Feed

Type

Course

Know-how

Years

2008 2025
Héloïse Tourrenc – Un battement feutré

PHOTOGRAPHY

Héloïse Tourrenc – Un battement feutré

by Héloïse Tourrenc

Pigeons have been a part of the photographer's life since childhood. Her grandparents used to raise these birds in a dovecote at the back of their garden. Today, this memory has become the starting point of this photographic project. By tracing the history of these winged companions all the way back to ancient Egypt — where they were raised, respected, and sometimes even venerated — she travels to Cairo, where this tradition still endures today. There, she documents not only the history of pigeon keeping, but also the people she has met and the sensitive bond between humans and pigeons. Through ancestral knowledge, everyday gestures, and collective memory, her images seek to reveal the invisible thread that connects us. The pigeon — a forgotten or despised companion — here becomes the discreet witness of a shared history.

Gabrielle Coué – Sans témoin

PHOTOGRAPHY

Gabrielle Coué – Sans témoin

by Gabrielle Coué

Cosmetic surgery, both intimate and technical, reflects our modern relationship to the body and its transformation. Sans témoin avoids transformed faces, focusing instead on what remains unseen: places, tools, invisible gestures. It captures the moment when the body changes without being experienced. Anesthesia suspends consciousness; the metamorphosis happens without witness. A desire is expressed, the body entrusted, then awakening. Between the two: a void. This void takes shape in images—cold rooms, metallic tools, close-up skin textures. Little or no human presence, only traces. The body becomes matter, managed within a controlled, standardized system.

Kristina Yenza – YOUNIST'

PHOTOGRAPHY

Kristina Yenza – YOUNIST'

by Kristina Yenza

This book is not about war, but about how war becomes the backdrop to life. It brings together photographs of young Ukrainians aged between 16 and 29 — the age the photographer was when she left Ukraine, and the age she is now. No matter where you grow up, the transition to adulthood is always a profound, fragile but essential experience. In this country where war is now part of everyday life, there are still young people who fall in love, discover new feelings, doubt and dream. War has not erased these emotions; it has made them deeper. YOUNIST' is about the way we look, the way we act, the silences. It's about how we grow up with what happens to us.

Maude Bally – Entre 4 et 8

PHOTOGRAPHY

Maude Bally – Entre 4 et 8

by Maude Bally

Entre 4 et 8 questions what it means to live with a chronic illness, in the details of everyday life, in the slow wear of a constrained body. It brings together images made for medical purposes, administrative scans, rephotographed screens, and fragments of daily life. Through a fragmented narrative, it presents everything that visually accompanies the management of diabetes. It does not seek a heroic narrative, nor does it dwell in complaint. Only what remains when illness becomes part of normality: curves, numbers, small fluctuations.A visual language rooted in the intimate, an attempt to make a discreet form of resistance visible.

Sofia Grytsiv – Rebrand

PHOTOGRAPHY

Sofia Grytsiv – Rebrand

by Sofia Grytsiv

Rebrand is an illusionist performance on Instagram that simulates the rise and fall of a fictional celebrity character played by the photographer. Through staged images and fake media covers, Rebrand explores the mechanisms of celebrity, beauty standards and the treatment of women by the media. Over several months, she develops a realistic narrative tracing the rise of this fictional celebrity, then her fall under the weight of scandal, surveillance and media spectacle. Rebrand uses editorial shoots, paparazzi-style photos, fake brand partnerships and orchestrated scandals. The final work takes the form of a multi-screen video installation retracing this fabricated public life.

Lester Kielstein – Osmosis

PHOTOGRAPHY

Lester Kielstein – Osmosis

by Lester Kielstein

Osmosis is a photographic research project that explores how migration is represented and politicized in Germany today. Created during a 13,000 km journey across the country, the work contrasts the visible rise of the far right with the quieter presence of migration, shown through protest images and traces found along the Polish-German border. Rooted in the photographer's personal experience in East Germany, the project reflects on the gap between what is seen and what remains hidden. By combining different visual forms, Osmosis questions who is granted visibility, how national identity is shaped, and how the idea of the border is being redefined.

