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Héloïse Tourrenc – Un battement feutré

PHOTOGRAPHY

Héloïse Tourrenc – Un battement feutré

by Héloïse Tourrenc

Pigeons have been a part of the photographer's life since childhood. Her grandparents used to raise these birds in a dovecote at the back of their garden. Today, this memory has become the starting point of this photographic project. By tracing the history of these winged companions all the way back to ancient Egypt — where they were raised, respected, and sometimes even venerated — she travels to Cairo, where this tradition still endures today. There, she documents not only the history of pigeon keeping, but also the people she has met and the sensitive bond between humans and pigeons. Through ancestral knowledge, everyday gestures, and collective memory, her images seek to reveal the invisible thread that connects us. The pigeon — a forgotten or despised companion — here becomes the discreet witness of a shared history.

Kristina Yenza – YOUNIST'

PHOTOGRAPHY

Kristina Yenza – YOUNIST'

by Kristina Yenza

This book is not about war, but about how war becomes the backdrop to life. It brings together photographs of young Ukrainians aged between 16 and 29 — the age the photographer was when she left Ukraine, and the age she is now. No matter where you grow up, the transition to adulthood is always a profound, fragile but essential experience. In this country where war is now part of everyday life, there are still young people who fall in love, discover new feelings, doubt and dream. War has not erased these emotions; it has made them deeper. YOUNIST' is about the way we look, the way we act, the silences. It's about how we grow up with what happens to us.

Maude Bally – Entre 4 et 8

PHOTOGRAPHY

Maude Bally – Entre 4 et 8

by Maude Bally

Entre 4 et 8 questions what it means to live with a chronic illness, in the details of everyday life, in the slow wear of a constrained body. It brings together images made for medical purposes, administrative scans, rephotographed screens, and fragments of daily life. Through a fragmented narrative, it presents everything that visually accompanies the management of diabetes. It does not seek a heroic narrative, nor does it dwell in complaint. Only what remains when illness becomes part of normality: curves, numbers, small fluctuations.A visual language rooted in the intimate, an attempt to make a discreet form of resistance visible.

Sofia Grytsiv – Rebrand

PHOTOGRAPHY

Sofia Grytsiv – Rebrand

by Sofia Grytsiv

Rebrand is an illusionist performance on Instagram that simulates the rise and fall of a fictional celebrity character played by the photographer. Through staged images and fake media covers, Rebrand explores the mechanisms of celebrity, beauty standards and the treatment of women by the media. Over several months, she develops a realistic narrative tracing the rise of this fictional celebrity, then her fall under the weight of scandal, surveillance and media spectacle. Rebrand uses editorial shoots, paparazzi-style photos, fake brand partnerships and orchestrated scandals. The final work takes the form of a multi-screen video installation retracing this fabricated public life.

Lester Kielstein – Osmosis

PHOTOGRAPHY

Lester Kielstein – Osmosis

by Lester Kielstein

Osmosis is a photographic research project that explores how migration is represented and politicized in Germany today. Created during a 13,000 km journey across the country, the work contrasts the visible rise of the far right with the quieter presence of migration, shown through protest images and traces found along the Polish-German border. Rooted in the photographer's personal experience in East Germany, the project reflects on the gap between what is seen and what remains hidden. By combining different visual forms, Osmosis questions who is granted visibility, how national identity is shaped, and how the idea of the border is being redefined.

Jerome Luginbühl – Popcorn

PHOTOGRAPHY

Jerome Luginbühl – Popcorn

by Jerome Luginbühl

‘In the beginning, nothing dissipates.’ Yara’s story does not begin with light, but in darkness. Born almost blind, now an astrophysicist, my sister does not see the stars with her eyes, but through models, formulas, and light analyses. ‘I am no more than a speck of dust in a breath.’ This is where the film begins: in awe of the invisible. What does it mean to see — to truly see?  Between belief and knowledge, numbers and longing, childhood and the cosmos, a space of abstraction, projection and reconstruction emerges. Yara becomes a metaphor for a different perception, a different truth, beyond eyesight.

Inès Riber – Pleasure Boys

PHOTOGRAPHY

Inès Riber – Pleasure Boys

by Inès Riber

Pleasure Boys explores the world of male striptease and its representations of masculinity. In collaboration with the british troupe « UK Pleasure Boys », the project questions the tension between power and vulnerability. Through the hypermasculine archetypes and routines of the dancers, the photographer questions the way in which the male body exposes, controls and gives itself away. My images seek to reveal the humanity behind the spectacle: tired, tense or relaxed bodies, intimate moments far removed from performance. They question what it means to be a man when desire becomes performance.

