can grasp it.

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Milagros Rodríguez – Swoosh

by Milagros Rodríguez

Swoosh is a light, generated by the energy of the wind. Its glow bears witness to the presence and intensity of the wind, while its propeller reveals the direction of air currents. Swoosh explores the structures of natural phenomena as a way to reintroduce us to their principles, which many times seem invisible but are in fact tangible, as they can be traced and understood.

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Sippanon Detanan – Why Don’t You Design a Chair?

by Sippanon Detanan

Working for almost ten years as an interior designer, I have been used to choosing furniture that matches my space designs. This is the first time I have decided to challenge myself to make an armchair with my own hands. Rigid material, i.e., wood, is used as the main structure. Combined with the tension of the soft material (fabric or leather), the backrest and armrests can simply change depending on the mood of the space. It looks like I have just designed another chair among millions of existing chairs, but the aim was to answer my own question: could I create a chair from scratch? This project has given me a lot of experience and a vision for my next chair. So why not design another one?ars as an interior designer, I have been used to choosing furniture that matches my space designs. This is the first time I have decided to challenge myself to make an armchair with my own hands. Rigid material, i.e., wood, is used as the main structure. Combined with the tension of the soft material (fabric or leather), the backrest and armrests can simply change depending on the mood of the space. It looks like I have just designed another chair among millions of existing chairs, but the aim was to answer my own question: could I create a chair from scratch? This project has given me a lot of experience and a vision for my next chair. So why not design another one?

DESIGN FOR LUXURY & CRAFTSMANSHIP

Mika Matikainen – Beyond Function

by Mika Matikainen

Often, we tend to subconsciously acknowledge only one single meaning for objects around us, but when it comes to things that have an emotional connection or deeper meaning to us, it is reasonable to question the validity of functionalism and to assume that we want to load more meaning into objects that are important and close to us. In a world full of objects that lack character, I sought to create a sculpture-like object that has value in itself yet disrupts the idea of a sculpture by having a real function, i.e., by acting as an enigmatic tea set. By combining these two ways of looking at this object, there can be many interpretations, which makes it valuable aesthetically, symbolically and functionally.

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Marine Col – ROPY

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Nathanaël Baby – Passe-MAS-partout

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Minyeol Cho – A Piece of Nature

Caterina Valletta – Up & Down

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Gala Espel – Archéologie du futur

Kévin Goury – Intersection

Briac Laforge – Time in Balance

Seungmok Lee – Play Collection for Picnic

Clementine Le Guerec – Contact

Roxanne Del Val – Noue-moi un bijou

Camille Dutoit – Eclipse

Ömer Akkas – Chevron

Yuoning Chien – Grid Collection

Charlotte Angéloz – Weave It

Cristina Veltri – Ritual – Gesture of Light

Milagros Rodríguez – Swoosh

Sippanon Detanan – Why Don’t You Design a Chair?

Mika Matikainen – Beyond Function