Jerome Luginbühl – Popcorn

PHOTOGRAPHY

Jerome Luginbühl – Popcorn

by Jerome Luginbühl

‘In the beginning, nothing dissipates.’ Yara’s story does not begin with light, but in darkness. Born almost blind, now an astrophysicist, my sister does not see the stars with her eyes, but through models, formulas, and light analyses. ‘I am no more than a speck of dust in a breath.’ This is where the film begins: in awe of the invisible. What does it mean to see — to truly see?  Between belief and knowledge, numbers and longing, childhood and the cosmos, a space of abstraction, projection and reconstruction emerges. Yara becomes a metaphor for a different perception, a different truth, beyond eyesight.

Inès Riber – Pleasure Boys

PHOTOGRAPHY

Inès Riber – Pleasure Boys

by Inès Riber

Pleasure Boys explores the world of male striptease and its representations of masculinity. In collaboration with the british troupe « UK Pleasure Boys », the project questions the tension between power and vulnerability. Through the hypermasculine archetypes and routines of the dancers, the photographer questions the way in which the male body exposes, controls and gives itself away. My images seek to reveal the humanity behind the spectacle: tired, tense or relaxed bodies, intimate moments far removed from performance. They question what it means to be a man when desire becomes performance.

Rebecca Dubuis – 208 Grace St.

PHOTOGRAPHY

Rebecca Dubuis – 208 Grace St.

by Rebecca Dubuis

208 Grace St. observe a domestic space where tenderness and ideological fractures coexist. In my grandfather’s house in Oakville (WA), right-wing, conservative, and religious convictions sharply oppose my own. No open conflict, just general unease, inscribed in silences, objects, and daily routines. 208 Grace St. reveals what unfolds when societal deleterious positions surface within family dynamics. No reconciliation, no provocation; only the reality of a glaring divide.

Fredrik Maag – Up There

PHOTOGRAPHY

Fredrik Maag – Up There

by Fredrik Maag

Up There looks at Switzerland's role in the “Third Space Age”: an era in which it is no longer states but private companies which are significantly shaping space travel. Although much of the technology that comes to play up there is hardly ever seen, our dependence on it, as well as its geopolitical implications, are extremely far-reaching. The tension between apparent invisibility and simultaneous omnipresence is illustrated on the basis of Swiss involvement in the current Space Race.

Ettore Bruni – TOP OF THE WORLD

PHOTOGRAPHY

Ettore Bruni – TOP OF THE WORLD

by Ettore Bruni

TOP OF THE WORLD explores St. Moritz, where luxury and illusion merge into a glittering spectacle. This project reflects on how exclusivity is staged—through symbols, gestures, and codes of visibility. Between curated appearances and the quiet remnants of a vanished season, I document a world designed to be seen. Immersed in this surreal setting, the photographer observed how people perform identity and how a physical place transforms into a digital dream—shaped by stories, filtered moments, and rituals of attention.

Cedric Zellweger – If life is a video game, the graphics are great, but the plot is confusing & the tutorial is way too long.

PHOTOGRAPHY

Cedric Zellweger – If life is a video game, the graphics are great, but the plot is confusing & the tutorial is way too long.

by Cedric Zellweger

The project centers around Elon Musk’s life—his career, family, and global influence—viewed through a critical lens. Musk perceives the world as an immense playground, a glossy surface full of contradictions, where his ambiguous ties to Trump further complicate world events. Influenced by Bosch’s Garden of Earthly Delights, the clear American dichotomy between good and evil dissolves; heaven and hell blur into an indistinguishable spectacle. In this context, Texas—where Musk and members of the photographer's family reside —embodies the expansive, protective, hyper-consumerist “American way of life”, fascinated by stars yet anchored beneath a paradoxically unreachable sky. The installation-based project employs various media: 4x5 film photography, a video game, photograms and different objects.

Emanuele Delpozzo – The Sea Speaks More Honestly To Those Willing To Drown

PHOTOGRAPHY

Emanuele Delpozzo – The Sea Speaks More Honestly To Those Willing To Drown

by Emanuele Delpozzo

The sea is an anonymous, ever-changing void where identity, place, and scale dissolve. It gives nothing—what you take from it reveals who you are. The project explores the psychology of journeying and survival, driven by a deep yearning for truth through direct experience. As we temporarily define space, we encounter uncertainty, disorientation, and the collapse of rational perception. In response to distress and displacement, it asks: how is the architecture of the body connected to the architecture around it ? We’ve left behind destruction, now hidden in plain sight. A DIY boat—built from jerry cans and debris along the Portuguese coast—becomes a vessel to the horizon. The outcome is a photographic installation and video performance.