Rebecca Dubuis – 208 Grace St.

PHOTOGRAPHY

Rebecca Dubuis – 208 Grace St.

by Rebecca Dubuis

208 Grace St. observe a domestic space where tenderness and ideological fractures coexist. In my grandfather’s house in Oakville (WA), right-wing, conservative, and religious convictions sharply oppose my own. No open conflict, just general unease, inscribed in silences, objects, and daily routines. 208 Grace St. reveals what unfolds when societal deleterious positions surface within family dynamics. No reconciliation, no provocation; only the reality of a glaring divide.

Cedric Zellweger – If life is a video game, the graphics are great, but the plot is confusing & the tutorial is way too long.

PHOTOGRAPHY

Cedric Zellweger – If life is a video game, the graphics are great, but the plot is confusing & the tutorial is way too long.

by Cedric Zellweger

The project centers around Elon Musk’s life—his career, family, and global influence—viewed through a critical lens. Musk perceives the world as an immense playground, a glossy surface full of contradictions, where his ambiguous ties to Trump further complicate world events. Influenced by Bosch’s Garden of Earthly Delights, the clear American dichotomy between good and evil dissolves; heaven and hell blur into an indistinguishable spectacle. In this context, Texas—where Musk and members of the photographer's family reside —embodies the expansive, protective, hyper-consumerist “American way of life”, fascinated by stars yet anchored beneath a paradoxically unreachable sky. The installation-based project employs various media: 4x5 film photography, a video game, photograms and different objects.

Emanuele Delpozzo – The Sea Speaks More Honestly To Those Willing To Drown

PHOTOGRAPHY

Emanuele Delpozzo – The Sea Speaks More Honestly To Those Willing To Drown

by Emanuele Delpozzo

The sea is an anonymous, ever-changing void where identity, place, and scale dissolve. It gives nothing—what you take from it reveals who you are. The project explores the psychology of journeying and survival, driven by a deep yearning for truth through direct experience. As we temporarily define space, we encounter uncertainty, disorientation, and the collapse of rational perception. In response to distress and displacement, it asks: how is the architecture of the body connected to the architecture around it ? We’ve left behind destruction, now hidden in plain sight. A DIY boat—built from jerry cans and debris along the Portuguese coast—becomes a vessel to the horizon. The outcome is a photographic installation and video performance.

Eliot Pizzera – Tarèinâ

PHOTOGRAPHY

Eliot Pizzera – Tarèinâ

by Eliot Pizzera

Tarèinâ is a dystopian short film that explores the melting of snow and the impact of climate change on the Swiss Alpine landscapes. Global warming is pushing the snow line higher, leaving lower-altitude ski resorts deserted, littered with ruins and the skeletons of useless infrastructure. In this post-tourism setting, a lone skier glides like a ghost, trapped in an absurd ritual. Inspired by the landscapes of Valais and local myths, the film blends silence, organic sounds, and visual poetry. It incorporates the mythical figure of the Tshaggatta, masked guardians seen in Blatten before the climate disaster of 28 May 2025. Symbols of mystery and resilience, they raise questions about our relationship with the mountains and our desire to shape them in our own image.

Belinda Kiela – Bana Ya Mbòka

PHOTOGRAPHY

Belinda Kiela – Bana Ya Mbòka

by Belinda Kiela

The images in this edition are fragments of an immersion at the University of Kinshasa : a glimpse into student life in a vibrant, ever-moving capital. Through laughter, doubts, and encounters, the photographer has learned to anchor herself in a daily life far removed from the one she knows in Europe. Bana ya Mbóka — children of the country — gives a face to the youths who study, dream, and resist on this campus. Founded in 1954, UniKin aimed to be a leading African institution, but instability slowed that vision. Despite strikes, power cuts, and limited resources, the students she has met exude strength and clarity. This project reveals moments of connection, gestures of resilience, and hopes that persists through it all.

Adel Debabéche – Ouled El Bahdja

PHOTOGRAPHY

Adel Debabéche – Ouled El Bahdja

by Adel Debabéche

Ouled El Bahdja offers an intimate glimpse into Algerian youth, caught between waiting and the desire to leave. This project explores the mental and physical space of a generation dreaming of elsewhere, in a country where the future feels suspended. It is a portrait of a fragmented daily life, where time stretches into boredom, yet a quiet tension remains—between resignation and hope. An attempt to capture those in-between moments, those gazes turned toward Europe—a collective fantasy, a promise of recognition, but also an uncertain path... Ouled El Bahdja sheds light on a youth that, despite sociopolitical constraints, seeks to build a meaningful existence. A gesture to make visible the dreams and desires for emancipationborn in the shadows.

