INDUSTRIAL DESIGN
WOOLWEAR
with Herding Wool, Ugo Bompas
This immersive workshop explored footwear design through the materiality of wool.
PHOTOGRAPHY
ECAL × NNORMAL
with Nicolas Poillot
In September 2024, the start of the academic year at ECAL / University of Art and Design Lausanne, was highlighted by the beginning of our collaboration with trail equipment manufacturer Nnormal. At the same time, not far from our university, Kilian Jornet, the founder of the brand, gave our teams a taste for exploits by linking 82 peaks in the Alps over 4,000 meters high, shattering all records in the process. In trail running, as in photography, you need passion, discipline and endurance. Our Bachelor Photography students at ECAL are not all great sportsmen and women, but they are driven by the desire to achieve visual exploits. Trained in technical mastery, conceptual development and risk-taking, they spent three years in a field of exploration that allows them to seek out limits and chart their path. It's essential for them to get off the beaten track and find a visual language that sets them apart from the vast quantity of images that overwhelm us. ECAL has a long tradition of collaborating with top-level brands and professionals who, in addition to their own activities, wish to pass on their skills and experience to a passionate young generation looking for guidance in unfamiliar territory. Among them is Régis Tosetti, artistic director of Nnormal, who has a strong link with ECAL, where he trained for a degree in Visual Communication in 2005. Régis kicked off this collaboration with head coach Nicolas Poillot, also an art director. Nicolas forged his raw and elegant style by taking fashion towards the documentary. A guest lecturer at ECAL for several years, he has guided students tirelessly, with pragmatism and rigor, through the mapping of the brand and its visual expression. In a polluted, noisy world, saturated with superimposed stimuli, it is difficult to concentrate, to focus on a clear objective, a goal to look forward to. The opportunity offered by the collaboration between ECAL and Nnormal has encouraged a young generation of photographers to turn to the mountains. Nature is a terrain of escape, communion and adventure for an essential imagination made up of bodies and landscape. The main subject is the mediating element between these two components, the shoes that allow us to go further in this union. But there's much more than shoes in the work of Nicolas and his students: there are values of ecology, dry and wet atmospheres, solar and nocturnal lights, technical and organic textures, muscles and tense faces that achieve deliverance through their exploits. And finally, in trail running as in photography, despite sood technical and mental preparation and systematic study of the forecasts, there are unforeseen circumstances that force us to come up with improvised solutions that reveal new forms of beauty.
PHOTOGRAPHY
ECAL × JEAN PAUL GAULTIER: "Le Mâle" - 30th anniversary
with Florence Tétier, Nicolas Coulomb
"Le Mâle" - 30th anniversary In 2025, "Le Mâle" will celebrate its 30th anniversary. With this in mind, students have been working on the brand's fragrance. Reflections on masculinity and different representations of the body in 2025.
PHOTOGRAPHY
Le pavillon de l'élégance
with Chaumont–Zaerpour
Each group was tasked with creating a series of fashion images by appropriating or subverting visual codes from existing images. Everyone approached this exercise with creativity, exploring a variety of references, whether iconic fashion shots, works of art, or visuals from popular culture. Once all the series were completed, they were compiled into a printed and bound magazine. The assembly of the images gave rise to a unique object, where each project found its place within a coherent and visually striking whole. This magazine thus became the tangible trace of this collective exploration of fashion imagery and its multiple reinterpretations.
PHOTOGRAPHY
ECAL × JEAN PAUL GAULTIER: SPORT - CORPS
with Florence Tétier, Nicolas Coulomb
SPORT - CORPS : Jeux Olympiques et Paralympiques The project is based on the theme of the body, with a view to staging physical effort. The recent context of the Olympic and Paralympic Games logically frames the choice of sport as an aesthetic means of highlighting different forms of bodily expression. The choice of discipline could be classic, out-of-games or even imaginary. The students worked around a certain vision of physical effort, movement, constraint, a form of discipline, or even joy.
INDUSTRIAL DESIGN
ECAL x FREITAG - Access over ownership
with Christophe Guberan
Second-year industrial design students collaborated with Zurich-based brand FREITAG Lab, leveraging their expertise in environmental awareness, material upcycling, and the circular economy. Using the FREITAG manifesto as a foundation, they developed new shared products centered on the principle of "access over ownership."