Eliot Pizzera – Tarèinâ

PHOTOGRAPHY

Eliot Pizzera – Tarèinâ

by Eliot Pizzera

Tarèinâ is a dystopian short film that explores the melting of snow and the impact of climate change on the Swiss Alpine landscapes. Global warming is pushing the snow line higher, leaving lower-altitude ski resorts deserted, littered with ruins and the skeletons of useless infrastructure. In this post-tourism setting, a lone skier glides like a ghost, trapped in an absurd ritual. Inspired by the landscapes of Valais and local myths, the film blends silence, organic sounds, and visual poetry. It incorporates the mythical figure of the Tshaggatta, masked guardians seen in Blatten before the climate disaster of 28 May 2025. Symbols of mystery and resilience, they raise questions about our relationship with the mountains and our desire to shape them in our own image.

Belinda Kiela – Bana Ya Mbòka

PHOTOGRAPHY

Belinda Kiela – Bana Ya Mbòka

by Belinda Kiela

The images in this edition are fragments of an immersion at the University of Kinshasa : a glimpse into student life in a vibrant, ever-moving capital. Through laughter, doubts, and encounters, the photographer has learned to anchor herself in a daily life far removed from the one she knows in Europe. Bana ya Mbóka — children of the country — gives a face to the youths who study, dream, and resist on this campus. Founded in 1954, UniKin aimed to be a leading African institution, but instability slowed that vision. Despite strikes, power cuts, and limited resources, the students she has met exude strength and clarity. This project reveals moments of connection, gestures of resilience, and hopes that persists through it all.

Adel Debabéche – Ouled El Bahdja

PHOTOGRAPHY

Adel Debabéche – Ouled El Bahdja

by Adel Debabéche

Ouled El Bahdja offers an intimate glimpse into Algerian youth, caught between waiting and the desire to leave. This project explores the mental and physical space of a generation dreaming of elsewhere, in a country where the future feels suspended. It is a portrait of a fragmented daily life, where time stretches into boredom, yet a quiet tension remains—between resignation and hope. An attempt to capture those in-between moments, those gazes turned toward Europe—a collective fantasy, a promise of recognition, but also an uncertain path... Ouled El Bahdja sheds light on a youth that, despite sociopolitical constraints, seeks to build a meaningful existence. A gesture to make visible the dreams and desires for emancipationborn in the shadows.

Delio Testa – Partenopei

PHOTOGRAPHY

Delio Testa – Partenopei

by Delio Testa

Naples is a vibrant expression of a people’s deep love for their land. This passion lives on despite the weight of daily chaos and hardships that run deeper than it appears. To understand it, a person must enter Neapolitan life, where devotion to figures from religion, culture or everyday life is everywhere. These icons give strength, inspire creation and sustain a constant desire to celebrate. Neapolitans do not just endure struggle. They turn it into energy and a powerful source of hope. This book reflects that spirit through portraits and documentary work.

Anna von Allmen – Nos vies sur vos murs

PHOTOGRAPHY

Anna von Allmen – Nos vies sur vos murs

by Anna von Allmen

Nos vies sur vos murs (Our lives on your walls) grew out of a collaboration with fourteen young people from the Pierre-à-Bot neighbourhood in the heights of Neuchâtel. Over a six-month period, I organised workshops with young people aged between seven and twelve, which formed the basis of this experiment. During our meetings, I initiated discussions around the theme of love, a feeling that is often so complex to grasp. I shared moments of their lives with them, collected their texts and asked them to use disposable cameras to draw pictures of love. In this book, our visions come together to create a portrait of the neighbourhood and the imaginary worlds that develop there.

Antoine Woeffray – I Unfold My Skin In The Morning

PHOTOGRAPHY

Antoine Woeffray – I Unfold My Skin In The Morning

by Antoine Woeffray

Antoine_Woeffray: Hi readers! Antoine_Woeffray:  I’m Antoine_Woeffray Antoine_Woeffray: But they also call me mr_paramount mr_paramount: Hi readers! mr_paramount: I’m mr_paramount mr_paramount: But my friends call me Antoine mr_paramount: My doctor call me also Antoine_Woeffray mr_paramount: Actually on my ID card the name written is Antoine_Woeffray mr_paramount: But my online lovers call me mr_paramount This project, which takes the form of a book, is an investigation into the representation of the male body and what it means to be a man. A digital construction of a physical being. The body passes through the image before being transformed.