Gabrielle Coué – Sans témoin

PHOTOGRAPHY

Gabrielle Coué – Sans témoin

by Gabrielle Coué

Cosmetic surgery, both intimate and technical, reflects our modern relationship to the body and its transformation. Sans témoin avoids transformed faces, focusing instead on what remains unseen: places, tools, invisible gestures. It captures the moment when the body changes without being experienced. Anesthesia suspends consciousness; the metamorphosis happens without witness. A desire is expressed, the body entrusted, then awakening. Between the two: a void. This void takes shape in images—cold rooms, metallic tools, close-up skin textures. Little or no human presence, only traces. The body becomes matter, managed within a controlled, standardized system.

Delio Testa – Partenopei

PHOTOGRAPHY

Delio Testa – Partenopei

by Delio Testa

Naples is a vibrant expression of a people’s deep love for their land. This passion lives on despite the weight of daily chaos and hardships that run deeper than it appears. To understand it, a person must enter Neapolitan life, where devotion to figures from religion, culture or everyday life is everywhere. These icons give strength, inspire creation and sustain a constant desire to celebrate. Neapolitans do not just endure struggle. They turn it into energy and a powerful source of hope. This book reflects that spirit through portraits and documentary work.

Ettore Bruni – TOP OF THE WORLD

PHOTOGRAPHY

Ettore Bruni – TOP OF THE WORLD

by Ettore Bruni

TOP OF THE WORLD explores St. Moritz, where luxury and illusion merge into a glittering spectacle. This project reflects on how exclusivity is staged—through symbols, gestures, and codes of visibility. Between curated appearances and the quiet remnants of a vanished season, I document a world designed to be seen. Immersed in this surreal setting, the photographer observed how people perform identity and how a physical place transforms into a digital dream—shaped by stories, filtered moments, and rituals of attention.

Fredrik Maag – Up There

PHOTOGRAPHY

Fredrik Maag – Up There

by Fredrik Maag

Up There looks at Switzerland's role in the “Third Space Age”: an era in which it is no longer states but private companies which are significantly shaping space travel. Although much of the technology that comes to play up there is hardly ever seen, our dependence on it, as well as its geopolitical implications, are extremely far-reaching. The tension between apparent invisibility and simultaneous omnipresence is illustrated on the basis of Swiss involvement in the current Space Race.

ECAL × NNORMAL

PHOTOGRAPHY

ECAL × NNORMAL

with Nicolas Poillot

In September 2024, the start of the academic year at ECAL / University of Art and Design Lausanne, was highlighted by the beginning of our collaboration with trail equipment manufacturer Nnormal. At the same time, not far from our university, Kilian Jornet, the founder of the brand, gave our teams a taste for exploits by linking 82 peaks in the Alps over 4,000 meters high, shattering all records in the process. In trail running, as in photography, you need passion, discipline and endurance. Our Bachelor Photography students at ECAL are not all great sportsmen and women, but they are driven by the desire to achieve visual exploits. Trained in technical mastery, conceptual development and risk-taking, they spent three years in a field of exploration that allows them to seek out limits and chart their path. It's essential for them to get off the beaten track and find a visual language that sets them apart from the vast quantity of images that overwhelm us. ECAL has a long tradition of collaborating with top-level brands and professionals who, in addition to their own activities, wish to pass on their skills and experience to a passionate young generation looking for guidance in unfamiliar territory. Among them is Régis Tosetti, artistic director of Nnormal, who has a strong link with ECAL, where he trained for a degree in Visual Communication in 2005. Régis kicked off this collaboration with head coach Nicolas Poillot, also an art director. Nicolas forged his raw and elegant style by taking fashion towards the documentary. A guest lecturer at ECAL for several years, he has guided students tirelessly, with pragmatism and rigor, through the mapping of the brand and its visual expression. In a polluted, noisy world, saturated with superimposed stimuli, it is difficult to concentrate, to focus on a clear objective, a goal to look forward to. The opportunity offered by the collaboration between ECAL and Nnormal has encouraged a young generation of photographers to turn to the mountains. Nature is a terrain of escape, communion and adventure for an essential imagination made up of bodies and landscape. The main subject is the mediating element between these two components, the shoes that allow us to go further in this union. But there's much more than shoes in the work of Nicolas and his students: there are values of ecology, dry and wet atmospheres, solar and nocturnal lights, technical and organic textures, muscles and tense faces that achieve deliverance through their exploits. And finally, in trail running as in photography, despite sood technical and mental preparation and systematic study of the forecasts, there are unforeseen circumstances that force us to come up with improvised solutions that reveal new forms of beauty.