DESIGN FOR LUXURY & CRAFTSMANSHIP
Hermès WINDOW DISPLAY IN GENEVA
by Nathanaël Baby, Luca Nichetto, Nicolas Le Moigne, Xavier Perrenoud
The Hermès Printing Company Inspired by the aesthetics of rotary printing presses, this project allows passers-by to immerse themselves in a graphic and artistic universe. Through the ten windows of the store, “L’Imprimerie Hermès” is a reinterpretation of the main stages of printing: everything starts with rolls of paper, which are then deployed in large strips, until they become posters. The paper, in all its forms, is printed along its length by repeating the story of a letter published in six different languages (French, English, Italian, German, Chinese and Japanese) by the magazine Le Monde d'Hermès. A layout specially created for this project incorporates large areas of color in order to frame and highlight the accessories from the different Hermès universes. They thus seem to come to life and become part of the story.
DESIGN FOR LUXURY & CRAFTSMANSHIP
Hermès Window display in Zürich
by Charitini Gkritzali, Xavier Perrenoud, Nicolas Le Moigne, Luca Nichetto
The Astonishing Moment of Life Inspired by the Surrealist movement and the desire to find magic and wonder in the familiar and everyday life, this project features shapes and emblematic Hermès accessories that interact to form two subtly choreographed installations. These two window displays, imagined by Greek designer Charitini Gkritzali, a student in the Master of Advanced Studies in Design for Luxury and Craftsmanship at ECAL/University of Art and Design Lausanne, are an interpretation of Hermès' 2023 annual theme, “Astonishment”, offering a moment that oscillates between reality and dreams.
DESIGN FOR LUXURY & CRAFTSMANSHIP
Charitini Gkritzali – Topology of a Body
by Charitini Gkritzali
Deriving inspiration from 20th century orthopaedic braces, Topology of a Body is a series of body jewellery items that closely conform to the human anatomy and resemble the body’s structural elements. Each piece is composed by solid geometrical shapes and organic curves that are created with silver or steel wire. The thickness of the wire is altered in a dynamic rhythm, highlighting the morphology of the body. The metal structure, which is carefully designed to envelop the human figure, ultimately takes on a sculptural form. Just like orthopaedic braces, the pieces of jewellery are designed to allow the body to move, yet seem to keep it in a constant state of immobility. This paradox eventually raises a question: do these objects enable or restrain the body’s movements?
INDUSTRIAL DESIGN
Robin Luginbühl – Disassembly Lab
with Stephane Halmai-Voisard, Christian Spiess, Carolien Niebling
The Disassembly Lab is a conceptual and formal study aimed at creating shoes integrated into a sustainable marketing system. Disassembly extends the life of a shoe, making it repairable, restorable, replaceable and recyclable. The aim is to rethink and redefine the way we build and assemble sneakers. This research takes inspiration from various references and explores several distinct concepts. Each concept evolves over the course of the research process, culminating in three shoes, offering a variety of functional and aesthetic solutions. These shoes, with their TPU soles and 3D knitted uppers, are reduced to the essentials, enabling simple, rapid production and assembly and easy recyclability.
INDUSTRIAL DESIGN
Mattia Cook – 1000ppm
with Stephane Halmai-Voisard, Christian Spiess, Carolien Niebling
Drawing inspiration from the IPCC’s most dire projections and from numerous reports, I envision a future where carbon concentration reaches a staggering 1000 ppm by the end of the century. What will this world look like? To capture this vision, I have designed three distinct objects, each drawing from unique narratives rooted in my hypothetical scenario. Firstly, a low-tech water bottle, ingeniously insulated to withstand the challenges of climatic migration. Secondly, a repair technique specifically designed to mend and waterproof worn-out tennis shoes, embodying resourcefulness in the face of the scarcity of certain resources. Lastly, a nasal device, boas- ting advanced technology capable of filtering and purifying polluted air, serving as a shield against the looming threat of atmospheric contamination.
INDUSTRIAL DESIGN
Lirjeta Maxhuni – Gynecare
with Stephane Halmai-Voisard, Christian Spiess, Carolien Niebling
GYNECARE is an innovative gynaecological outfit that aims to protect and provide people with greater safety and reduced vulnerability during medical exams. This project responds to a real need by offering a more comfortable and human alternative for people, while improving the quality of gynaecological care. Gynecare could be the first official outfit in the gynaecological field, designed precisely for these examinations. The outfit is made of hemp fabric, which benefits from unique properties, which are ideally suited to the medical field. For the respect and love of our body.