Barnabé Masson – Encore une nuit sans Georges

PHOTOGRAPHY

Barnabé Masson – Encore une nuit sans Georges

by Barnabé Masson

I gathered eight close friends of my father, who passed away ten years ago. Together, we delved into the feelings induced by absence and mourning. With the help of cameras, I observe the bodies of these sixty-year-old men to explore tenderness, emotions, and the various spontaneous manifestations that emerge when they are confronted with strong emotions. These male bodies, usually under constant logical control, in the image of our culture and economy. The video shows hands, arms, faces, and eyes, sometimes embarrassed, sometimes resistant, and sometimes allowing themselves to be overwhelmed by emotions. This work has allowed me, through these men, to reconstruct my father, to confront him, and to examine my relationship with masculinity.

Lorane Hochstätter – 24

PHOTOGRAPHY

Lorane Hochstätter – 24

by Lorane Hochstätter

This book explores the complexity of the development of a girl's feminine identity through the education and gaze of her mother, the first and most powerful model of femininity. My mother, former model, seemed to emerge from a magazine cover: the embodiment of overwhelming norms of feminine representation. Our image develops in a mirror: she projects herself onto me, remembering what she was and inspecting what she no longer is; I project myself onto her, seeing what I would like to be but what I'am not. These self-portraits twist and disguise my body, caught between emancipation and subordination to imposed codes. This book deals with the love-rejection relationship between a mother and her daughter, who accompany and evolve together in a never-ending quest: the search for a feminine identity.

Noé Vercaemst – Cathédrale dans le désert

PHOTOGRAPHY

Noé Vercaemst – Cathédrale dans le désert

by Noé Vercaemst

With Davide Fecarotti, a student at Ensp in Arles, we worked as a duo around a geographical area between southern Italy and Sicily. We discovered a particular structure. A structure that exists only in the collective imagination of its inhabitants. Engineers call it “the highest bridge in the world”. Here, it's simply called “ponte”, the bridge that doesn't exist. We arrived here like Ulysses in the Strait of Messina, between Scylla and Carribdis, but without the Argonauts. A ruin, an architectural project, surviving like a myth, a monster, a chimera with arms of steel... but in reality, an instrument of power and seduction, at the service of Italy's political leaders for years.

Yves Möhrle – BIPEDIE(BOO)

PHOTOGRAPHY

Yves Möhrle – BIPEDIE(BOO)

by Yves Möhrle

BIPEDIE(BOO) is a video installation that combines humour and seriousness. Inspired by rockfalls in Switzerland, a modern myth has been created. A personification of rockfalls, embodying the incomprehensible and inexplicable. The videos show a figure walking through the mountains and throwing stones down the slope. Hypocritically, she lectures us. In a naïve hope that small gestures can bring about big changes, the nostalgic aesthetic of the project underlines the link between past and present and raises the question of our management of natural risks. Do our actions really bring progress or do they fight symptoms? What is our role in the Anthropocene? Do our actions influence nature and cause stones to fall?

Mathilde Lesueur – Collision

PHOTOGRAPHY

Mathilde Lesueur – Collision

by Mathilde Lesueur

From an impressive loss of control to an explosion of shattered glass, I find myself in the middle of a wavering and inevitable chaos. I hold on to an uncertain light and let my body give in to the injuries. Between reconstruction and obsession, Collision explores how car accidents and injuries are shown in modern images. This work mixes the violence of my story with the way I make it attractive and digitalized. I represent myself through the image of broken doll, I create a confusion between the real and the unreal, symbolizing memory after a traumatic event. This project, an installation using chrome and glass, takes place in a setting where the gaze of the others and an injured girl interact.

Yan Miranda – Reverie Rebirth

PHOTOGRAPHY

Yan Miranda – Reverie Rebirth

by Yan Miranda

Guided by psilocybin, Reverie Rebirth is an intimate journey into trauma healing. These experiences allowed me to reconnect with the innocence of childhood, with myself and with nature. Through new technological tools and analog photography, I was able to document and illustrate the visions of my inner journey. Imbued with Afro-Brazilian divinities, this exploration reflects on my cultural heritage and identity. The evolution of the project moved towards an engagement with nature and ecology. Inspired by a return to Brazil, it symbolizes the confrontation of deeper issues and blends with various artistic typologies to address themes of fear, anger and the degradation of nature.