ECAL × JEAN PAUL GAULTIER: SPORT - CORPS

PHOTOGRAPHY

ECAL × JEAN PAUL GAULTIER: SPORT - CORPS

with Florence Tétier, Nicolas Coulomb

"Le Mâle" - 30th anniversary In 2025, "Le Mâle" will celebrate its 30th anniversary. With this in mind, students have been working on the brand's fragrance. Reflections on masculinity and different representations of the body in 2025.

Video Clips – 2025

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Video Clips – 2025

with Sami Benhadj

Music video projects created within the framework of the Sequence course supervised by Sami Benhadj. Each 2nd-year student in the Graphic Design, Media & Interaction Design & Photography Bachelor programs produced an individual music video. Taking an existing track as a starting point, every project sought to translate the music into images, exploring visual storytelling, rhythm, and staging. Students were encouraged to experiment and develop a creative and personal approach, resulting in original graphic worlds where sound and image resonate with one another.

Redesign 24-25 - S1

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Redesign 24-25 - S1

with Giliane Cachin

As part of the course given by Giliane Cachin, 1st year students are required to produce an edition by examining the different axes that make it up. The course offers a study of various grid systems and the fundamentals of micro-typography. During the semester, students will look for the best way to structure and arrange the content they have chosen (or which has been assigned to them, depending on the semester's data). Some essential rules to know in terms of printing and bindings will be reviewed at the end of the semester, in order to bring the conceptualized object to life.

Magazine - 24/25

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Magazine - 24/25

with Anouk Schneider Agabekov, Emmanuel Crivelli

As part of the magazine course led by Anouk Schneider and Emmanuel Crivelli, second-year Visual Communication students had the opportunity to design a magazine during the second semester. Students were encouraged to fully embrace their artistic freedom at every level of creation, whether in terms of format, paper choice, binding, layout, illustration, text, or typography. In this course, the magazine can take shape through various forms of illustration, such as photography, reproduction, contextualization, drawing, 3D, and more. The focus is placed on the author’s artistic vision and the means used to bring it to life. Students take on multiple roles as editor, curator, and architect, assuming the responsibilities of art director, designer, photographer, stylist, illustrator, typographer, editor-in-chief, and editorial secretary. This course highlights contemporary editorial design by exploring the narrative potential of a carefully crafted content sequence.

The Indecisive Moment

PHOTOGRAPHY

The Indecisive Moment

with Jaya Pelupessy

This exhibition presents the outcome of a five-day workshop led by artist Jaya Pelupessy, where students explored the unstable terrain between creation and reproduction. Through hands-on experiments with various duplication methods and strategies of appropriation, the workshop invited a reconsideration of the image—not as a final product, but as a process, a question, a site of continuous transformation. Embracing moments of uncertainty, trial and error, and unexpected discovery, participants focused on what Pelupessy calls The Indecisive Moment: the in-between phase where outcomes are unclear and intention is disrupted by chance. These works reflect a shift from the pursuit of fixed meaning toward an image in flux—unfinished, open, and relational.

Service Design - 2025

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Service Design - 2025

with Angelo Benedetto, Vincent Jacquier, Pauline Saglio, Calypso Mahieu

During the Service Design course, the 3rd year of the Graphic Design, Photography and Media & Interaction Design bachelors had to create multi-media projects. A collaboration of the Visual Communication department which had as subject the SDGs (*Sustainable Development Goals). The theme was called "For a good cause, make the SDGs a reality" and its objective was to allow students to develop a cause that is close to their hearts. Each project consists of at least two different media, one primary and one secondary. These projects could take any form that the students deemed relevant, be it a website, editions, posters, a video sequence or virtual reality.