GRAPHIC DESIGN
Alice Villars – Mirù
by Alice Villars
Mirù is an exploration of the transmission and itinerancy of my mother’s life through interdependent objects, dresses and a book. Clothes say a lot about someone. More than appearance, they are a fertile ground for graphic expression and self-expression. I created five dresses using archive material. The composition of the dresses incorporates ornamental forms and graphic elements, pictures. Each dress becomes an address from my mother’s life, representing a particular atmosphere that gives clues to her story. The editing, meanwhile, creates a loop between the dresses and the book, a place where everything comes together. Mirù plunges into the history and emotions of a life, conveyed through clothes and words.
PHOTOGRAPHY
Dissolution of genres and austerity in prise de vue
with Geray Mena
The workshop focused on the dissolution of genres within photography: documentary, fashion, still life and portraiture. Students built bridges between commercial and artistic practice.
PHOTOGRAPHY
Afterhuman
with Elizaveta Porodina
For this workshop, Elizaveta Porodina asked the students to explore the theme "AFTERHUMAN". This theme opens up perspectives for capturing futuristic landscapes, representing the potential fusion of technology and humanity. Think about visually depicting the coexistence of artificial intelligence, cybernetics or biotechnology with natural elements. Experiment with innovative techniques to convey a sense of evolution or transcendence. This exploration invites photographers to creatively interpret and visually narrate a future beyond conventional human experience.
INDUSTRIAL DESIGN
Inclusive Soft Goods Hardware
with Friederike Daumiller
In collaboration with ASA-Handicap mental and the Senior-lab, the Bachelor students, led by designer Friederike Daumiller, present a collection of closing and fastening systems for clothing, bags and wearable accessories that make them easier to use, helping to make them more universal and inclusive.
GRAPHIC DESIGN
STRAPPAZZON+ECAL
with Angelo Benedetto, Guy Meldem, Sébastian Strappazzon
Workshop with Strappazzon With the aim of broadening the horizons of graphic design students beyond the media traditionally explored during their training, Sebastian Stappazzon, co-founder of AVNIER – one of today's hottest streetwear brands launched in collaboration with French rapper OrelSan – runs a week-long workshop at ECAL. From the proposals imagined by the students, a capsule collection was born, produced in a limited edition. The entire collection will be presented and on sale at an exclusive event on 15 December 2023 at La Rasude in Lausanne.
PRODUCT DESIGN
ON 2040 - MASTER PRODUCT DESIGN
with Christophe Guberan, Camille Blin
Following a collaboration with the Swiss avant-garde brand On, ECAL is proud to present the interdisciplinary work carried out jointly by the 2nd year students of the Product Design, Photography and Type Design Masters.
PHOTOGRAPHY
ON 2040 - MASTER PHOTOGRAPHY
with Maxime Guyon
Following a collaboration with the Swiss avant-garde brand On, ECAL is proud to present the interdisciplinary work carried out jointly by the 2nd year students of the Product Design, Photography and Type Design Masters.
MEDIA & INTERACTION DESIGN
Nora Fatehi – Mirror Me-rror
with Alain Bellet, Christophe Guignard, Gaël Hugo, Laura Nieder, Pauline Saglio
In an environment where the line between digital and tangible is becoming increasingly thin, having an existence in immaterial spaces implies shaping and maintaining an avatar that is often created in one’s own image. Living in these in-between worlds inevitably leads to the development of a more or less strong connection with one’s own digital representations. This is notably the case of my own avatar, with whom I share more than just a well-defined clothing style. In Mirror Me-rror, she and I become one. By using my physical and digital data to influence her abilities as my “virtual self”, I find myself constantly connected to her. With this project, I question the relationship that each of us nurtures with our digital identities and offer a gamified perspective of our own lives.
GRAPHIC DESIGN
Angelo Barbattini – Annihiler le système des castes
by Angelo Barbattini
Since I am half Indian and have studied in India, my graduation project mainly consists of a collection of saris (lit. “strips of cloth”), a traditional garment worn by women in India. The fabrics created are a modern interpretation of this rich cultural heritage. Through this project, my aim is to denounce the issues of discrimination observed in India, most known as the caste system – a system that is now illegal but which continues to be perpetuated and create inequalities. The concept of the project is to acknowledge the problem and through a modern, digitally printed, cotton sari, to communicate a message of equality and equal rights to humanity. The goal is to have activists wear these saris to perpetuate this utopian ideal of equality and abolish the caste system.