Seraphine Sallin-Mason – The ''A'' Word

PHOTOGRAPHY

Seraphine Sallin-Mason – The ''A'' Word

by Seraphine Sallin-Mason

Abortion is a fundamental right. In the United States, its practice has been restricted in half the country in recent years. The 'A' Word seeks to address this issue. In media, the associated Pro-Life/Pro-Choice iconographies are expressed with similar communication codes. These channels sensationalize the topic to startle and offend. This sensationalism distances us from the reality of abortion and the people seeking access to this care. From this visual material obtained through various resources, The 'A' Word aims to dissolve these mechanisms and reconstruct a more complex vision that, I hope, will allow us to take a critical look at this essential issue.

Lea Sblandano – Neijuan

PHOTOGRAPHY

Lea Sblandano – Neijuan

by Lea Sblandano

The pixels expand and appear ever closer to the sensible world into which I was born. Neijuan explores the complexities of identity construction in a post-pandemic, hyper-connected world. Meaning "involution" in Mandarin, it evokes a sense of generational fatigue due to an ever-faster and competitive society. Between the feeling of a collective burn-out and the increasingly immersive presence of screens, virtual worlds become places of refuge and safety, but also fertile ground for interested encounters and fantasies. The screen turns into an emancipatory and formative means of connection, while increasingly distancing the individual from the tangible world around them.

Cyriane Rawyler – Medusa

PHOTOGRAPHY

Cyriane Rawyler – Medusa

by Cyriane Rawyler

Medusa is a collaborative project linking performance to hyperfemininity. This physical exploration symbolizes the reappropriation of the body through transformation. The need to exchange and meet these protagonists arose from a personal event that allowed me to regain control of a destroyed space. Blonde hair, length, and shine unite us to create a community. Through photography, the notions of self-image and control interact, creating celestial beings that tame space. Medusa aims to understand and accept the multiple facets of identity, offering a means of rebellion and self-affirmation.

Hector Codazzi – La Synthèse des Couleurs

PHOTOGRAPHY

Hector Codazzi – La Synthèse des Couleurs

by Hector Codazzi

Synopsis : From one image to another, Louise, aged 25, strives to find her place in the demanding world of modeling. As a young photographer being increasingly involved in the world of imagery and advertising through my professional experiences, I wanted to take a closer look at this world that both fascinates and repels me in some ways, but above all intrigues me with its ambiguous relationship to reality. I directed a short film that depicts the trajectory of a model in this industry, a fiction that aims to address several questions : the self-staging induced by the profusion of images, the mechanisms of oppression related to the creation of advertising images, the pursuit of social mobility by young generations and how this pursuit clashes with the reality of the job market.

Johanna Bommer – Changing Rooms

PHOTOGRAPHY

Johanna Bommer – Changing Rooms

by Johanna Bommer

Changing Rooms is a site-specific photographic installation about a very recent past. A figure in the transitional period of adolescence navigates commercial and digital environments. She constructs herself through the images she sees, engaging in a form of self-commodification while immersed in these two spaces. A pile of dust, greasy hair or a scratch on an otherwise perfect surface disturb the smoothness of the virtual and the commercial space. She finds comfort in her anonymity. She dislikes being perceived but desires to be seen. A reflection becomes a mirror becomes a screen becomes a door.

Léa Bevilacqua – Meu Anjo

PHOTOGRAPHY

Léa Bevilacqua – Meu Anjo

by Léa Bevilacqua

"I had the occasion to go back to Santarém, in northern Brazil, my origin town to discuss beauty standards, identity, and self-expression with eight individuals I met there. Growing up as a bi-national woman (Swiss and Brazilian), I struggled with conflicting beauty ideals. The people I met there were often seen as weird, ugly, or inadequate by the society, I thought they were unique and brave for standing out in a region that prize conformity over self-expression. These encounters allowed us to share experiences and, on a more political note, emphasize their value in response to the recent rising hate against minorities in Brazil."