ECAL × SDOL, Horizon Ouest, Regards sur la métamorphose urbaine

PHOTOGRAPHY

ECAL × SDOL, Horizon Ouest, Regards sur la métamorphose urbaine

with Matthieu Gafsou

New transport infrastructure is emerging, while former industrial wastelands are giving way to modern buildings and redesigned outdoor spaces. Gradually, residents are moving into these new neighborhoods and adopting new habits.  To capture the first moments of life in these spaces, the association "Ouest lausannois: Prix Wakker 2011" has invited second-year students from the ECAL Bachelor of Photography program to observe them throughout 2024. This project highlights 18 ongoing construction sites or recently completed neighborhoods. Through their perspectives, the students offer original approaches to discovering, understanding, and appropriating these new spaces.  Photography maintains a unique relationship with the world around us, as it often depends on it. Far from merely documenting reality in a strict sense, it has the power to transfigure and reveal the invisible or the unspeakable. This is the approach adopted by the ECAL photography students at the request of the "Ouest lausannois: Prix Wakker 2011" association, as they explored various territories in western Lausanne. As part of this commission, each student was randomly assigned a specific location—be it a new neighborhood, a construction site, or a distinctive building—on which they worked over an academic year. Faced with spaces that were sometimes unphotogenic or even resistant to imagery, the challenge was to look beyond appearances, to resonate with these places in order to grasp their unique dynamics. The photographs question our perception of these recent landscapes and bear witness to the human activity unfolding within them. What do they reveal about our ways of living and moving? Who are the people inhabiting these spaces? What new landscapes emerge from these rapid transformations?  Through approaches that are sometimes sensitive and intimate, sometimes detached and analytical, or even driven by a formal fascination with the objects captured, the works presented reveal the density and diversity of everyday life. They bring forth a poetic vision of the city, inviting us to consider these territories not merely as functional backdrops but as fully-fledged spaces, rich with history, form, and identity—fluid and multifaceted, just like those who inhabit them.

Le livre d’artiste - 24/25

GRAPHIC DESIGN

PHOTOGRAPHY

Le livre d’artiste - 24/25

with Anouk Schneider Agabekov, Nicolas Polli

As part of the editorial design course led by Anouk Schneider and Nicolas Polli, second-year Visual Communication students had the opportunity to design an artist’s book during the first semester. This book project stands out for its contemporary approach, aiming to create an editorial object that harmoniously integrates form and content within today’s publishing landscape. Students were encouraged to fully embrace their artistic freedom at every stage of the creative process—whether in terms of format, paper choice, binding, layout, illustrations, text, or typography. Within this course, the artist’s book can take shape through various modes of illustration, such as photography, reproduction, contextualization, drawing, 3D, and more. The emphasis is placed on the author’s artistic vision and the means implemented to bring it to life. Students take on multiple roles as editor, curator, and architect, thereby covering the responsibilities of art director, designer, photographer, stylist, illustrator, typographer, editor-in-chief, and copy editor. This course highlights contemporary editorial design by exploring the narrative potential of a carefully constructed content sequence.

ECAL Night Live

GRAPHIC DESIGN

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

ECAL Night Live

with Vincent Veillon, Paul Walther, Florian Pittet (Sigmasix), Vincent Jacquier, Julien Gurtner

During an intensive week, first-year students from the Visual Communication department at ECAL had the opportunity to create and produce the first edition of ECAL Night Live. The goal was to design a show inspired by satirical television formats. Divided into multidisciplinary teams—including students from the Bachelor programs in Graphic Design, Media & Interaction Design, and Photography—they collaborated to create all the content, set design, and visual identity of the show, delivering a fully homemade project in record time. The main theme revolved around self-mockery, targeting the visual communication professions, students, and the institution itself, with a subtle touch of current events. This project was supervised by Vincent Veillon and Paul Walther, directors of the RTS show 52 Minutes, as well as Florian Pittet, a digital scenography expert who guided the creation of the show's set design.

Workshop with Thomas Rousset

PHOTOGRAPHY

Workshop with Thomas Rousset

with Thomas Rousset

The aim of this workshop is to explore the boundary between docu-fiction and magic realism in photography, using the architecture and spaces of the ECAL as a narrative framework. Both approaches are rooted in reality, but differ in the way they inject fiction.

Redesign 24-25 - S1

MEDIA & INTERACTION DESIGN

PHOTOGRAPHY

Redesign 24-25 - S1

with Giliane Cachin

As part of the course given by Giliane Cachin, 1st year students are required to produce an edition by examining the different axes that make it up. The course offers a study of various grid systems and the fundamentals of micro-typography. During the semester, students will look for the best way to structure and arrange the content they have chosen (or which has been assigned to them, depending on the semester's data). Some essential rules to know in terms of printing and bindings will be reviewed at the end of the semester, in order to bring the conceptualized object to life.