INDUSTRIAL DESIGN
Masen Al-Saghir – Jabal
with Stephane Halmai-Voisard, Maddalena Casadei
Jabal is a collection of plastic-free, repairable and recyclable mountain jackets. It consists of a jacket and a down jacket. The fastening has been redesigned with a fold system, without zips. It also allows the width of the jacket to be adjusted according to the number of layers worn. Jabal is made entirely of durable materials: high-density woven cotton, waxed cords and aluminium fasteners. The seams are heat-sealed with natural adhesive. The down jacket is filled with milkweed, a plant that is as light as feather but twice as insulating. No chemicals or watering are required for its production. The materials can be separated for easy recycling. Resin-impregnated patches are provided to repair snags.
INDUSTRIAL DESIGN
Paul Carluy – Waspy Stoner Couch
with Stephane Halmai-Voisard, Maddalena Casadei
“I want the most comfortable stoner couch.” Eli asked me to create a stoner couch for his brand ERL. I chose to break down this bulky and all too often opaque object. Layers of covering are added on a tubular steel structure. The sofa is thus superimposed with different textiles, materials and volumes as if it were clothing. In the summer, a single thin layer is sufficient, while in the winter, you put on your puffy jacket. With each new layer, there is a new object. You can go from a Butterfly lounger to an upholstered armchair that you can sink into. The choice of covering can be both functional and stylistic.
INDUSTRIAL DESIGN
Kim Lissy – Pragmatic Gear
with Stephane Halmai-Voisard, Maddalena Casadei
Pragmatic Gear is a brand that recovers scraps and end of rolls from various companies in Switzerland. The patterns are designed to be waste-free. I experimented with this by first presenting bags and then, in a second phase, I integrated garments for my degree. Each typology of garment and bag is constructed in the same way but with different textiles, resulting in a variety of falls and uses. The pieces are exclusive and limited in number according to arrivals.
INDUSTRIAL DESIGN
Marine Bouvard – Mistral
with Maddalena Casadei, Stephane Halmai-Voisard
Interested by objects as evidence of a specific civilisation and culture, I returned to Provence to identify what characterises my culture and what underlies my identity. Mistral is an ode to the sun, to shadows, to strolling, and to time that lasts. I carried out research around a natural material: the straw. I met a hat-maker who passed on her knowledge and skills to me, and I designed a collection of objects that play with shadows, resulting in the creation of hats that are easy to carry around, so that you can take a bit of the South wherever you go.
GRAPHIC DESIGN
Alexandre Brunisholz – Erosio
by Alexandre Brunisholz
The gorge, a reflection of time and of the power of nature, is a witness to the Earth’s transformation. Over the millennia, the passage of water has gradually carved a path in the depths of the Earth, creating a natural ruin with organic shapes and a mystical atmosphere. This project was developed based on the erosion of rock by water through the study of a selection of 12 Swiss gorges. A silver jewel created for each of the gorges was given back to nature, thanks to a machine that accelerates deterioration through a tumbling process with elements taken from each of the 12 sites. Erosio is a look book of this jewellery collection, documenting the research locations as well as the working process developed.
GRAPHIC DESIGN
Thaïs Nguyen Huu – Mises à nues
by Thaïs Nguyen Huu
Mises à nues is a collection of five outfits. In my opinion, clothes are a reflection of who we are and the values we defend. Wearing an outfit is assuming one’s identity, being confident and loving oneself. Each outfit represents the series of gestures and attentions one can do for oneself to feel good and confident on a daily basis. Five women confided in me a part of their intimacy through a selfie and words they use to highlight their body. I then interpreted their stories and transcribed them on textile. Each fragment of life becomes a visual that is captured. Once worn, the static illustrations become a moving volume that takes our inner story to the outside world – out in the open, for ll to see.