Carla Corminboeuf – Omerta

PHOTOGRAPHY

Carla Corminboeuf – Omerta

by Carla Corminboeuf

A performance in a square of light, a surface echoing the competition carpet. A melancholy memory of a carpet that no longer exists, a carpet symbolizing constraints. The body enters this restricted space and measures it to the tempo of a metronome. Repetitive movements follow, until the effort is felt. A live projection is added in the background, produced with two cameras placed in the diagonals of the square, reproducing the jurors' point of view. Video archives footage of training scenes then scrolls past, showing a body forced into contortions by relentless trainers. It's a questioning  several aspects of rhythmic gymnastics, a sport I practiced for years, and whose training methods are being questioned by the medical world.

Matilde Croxatto – them

PHOTOGRAPHY

Matilde Croxatto – them

by Matilde Croxatto

This film is an intimate exploration of masculinity through the prism of faith. We discover the testimonies of eight young men through their relationship with God. Through interviews and scenes from everyday life, they reveal the beauty and complexity of this relationship. Based on my own experience as a believer, I've come to realise that faith, with its vulnerable and intimate qualities, can be seen as an experience that no longer affects traditional masculinity. To verify this, I gave the floor to men who choose the resilient path of faith on a daily basis. Their devotion is brought to light, an expression of the heart that goes beyond gender stereotypes and invites reflection on the humility of the individual towards an entity greater than himself.

Albane Durand-Viel – Magdalena

PHOTOGRAPHY

Albane Durand-Viel – Magdalena

by Albane Durand-Viel

Magdalena focuses on a forgotten or unknown female figure, Mary Magdalene. She was Jesus’ favorite, first witness and mysterious apostle. Her story has been written and told by men, who attributed to her several identities : as a saint, a socialite, a prostitute, a lover and a mystic woman. A thousand faces are often attributed to her, preferring to reduce her to erroneous female stereotypes. Yet Mary Magdalene was a key figure in History and a powerful symbol of feminine independence. This project aims to restore her story, by choosing our contemporary era as context. Imagining a scenario in which Mary Magdalene occupies a central place in today's media space, what would her fate and power be?

Jennica Folkesson – CHACUNE

PHOTOGRAPHY

Jennica Folkesson – CHACUNE

by Jennica Folkesson

CHACUNE is an installation focusing on the theme of transmission. Clay, a symbol of connections, is extracted and shaped to bear witness to a shared past. The sense of touch, essential and unifying, is employed as a means of creation, linking us women together. Each ceramic piece represents a page in our collective story, shaped by the passage of time. Here, time manifests as a journey. From mother to daughter, from Switzerland to Mexico, we explore the lands that hold our ancestors.

Léo Paschoud – How to sell online

PHOTOGRAPHY

Léo Paschoud – How to sell online

by Léo Paschoud

This work takes the form of a series of three books compiling images from conversations collected on various online second-hand sales sites. A specific protocol defines the message sent to the sellers to obtain a photo in return. Each book focuses on a specific object: the camera, the mirror, and the laptop webcam. The aim of this project is to explore the behavior of online sellers. To obtain the desired image, with the correct shooting angle, the process relies on their desire to sell these objects and allows for the observation of their different reactions. If the protocol is successful, images are received; otherwise, responses of indignation, annoyance, insults, or even silence are encountered.

Gilian Cardaci – Pitch Green

PHOTOGRAPHY

Gilian Cardaci – Pitch Green

by Gilian Cardaci

This work documents the issues surrounding a professional football field and its artificial maintenance. The turf on these pitches must be maintained to comply with the high standards dictated by FIFA to enhance the image of the sport. Specific tools have been developed to meet this demand. Pitch Green turns football on its head with a fascination for what goes on behind the scenes, creating an imagery reminiscent of science fiction. The contrast between the natural turf and these ultra-technological tools lends an absurd edge to their real purpose. These pitches, which appear perfect to the viewer, reveal the excesses of football and its corrupt business.

Laure Brandford Griffith – La foule nous regarde

PHOTOGRAPHY

Laure Brandford Griffith – La foule nous regarde

by Laure Brandford Griffith

La foule nous regarde revolves around an obsessive gaze on strangers that resonates with the loss of a loved one. In the search for this person, he explores collective identity through clothing, physical attitude and human bonds, where the stranger becomes the reflection of a lost personal history. The crowd is both the plurality of personality in the lost being marked by crises of dissociation, and these unknown people bringing him back into my life.