Dramatic portraiture

PHOTOGRAPHY

Dramatic portraiture

with Louie Banks

Returning to the basics and origins of photography will allow students to focus their energy and ideas meaningfully on their concept and subject.   Louie Banks provided them with three keywords to consider as a way to create photographs with more impact than what is typically expected from today’s editorials and campaigns. The students were free to draw inspiration from one of the following keywords or to try incorporating a bit of each into their project: "Movement," "Costume," "Emotion."

Le pavillon de l'élégance

PHOTOGRAPHY

Le pavillon de l'élégance

with Chaumont–Zaerpour

Each group was tasked with creating a series of fashion images by appropriating or subverting visual codes from existing images. Everyone approached this exercise with creativity, exploring a variety of references, whether iconic fashion shots, works of art, or visuals from popular culture. Once all the series were completed, they were compiled into a printed and bound magazine. The assembly of the images gave rise to a unique object, where each project found its place within a coherent and visually striking whole. This magazine thus became the tangible trace of this collective exploration of fashion imagery and its multiple reinterpretations.

Summer University Athens

PHOTOGRAPHY

Summer University Athens

with Nikolas Venturakis

Athens, the cradle of Western civilization and the vibrant capital of Greece, offers a unique blend of ancient history and modernity.Taking advantage of the Summer University program, second-year Bachelor of Photography students had the opportunity to explore this mythical city and collaborate with photographer Nikolas Venturakis. Amidst ancient ruins, lively neighborhoods, and Mediterranean landscapes, the students were able to develop a rich photographic language. This immersion in the heart of the city, where the ancient meets the contemporary, allowed them to deepen their artistic vision while enjoying the local cultural vibrancy. The cobbled streets, bustling markets, and golden hues of the Athenian sunset served as the backdrop for a unique photographic project, capturing the soul and energy of this timeless metropolis.

Picture Consequences

PHOTOGRAPHY

Picture Consequences

with Tamara Janes

The students task is to create their own story, storyline, narrative or sequences based on the existing given images. Using their personal interests, imagination and ideas they link the images together. They can continue the plot of the images, do in-depth research, write fictional stories or tell stories based on personal experiences. The students had the freedom to photograph, generate or film.

Workshop with Lorenzo Vitturi

PHOTOGRAPHY

Workshop with Lorenzo Vitturi

with Lorenzo Vitturi

The aim of this workshop is to engage students in a multidisciplinary process that combines photography with sculpture and scenography. To emphasize the importance of the creative process, students are encouraged to use primarily collected and recycled materials, which will need to be transformed and integrated into their visual narrative. The work presented at the end of the workshop will reflect this approach, combining visual results with sculptures and ephemeral installations.

ECAL × JEAN PAUL GAULTIER: SPORT - CORPS

PHOTOGRAPHY

ECAL × JEAN PAUL GAULTIER: SPORT - CORPS

with Florence Tétier, Nicolas Coulomb

SPORT - CORPS : Jeux Olympiques et Paralympiques The project is based on the theme of the body, with a view to staging physical effort.  The recent context of the Olympic and Paralympic Games logically frames the choice of sport as an aesthetic means of highlighting different forms of bodily expression. The choice of discipline could be classic, out-of-games or even imaginary. The students worked around a certain vision of physical effort, movement, constraint, a form of discipline, or even joy.

Seraphine Sallin-Mason – The ''A'' Word

PHOTOGRAPHY

Seraphine Sallin-Mason – The ''A'' Word

by Seraphine Sallin-Mason

Abortion is a fundamental right. In the United States, its practice has been restricted in half the country in recent years. The 'A' Word seeks to address this issue. In media, the associated Pro-Life/Pro-Choice iconographies are expressed with similar communication codes. These channels sensationalize the topic to startle and offend. This sensationalism distances us from the reality of abortion and the people seeking access to this care. From this visual material obtained through various resources, The 'A' Word aims to dissolve these mechanisms and reconstruct a more complex vision that, I hope, will allow us to take a critical look at this essential issue.

Cyriane Rawyler – Medusa

PHOTOGRAPHY

Cyriane Rawyler – Medusa

by Cyriane Rawyler

Medusa is a collaborative project linking performance to hyperfemininity. This physical exploration symbolizes the reappropriation of the body through transformation. The need to exchange and meet these protagonists arose from a personal event that allowed me to regain control of a destroyed space. Blonde hair, length, and shine unite us to create a community. Through photography, the notions of self-image and control interact, creating celestial beings that tame space. Medusa aims to understand and accept the multiple facets of identity, offering a means of rebellion and self-affirmation.

