How You Read, How You Know

Arnaud Wenger – How You Read, How You Know

Our perception of climate change depends on what we read. How You Read, How You Know is an investigation into the invisible architecture of information. When a wildfire burns, the facts are the same: the hectares, the wind, the displaced lives. But the story told about it never quite is. It shifts depending on who writes, from where, and for whom. This project analyzes the media coverage of two wildfires in 2025: the Los Angeles wildfires in January, and the Corbières wildfires, in the south of France, in August.

Diploma project (2026)

Students
Arnaud Wenger
Know-how
Documentary, Editorial
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Projects related to Documentary

Joanna Metz – Galerie Nationale

BA GRAPHIC DESIGN

Joanna Metz – Galerie Nationale

by Joanna Metz

Galerie Nationale offers a glimpse of the young photographic scene in Dakar. In collaboration with a team of Senegalese photographers, the artist organised the exhibition Li Nu Boole, What connects us, which culminated in an opening in May, 2026 at the National Gallery in Dakar. This book documents the preparation of the event, the environment, the artists and their artworks, as well as the spectators taking part as actors during the opening. Through conversations and texts, the artists share their journeys, their visions of what connects us, as well as their reactions to the project. Throughout this project, the artist took on the roles of artistic director, curator, and graphic designer, while living an artistic and human experience in the country of her childhood.

Mara Wohlfahrt – Algae in posterum

BA GRAPHIC DESIGN

Mara Wohlfahrt – Algae in posterum

by Mara Wohlfahrt

Algae represent our past, our present and our future. They are at the origin of life on Earth and supply us with 70% of our oxygen. They are capable of transforming and thus replacing most of the products that represent a threat to the survival of our planet, such as plastics, fabrics and fuels. Atelier LUMA, a design and research laboratory based in Arles, is looking for ways to transform algae into a material that can be used in the field of creation. Since algae is still considered insignificant and sometimes even repulsive, the Algae in posterum project hopes, through collaboration with Atelier LUMA, to enhance this almost alchemical, even magical dimension of algae for the future of the creative field.

Communication of an architecture – 2022

BA GRAPHIC DESIGN

Communication of an architecture – 2022

with Nicole Udry

Create a communication of a chosen building (a school, a religious space, an office building, a theater, etc.). Second year course of graphic design in context, centered on image creation and editorial design.

Léa Corin – Neither Fully Free, Nor Fully Captive

BA GRAPHIC DESIGN

Léa Corin – Neither Fully Free, Nor Fully Captive

by Léa Corin

Neither Fully Free, Nor Fully Captive explores the theme of day parole. Through a video installation and a book, this project archives and documents the activities of an association dedicated to reintegration. The projection, conceived as an emotional archive, combines experimental videos with sound testimonies from individuals on day parole supported by the association, revealing the complexity of this transition. The book, as a complement, adopts a documentary and sensitive approach, blending stories and visual creations. This project transcends graphic form to foster social dialogue and shed light on an essential yet often overlooked issue.

Lidia Molina González – Toilet Break Magazine

BA GRAPHIC DESIGN

Lidia Molina González – Toilet Break Magazine

by Lidia Molina González

It all started with taking a break. A pause. A moment alone in a shared space: quiet, ordinary, a little strange. Toilets might not be the first place you’d look for big ideas, but that’s why we chose them. Toilet Break uses this overlooked space to explore how we live together, take space, and connect. This first issue is about in-betweens: between public and private, inside and outside. It gathers voices from Switzerland, Belgium, Japan, across generations and practices. A place where ideas circulate freely, where serious things can be said with a wink. A collective and personal space to test new editorial forms, listen more carefully, and believe in detours as a way forward. To take, quite literally, a moment to reflect and sit with things.

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