Sara De Brito Faustino – A Home With No Roof

PHOTOGRAPHY

Sara De Brito Faustino – A Home With No Roof

by Sara De Brito Faustino

“This project presents the home as a place where uncanniness and vernacular commonness exist side by side. Being an intimate space, a home should be a restful and secure place. However, mine has been the scene of some painful events. Today, I see this house as threatening. Uncomfortable and dysfunctional, it bears the scars of the past. In my photographs, I revisit those memories and reclaim my body. My tiny dioramas express my young self’s ideals opposed to the wounds I currently bear. Constructing, deconstructing, objects become bodies, whereas my being feels deformed and petrified. A Home with no Roof creates an antagonistic tension between appealing visuals and disturbing details.“

Matteo Angelé – If I Could Tell You/Se Potessi Dirtelo

PHOTOGRAPHY

Matteo Angelé – If I Could Tell You/Se Potessi Dirtelo

by Matteo Angelé

This reappropriation project attempts to question the influence of context and medium by reusing pornographic images from homosexual magazines of the 1980s – a decade marked by the discovery of AIDS. Originally created for purely pornographic purposes, these images, representing bodies devoid of movement and stemming from bondage culture, describe the male archetype as characterised by Rudy Lemcke in A History of Violence: “Born and shaped by violence (…), we exist in a world where these dynamics of power and control are already operating for, with and against us. The effects of violence are a part of who we are.”

Valerie Geissbühler – Soft Matter in Interwoven Worlds

PHOTOGRAPHY

Valerie Geissbühler – Soft Matter in Interwoven Worlds

by Valerie Geissbühler

“Soft Matter in Interwoven Worlds is a multifaceted installation that brings together narratives focusing on the potato. These stories retrace the tuber’s journey from Peru, its birthplace, to Switzerland. A soft matter is an entity that is perceived as unheroic and taken for granted. Instead of reducing the potato to a food plant, I see it as a resilient carrier of life as well as a creature. The boundaries between endings and beginnings blur as I navigate the ambiguity of birth, growth, death and loss. I merge ancestral knowledge and autofictional imagery by moving among multiple perspectives, territories and times, my bicultural identity and womanhood. All this brings me back to the roots of it all and leaves me to wonder: did I raise you or did you give birth to me?“

Jessica Dreier – Margem Sul

PHOTOGRAPHY

Jessica Dreier – Margem Sul

by Jessica Dreier

"Margem Sul explores the social and political history of Portugal, focusing on the south margin opposite Lisbon. I documented Barreiro, Almada, Moita and Trafaria, with a focus on Segundo Torrão. After the Carnation Revolution in 1974, Angolan, Mozambican, Cape Verdean, Guinean and Santomean populations settled here, forming a strong comunity. Local rappers denounce the growing gentrification of Trafaria. The State justifies the demolitions on security grounds but remains evasive about their real motivations. Since the end of 2022, more and more homes have been demolished and people evicted. My work seeks to amplify the voice of the actors, expressing a variety of situations, from wandering to overt situations."

Louis Victorin Michel – Deus Corporatæ

PHOTOGRAPHY

Louis Victorin Michel – Deus Corporatæ

by Louis Victorin Michel

Deus Corporatæ weaves connections between the world of money and power, attempting to portray the corporate world as a numinous fortress. Its imposing architectures convey a sense of absolute presence, an almost sacred dimension. Symbols are scattered around these places, resembling coats of arms, allowing for the recognition of the various corporations in the city. These glass facades illuminate the surroundings by reflecting light through contemporary materials such as glass and steel. All of the rules of capitalist, globalised work culture create a new contemporary mythology, associated with rituals that foster a sense of belonging to this world. The project seeks to establish these new mythologies of financial power, whose façade appears transparent, but often wields influential power on an international level.