Yves Möhrle – BIPEDIE(BOO)

PHOTOGRAPHY

Yves Möhrle – BIPEDIE(BOO)

by Yves Möhrle

BIPEDIE(BOO) is a video installation that combines humour and seriousness. Inspired by rockfalls in Switzerland, a modern myth has been created. A personification of rockfalls, embodying the incomprehensible and inexplicable. The videos show a figure walking through the mountains and throwing stones down the slope. Hypocritically, she lectures us. In a naïve hope that small gestures can bring about big changes, the nostalgic aesthetic of the project underlines the link between past and present and raises the question of our management of natural risks. Do our actions really bring progress or do they fight symptoms? What is our role in the Anthropocene? Do our actions influence nature and cause stones to fall?

Yan Miranda – Reverie Rebirth

PHOTOGRAPHY

Yan Miranda – Reverie Rebirth

by Yan Miranda

Guided by psilocybin, Reverie Rebirth is an intimate journey into trauma healing. These experiences allowed me to reconnect with the innocence of childhood, with myself and with nature. Through new technological tools and analog photography, I was able to document and illustrate the visions of my inner journey. Imbued with Afro-Brazilian divinities, this exploration reflects on my cultural heritage and identity. The evolution of the project moved towards an engagement with nature and ecology. Inspired by a return to Brazil, it symbolizes the confrontation of deeper issues and blends with various artistic typologies to address themes of fear, anger and the degradation of nature.

Barnabé Masson – Encore une nuit sans Georges

PHOTOGRAPHY

Barnabé Masson – Encore une nuit sans Georges

by Barnabé Masson

I gathered eight close friends of my father, who passed away ten years ago. Together, we delved into the feelings induced by absence and mourning. With the help of cameras, I observe the bodies of these sixty-year-old men to explore tenderness, emotions, and the various spontaneous manifestations that emerge when they are confronted with strong emotions. These male bodies, usually under constant logical control, in the image of our culture and economy. The video shows hands, arms, faces, and eyes, sometimes embarrassed, sometimes resistant, and sometimes allowing themselves to be overwhelmed by emotions. This work has allowed me, through these men, to reconstruct my father, to confront him, and to examine my relationship with masculinity.

Mathilde Lesueur – Collision

PHOTOGRAPHY

Mathilde Lesueur – Collision

by Mathilde Lesueur

From an impressive loss of control to an explosion of shattered glass, I find myself in the middle of a wavering and inevitable chaos. I hold on to an uncertain light and let my body give in to the injuries. Between reconstruction and obsession, Collision explores how car accidents and injuries are shown in modern images. This work mixes the violence of my story with the way I make it attractive and digitalized. I represent myself through the image of broken doll, I create a confusion between the real and the unreal, symbolizing memory after a traumatic event. This project, an installation using chrome and glass, takes place in a setting where the gaze of the others and an injured girl interact.

Lorane Hochstätter – 24

PHOTOGRAPHY

Lorane Hochstätter – 24

by Lorane Hochstätter

This book explores the complexity of the development of a girl's feminine identity through the education and gaze of her mother, the first and most powerful model of femininity. My mother, former model, seemed to emerge from a magazine cover: the embodiment of overwhelming norms of feminine representation. Our image develops in a mirror: she projects herself onto me, remembering what she was and inspecting what she no longer is; I project myself onto her, seeing what I would like to be but what I'am not. These self-portraits twist and disguise my body, caught between emancipation and subordination to imposed codes. This book deals with the love-rejection relationship between a mother and her daughter, who accompany and evolve together in a never-ending quest: the search for a feminine identity.

Jennica Folkesson – CHACUNE

PHOTOGRAPHY

Jennica Folkesson – CHACUNE

by Jennica Folkesson

CHACUNE is an installation focusing on the theme of transmission. Clay, a symbol of connections, is extracted and shaped to bear witness to a shared past. The sense of touch, essential and unifying, is employed as a means of creation, linking us women together. Each ceramic piece represents a page in our collective story, shaped by the passage of time. Here, time manifests as a journey. From mother to daughter, from Switzerland to Mexico, we explore the lands that hold our ancestors.

