Toujan Display: Contextual Arabic Typeface

Lana Soufeh – Toujan Display: Contextual Arabic Typeface

Today, most typographic design is done in Latin script and type design software is geared towards Western scripts. Toujan is a contextual Arabic typeface that aims to explore the potential of this software to reintegrate versatility and connectivity in Arabic script, while preserving its dynamic nature. It is inspired by the Tawqii’ style, a hybrid of thuluth and naskh calligraphy and features ligatures that enhance the visual allure of the text but also serve a functional purpose, optimising the spacing and improving the text flow. Toujan pushes the boundaries of Arabic type by reintroducing one of its unique features, i.e. that of connecting all words in a sentence with a series of swashes that link the last letter of each word to the first letter of the following word.

Diploma project (2023) by Lana Soufeh

Mention
Très Bien
Award
Scholarship Nestlé-ECAL
Know-how
Type design
Exhibition
Exhibition
Exhibition

1/3

Specimen
Specimen
Specimen

1/4

Projects related to Type design

Type Design - BA1 S1 2025-2026

BA GRAPHIC DESIGN

Type Design - BA1 S1 2025-2026

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First-year students were invited to manually sketch the typographic skeleton of lowercase alphabet letters. The objective was to maintain the proportions, curves, and characteristic axes of each letter while paying close attention to visual coherence and consistency in the drawing.

Type Design  BA2 – S2 2026

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Second-year students were required to develop the whole alphabet for one typeface.

Type Design BA3 – S1 25–26

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The third-year students had to develop a typeface and digitize it.

Type Design  BA2 – S1 2025

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with Aurèle Sack

Second-year students were required to manually develop the lowercase letters of two typefaces.

Diego Steiner – Hybrid Modules

BA GRAPHIC DESIGN

Diego Steiner – Hybrid Modules

by Diego Steiner

Hybrid Modules explores the link between traditional craftsmanship and contemporary technologies through the creation of a 3D-printed modular typographic tool for use with a manual letterpress. Designed on a grid, the modular alphabet becomes a set of physical dies, which can be inserted by hand into the press. The slow, repetitive process becomes an integral part of the visual language, making visible the time and care of the gesture. A series of A2 posters promotes a series of fictitious conferences entitled “ART, CRAFT & TECHNOLOGY - Guests in Switzerland”.

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