MEDIA & INTERACTION DESIGN
Basil Dénéréaz – Reif
with Alain Bellet, Christophe Guignard, Gaël Hugo, Laura Nieder, Pauline Saglio
Mention Très bien Through our entertainment media, partnerships and sponsored content are becoming omnipresent. Based on this observation, Reif i s a fictional account of the objectification of a digital influencer. Through different media created with computer generated images, we visualise the change of identity of this character who allocates areas of her body as advertising spaces, generating her metamorphosis from human to object. In order to realise the content for Reif , a process of digital production was set up, adjusting to the standards of avatar creation which affiliates this fiction to the current technical reality.
INDUSTRIAL DESIGN
Rodolphe Pupille – Tilt
with Stéphane Halmaï-Voisard, Christian Spiess, Maddalena Casadei
“Tilt” is a shoe rack made of birch plywood. The two-way mirror front enables users to see themselves while providing a showcase for the shoes on display. The opening direction of the drawer is adjustable, meaning the “Tilt” shoe rack can be placed in a corner or in the middle of a wall. The inside of the drawer is lined with linoleum as a reference to collectable furniture. The neutral background enhances the details of each shoe while protecting the wood. Finally, a gradation in the opacity of the mirror highlights the worn pair, as a reinterpretation of angled shoe mirrors in shoe shops.
INDUSTRIAL DESIGN
Sven Abplanalp – M–W256
with Stéphane Halmaï-Voisard, Christian Spiess, Maddalena Casadei
“M–W256” is a project that started as a comprehensive analysis of fasteners from the textile industry. This research led me to work on the idea of symmetry through connectors while exploiting its advantages. Suited to a variety of daily situations and designed for urban mobility, “M–W256” is a bag that offers versatility. Developed specifically for this portable item, the androgynous clip enables the user to connect straps in many different configurations for greater adaptability.
INDUSTRIAL DESIGN
Figure Libre
with Elric Petit
Figure libre is an industrial design project realized in correlation with the thesis topic of the 3rd year students. They were advised to choose a field that the students would like to pursue after their studies. This free exercise allowed each student to express themselves on the subject of their choice. Whether it was about furniture, mobility, connected objects or so many other possible subjects, each subject treated seriously became fascinating.
MEDIA & INTERACTION DESIGN
Alfatih – BASE
by Alfatih
The image of a garment nowadays has more reach and value in the digital space than the physical one. And as we are embracing multiple personas at an ever-increasing pace, we see ourselves consuming more garments that quickly go to waste. Base is a clothing service offering an alternative economic model and a way to reflect on the nature of garments in the physical and the digital space. What does the physical garment look like when stripped down to its primary functions? And in what contexts can the digital garment be worn?
MEDIA & INTERACTION DESIGN
Interactive scarves
When you match the prints of prints with a famous school of art and design, the result can only be explosive! Emilio Pucci pairs with the Ecole Cantonal d’Art de Lausanne (ECAL) for a collaboration born at Granaiolo, the brand’s archive and talent center nearby Florence. During a three-day workshop led by Vincent Jacquier, a selection of students and assistants from the school’s Visual Communication Department had the opportunity to explore and reinterpret signature prints. Interactive Scarves is the first of a series of surprising projects originated from their endeavors and achievements during the workshop. The designer Pauline Saglio has developed a three-pieced installation that proposes an innovative and poetic way to discover a scarf. The colors, shapes and compositions of each Emilio Pucci print are enhanced by light and sound to alter the perception of the iconic object, offering visitors a magical experience that stimulates all of the senses.
MEDIA & INTERACTION DESIGN
Tom Zambaz – It’s not quite the Hilton
with Alain Bellet, Cyril Diagne, Christophe Guignard, Gaël Hugo
It’s not quite the Hilton is a fashion film created for fashion designer Jonathan Ageneau’s diploma collection in which he imagined the hacker community’s changing room. The film refers to the “whistleblower” figure, presenting characters trapped in a blank space experiencing paranoia and boredom at the same time. Through its webcam, the user can interact with the film all along. This prolific collaboration was a great opportunity to design two distinct projects feeding off our exchanges throughout the project.
INDUSTRIAL DESIGN
Sac – Papier – Ciseaux
with Stéphane Halmaï-Voisard
With the project Sac – Papier – Ciseaux , the students of 1 st year Bachelor Industrial Design have aimed to draw "a storage space that is transported on its back which places the weight of its contents on the shoulders through braces", more commonly known as a backpack.
INDUSTRIAL DESIGN
Visilab
with Alexis Georgacopoulos
The project was to design one pair of glasses that would fit into the product range of Visilab.