Albane Durand-Viel – Magdalena

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Albane Durand-Viel – Magdalena

by Albane Durand-Viel

Magdalena focuses on a forgotten or unknown female figure, Mary Magdalene. She was Jesus’ favorite, first witness and mysterious apostle. Her story has been written and told by men, who attributed to her several identities : as a saint, a socialite, a prostitute, a lover and a mystic woman. A thousand faces are often attributed to her, preferring to reduce her to erroneous female stereotypes. Yet Mary Magdalene was a key figure in History and a powerful symbol of feminine independence. This project aims to restore her story, by choosing our contemporary era as context. Imagining a scenario in which Mary Magdalene occupies a central place in today's media space, what would her fate and power be?

Matilde Croxatto – them

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Matilde Croxatto – them

by Matilde Croxatto

This film is an intimate exploration of masculinity through the prism of faith. We discover the testimonies of eight young men through their relationship with God. Through interviews and scenes from everyday life, they reveal the beauty and complexity of this relationship. Based on my own experience as a believer, I've come to realise that faith, with its vulnerable and intimate qualities, can be seen as an experience that no longer affects traditional masculinity. To verify this, I gave the floor to men who choose the resilient path of faith on a daily basis. Their devotion is brought to light, an expression of the heart that goes beyond gender stereotypes and invites reflection on the humility of the individual towards an entity greater than himself.

Carla Corminboeuf – Omerta

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Carla Corminboeuf – Omerta

by Carla Corminboeuf

A performance in a square of light, a surface echoing the competition carpet. A melancholy memory of a carpet that no longer exists, a carpet symbolizing constraints. The body enters this restricted space and measures it to the tempo of a metronome. Repetitive movements follow, until the effort is felt. A live projection is added in the background, produced with two cameras placed in the diagonals of the square, reproducing the jurors' point of view. Video archives footage of training scenes then scrolls past, showing a body forced into contortions by relentless trainers. It's a questioning  several aspects of rhythmic gymnastics, a sport I practiced for years, and whose training methods are being questioned by the medical world.

Hector Codazzi – La Synthèse des Couleurs

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Hector Codazzi – La Synthèse des Couleurs

by Hector Codazzi

Synopsis : From one image to another, Louise, aged 25, strives to find her place in the demanding world of modeling. As a young photographer being increasingly involved in the world of imagery and advertising through my professional experiences, I wanted to take a closer look at this world that both fascinates and repels me in some ways, but above all intrigues me with its ambiguous relationship to reality. I directed a short film that depicts the trajectory of a model in this industry, a fiction that aims to address several questions : the self-staging induced by the profusion of images, the mechanisms of oppression related to the creation of advertising images, the pursuit of social mobility by young generations and how this pursuit clashes with the reality of the job market.

Johanna Bommer – Changing Rooms

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Johanna Bommer – Changing Rooms

by Johanna Bommer

Changing Rooms is a site-specific photographic installation about a very recent past. A figure in the transitional period of adolescence navigates commercial and digital environments. She constructs herself through the images she sees, engaging in a form of self-commodification while immersed in these two spaces. A pile of dust, greasy hair or a scratch on an otherwise perfect surface disturb the smoothness of the virtual and the commercial space. She finds comfort in her anonymity. She dislikes being perceived but desires to be seen. A reflection becomes a mirror becomes a screen becomes a door.

Léa Bevilacqua – Meu Anjo

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Léa Bevilacqua – Meu Anjo

by Léa Bevilacqua

"I had the occasion to go back to Santarém, in northern Brazil, my origin town to discuss beauty standards, identity, and self-expression with eight individuals I met there. Growing up as a bi-national woman (Swiss and Brazilian), I struggled with conflicting beauty ideals. The people I met there were often seen as weird, ugly, or inadequate by the society, I thought they were unique and brave for standing out in a region that prize conformity over self-expression. These encounters allowed us to share experiences and, on a more political note, emphasize their value in response to the recent rising hate against minorities in Brazil."

Anna von Allmen – Nos vies sur vos murs

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Anna von Allmen – Nos vies sur vos murs

by Anna von Allmen

Nos vies sur vos murs (Our lives on your walls) grew out of a collaboration with fourteen young people from the Pierre-à-Bot neighbourhood in the heights of Neuchâtel. Over a six-month period, I organised workshops with young people aged between seven and twelve, which formed the basis of this experiment. During our meetings, I initiated discussions around the theme of love, a feeling that is often so complex to grasp. I shared moments of their lives with them, collected their texts and asked them to use disposable cameras to draw pictures of love. In this book, our visions come together to create a portrait of the neighbourhood and the imaginary worlds that develop there.

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