Audio Reactive

Audio Reactive

Series of audio reactive projects developed for the visual identity of the French Pavilion “Studio Venezia” by Xavier Veilhan at the Biennale di Venezia. Instagram posts were produced based on these experiments.

Curators: Lionel Bovier and Christian Marclay

Graphic Design: Gavillet Cie

Other (2017) by Iyo Bisseck, Jonathan Boulenaz, Kevin Breithaup, Diane Bécheras, Maëlle Chenaux, Bastien Mouthon, David Nguyen, Alice Nimier, Luca Sassoli De Bianchi, Tamara Virág, Nathan Vogel, Anouk Zibaut, Ernest de Lapaillone, Alfatih ‎, Sébastien Matos

Know-how
Creative coding, Sound, Type design, Visual identity, Performance
Video ECAL/Gianni Camporota and Romain Cazier Drums ECAL/Christian Pahud

Projects related to Performance

INSTANT TOY FOR MUSICIANS

BA MEDIA & INTERACTION DESIGN

INSTANT TOY FOR MUSICIANS

with Gaël Hugo

Soundtoys coded by 1st year Bachelor students in Media & Interaction Design as part of a semester project led by Gaël Hugo.

Beyond the screen

BA MEDIA & INTERACTION DESIGN

Beyond the screen

with Angelo Benedetto

Beyond the screen - is a series of interactive machines developed by students in their first year of Bachelor Media & Interaction Design. These systems are inspired by the relationship between instructions and execution within a computer system. These machines create text through a modular typographic system.

Readings with Gilles Furtwängler

MA FINE ARTS

Readings with Gilles Furtwängler

with Gilles Furtwangler

Break It Fix It

BA MEDIA & INTERACTION DESIGN

Break It Fix It

with Daniël Maarleveld

Break it Fix it is the workshop's result conducted under the direction of Daniel Maarleveld. Based on the music Technologic - Daft Punk, each group have reappropriated a phrase to enhance it graphically. The result is a series of posters, a video clip compiling the different typographic systems, and a series of interactive posters based on the same rules.

Pierry Jaquillard – Prelude in ACGT, Chr. 1 to 22 and XY

BA MEDIA & INTERACTION DESIGN

Pierry Jaquillard – Prelude in ACGT, Chr. 1 to 22 and XY

with Alain Bellet, Christophe Guignard, Gaël Hugo

2018: the recent technological advances pledge an eternal conservation of data. DNA seems to be the new medium for memory. Nevertheless, interpretation and therefore the understanding of this data is crucial. Will we be able to decode it? By giving a new interpretation of this code through music, I seek to discover it. How is it composed? Has it already been composed? This research is materialized by four screens to interact and understand different interpretations of only one code. Between science and music, this project interfaces culture, codes and nature.

Related courses