Noa Chevalley – Bêche pour dame

PHOTOGRAPHY

Noa Chevalley – Bêche pour dame

by Noa Chevalley

“In the middle of this gravel pit, a vast, artificial and monumental landscape, I try to leave my mark. In mimicry of this environment, I cut into the soil with the strength of my arms. The naked body becomes a tool for digging and filming. It is desexualised in this vain and infinite action. I use my strength to feel more powerful and to detach myself from the normative injunctions that are imposed to me. Despite this, I cannot compete with this place. A relentless battle takes place between the shovel and the ground – a battle that breaks the body and dismantles it. This work mirrors the feeling of inadequacy that comes from the dynamic of striving to meet the expectations that are imposed on us. I do not listen to my body anymore and I am conditioned to accept a world that rips it apart.“

Eloïse Genoud – INSIDE

PHOTOGRAPHY

Eloïse Genoud – INSIDE

by Eloïse Genoud

“INSIDE is a project that focuses on contemporary dance, movement and the human body. It stems from my deep passion for dance and aims to capture the essence of this art form from a personal perspective. Drawing from my 18 years of experience as a dancer, I strive to bring forth the energy, collective spirit and love for the stage that is inherent in this art form. INSIDE alludes to that special moment of stepping into the spotlight, where bodies and light come together in a profound connection. This work is not a documentary on dance, but rather an experimental journey where individuals merge into a common entity. A major part of the project was staged, requiring choreography and active participation in the dances designed exclusively for this production.“

Dominique Bartels – The Threads That Hold the Earth Together

PHOTOGRAPHY

Dominique Bartels – The Threads That Hold the Earth Together

by Dominique Bartels

“Nostalgia for media that resonate with my body. The installation The Threads That Hold the Earth Together explores the plasticity of photographic and videographic image through weaving. Making and juxtaposing photographs is a way for me to create tangible links. The materiality, the body of the image are my starting point. To seize the passage of formlessness to form, I work with different media around linen: the first fabric to cover, clothe and preserve the human body. Three canvases, woven and unwoven with linen, photographic film and magnetic tape, are suspended in space. A video which explores the transformation of flax through different image textures runs in a loop on a TV.“

Inès Mermoud – OS CRIAS

PHOTOGRAPHY

Inès Mermoud – OS CRIAS

by Inès Mermoud

OS CRIAS attempts to shed light on the relationship between children living in various favelas in Rio de Janeiro and the violence that surrounds them. It addresses the subject from a personal point of view, based on family stories and experiences. The documentary book evokes Brazil’s political and social issues from a critical perspective, and links together different types of images. A participatory approach is also highlighted.

Tony Altermatt – huǒlóng

PHOTOGRAPHY

Tony Altermatt – huǒlóng

by Tony Altermatt

“ Huǒlóng evokes the memories and feeling that we might get from a country we have never lived in. We explore then intertwine symbols and images, giving birth to our own culture. From East to West, I create my representation of the second generation of the Chinese diaspora. Silently built, two distinct landscapes merge. Our youth evolves, oscillating between two cultures. The osmosis is palpable, between traditional heritage and desire for emancipation. This fictional story is the fruit of a journey. The protagonists gather to exchange their views. We connect lands, objects and environments. This is our way of representing ethnic mixing: a poetic symphony, where boundaries are dissolved.“

Gaétan Uldry – I NO LONGER LOVE BLUE SKIES

PHOTOGRAPHY

Gaétan Uldry – I NO LONGER LOVE BLUE SKIES

by Gaétan Uldry

The drone is a machine for control, surveillance and suppression that is increasingly used and improved in its technological evolution. The drone acts as a prism that recreates a new reality, filtering and annihilating the real world. The image produced is a kind of mirage, devoid of meaning. The machine creates a deliberate feeling of distance with the need to confront death. This book highlights this new reality by collecting, cropping and assembling images produced by drones to denounce the absurdity and danger of these devices for carrying out violence. It questions the status of these images, whose plasticity and aesthetics obscure and conceal the true nature of their function, which remains to control, monitor and kill.

Gwendoline Albasini – Dear Kingdom

PHOTOGRAPHY

Gwendoline Albasini – Dear Kingdom

by Gwendoline Albasini

Dear Kingdom is a story told through storytelling. A fictional figure embodies the princess trapped in her role, the horse who frees her and the witch who casts a spell. These archetypes confront intimate questions about the female gender and seek to dismantle collective ideals. The dream castle, once we look beyond its ramparts, vanishes into thin air. The video immerses the viewer in a world as majestic as it is oppressive. The soundtrack consists of singing and violin. The sounds can be both powerful and frail, revealing the beauty of the disparities. “Dear Kingdom is an appeal to the projections of a social and personal ideal. In this message there is a desire to share my path in this imposing, theatrical and fanciful universe.“

Filter