GRAPHIC DESIGN
Type Design
with Aurèle Sack
The second-year students had to develop the lower-case letters of two display fonts by hand.
GRAPHIC DESIGN
Editorial Design
with Harry Bloch
During the editorial design course with Harry Bloch, the 1st year students developed, during the fall semester, an edition around a personal survey.
GRAPHIC DESIGN
Visual Identity
with Adeline Mollard
During the visual identity course, the 1st year Graphic Design bachelors had to realize a communication project around a district where they live.
GRAPHIC DESIGN
Type specimen
with Aurèle Sack
Type design displayed on a specimen.
GRAPHIC DESIGN
Image Creation
with Guy Meldem
In the course of the Image Creation course taught by Guy Meldem, third year students choose the subject they wish to work on. They develop their own technique and approach to image-making in preparation for their diploma project and their future professional practice.
GRAPHIC DESIGN
TRANSLATION
with Adeline Mollard
During the visual identity course, the 2nd year Graphic Design bachelors had to produce a communication project based on a translation. They had to define their own translation system and develop a visual language based on these rules.
GRAPHIC DESIGN
Editorial Design
with Diego Bontognali
In this half-semester project, students had to work on a daily newspaper article published on a predefined date and develop an editorial concept.
GRAPHIC DESIGN
Editorial Design
with Diego Bontognali
The semester project consists of two editions with identical content but different formats. Construct content from a news report, to produce two editions.
GRAPHIC DESIGN
So, how can we live better?
with Nicole Udry
Beyond questions of functionality, comfort and individual or collective well-being, the built environment is capable of responding in a stimulating way to societal, energy and environmental challenges. Workplaces, homes, public spaces, interiors and streets are all driven by real statements of intent that motivate their design. The 2nd year Graphic Design students worked on a communication based on one of these principles (or others) and on the architectural creation that refers to it in order to promote it.
GRAPHIC DESIGN
MEDIA & INTERACTION DESIGN
PHOTOGRAPHY
PROJECTIONS XXL
with Sami Benhadj, Vincent Jacquier
An immersive and magnetic visual environment, created by ECAL students, illuminates the facades of the mudac and Photo Elysée building. As part of an interdisciplinary project within the Visual Communication department of ECAL, students in the Photography, Graphic Design and Media & Interaction Design Bachelors programs developed immersive video projects designed to adorn the facades of Photo Elysée.
GRAPHIC DESIGN
Image creation
with Guy Meldem
During the Image Creation course with Guy Meldem, the students had to develop a two-color teaching manual, with the aim of teaching a particular skill. Each project takes the form of a 16-page booklet with two different types of printing.
GRAPHIC DESIGN
Image creation
with Guy Meldem
During the Image Creation course with Guy Meldem, the students had to develop a publishing project based on comics. Each project takes the form of a 16-page booklet with two different types of printing.
GRAPHIC DESIGN
The secret life of objects
with Adeline Mollard
During the visual identity course, the students had to choose an object that could perform a specific function. Once they had deciphered all the facets of the object, they were asked to come up with a visual identity concept to present the object and show it in a graphic way that best defined it.
GRAPHIC DESIGN
So how can we live better
with Nicole Udry
Beyond questions of functionality, comfort and individual or collective well-being, the built environment is able to respond in a stimulating way to societal, energy and environmental challenges. The work space, the living space, the public space, the interior space, the street, are carried by real statements of intent that motivate their forms, following certain principles such as climate transition, densification, ecology and energy transition.... The 2nd year Graphic Design students worked on the production of a communication based on one of these principles (or others) and on the architectural realization which refers to it in order to promote it.
GRAPHIC DESIGN
Information Design
with Angelo Benedetto
During the information design course the students have been asked to design a cartographic poster based on a film in the road movie genre, in a direct or abstract representation.
GRAPHIC DESIGN
Editorial Design
with Diego Bontognali
During this editorial design course, the students had to research and compile texts around a theme, based on a selection of texts and songs. The idea was to produce two editions with identical content but different formats.
GRAPHIC DESIGN
Type specimen
with Aurèle Sack
Type design displayed on a specimen.
GRAPHIC DESIGN
Collector
with Adeline Mollard
During the visual identity course with Adeline Mollard, the students had to develop an identity project promoting a collection chosen by them. Each project includes the design of a catalogue contextualising and presenting the collection, together with the design of a triptych of posters.
GRAPHIC DESIGN
Type Specimen
with Robert Huber
Type design displayed on a specimen.
GRAPHIC DESIGN
MEDIA & INTERACTION DESIGN
LA POSTE × ECAL
with La Poste, Vincent Jacquier, Angelo Benedetto
For the Swiss Post Office, students from ECAL's Bachelor Graphic Design and Bachelor Media & Interaction Design are creating a postage stamp based on artificial intelligence. Thanks to augmented reality, Metascape transports Swiss Post users into an imaginary and poetic universe on the way to a destination that remains elusive.
GRAPHIC DESIGN
Dialogue
with Gilles Gavillet & Jonathan Hares
As part of the publishing course taught by Gilles Gavillet and Jonathan Hares, the 3rd year students worked on the layout of dialogue. They began by selecting a dialogue that had potential for visual creation. After identifying the graphic challenges of their subject, they defined an editorial solution.
GRAPHIC DESIGN
The Other Olympics
with Nicole Udry
During the third special week of the semester, the 1st year Graphic Design bachelors had to create a communication project around the rules of a sport that is not part of the Olympic Games.
GRAPHIC DESIGN
Visual Identity
with Adeline Mollard
During the visual identity course, the 1st year Graphic Design bachelors had to realize a communication project around a district of Lausanne.
GRAPHIC DESIGN
Dialogue
with Gilles Gavillet & Jonathan Hares
As part of the publishing course taught by Gilles Gavillet and Jonathan Hares, the 3rd year students worked on the layout of dialogue. They began by selecting a dialogue that had potential for visual creation. After identifying the graphic challenges of their subject, they defined an editorial solution.
GRAPHIC DESIGN
Création d'image
with Guy Meldem
During the image creation course with Guy Meldem, the students had to develop an editorial project around the faux. Each student chose an artist trying to reproduce his or her style through the creation of a 16-page booklet.
GRAPHIC DESIGN
Editorial Design
with Harry Bloch
During the editorial design course with Harry Bloch, the 1st year students developed, during the fall semester, an edition around a personal survey.
GRAPHIC DESIGN
Image Creation
with Guy Meldem
In the course of the Image Creation course taught by Guy Meldem, third year students choose the subject they wish to work on. They develop their own technique and approach to image-making in preparation for their diploma project and their future professional practice.
GRAPHIC DESIGN
MEDIA & INTERACTION DESIGN
PHOTOGRAPHY
Le livre d’artiste - 2022
with Anouk Schneider Agabekov, Chi-Long Trieu
As part of the publishing course led by Anouk Schneider and Chi-Long Trieu, 2nd year Visual Communication students had the opportunity to design an artist's book during the first semester. This book project stands out for its contemporary approach aimed at creating an editorial object that harmoniously integrates form and content in the current context of the editorial landscape. Students were encouraged to exploit their artistic freedom at all levels of creation, whether in terms of format, choice of paper, binding, layout, illustrations, text or typography. As part of this course, the artist's book can take shape through various illustration modalities, such as photography, reproduction, contextualization, drawing, 3D, etc. The emphasis is on the author's artistic vision and the means implemented to realize it. Students take on multiple roles as editor, curator and architect, covering the responsibilities of artistic director, designer, photographer, stylist, illustrator, typographer, editor-in-chief, and editorial secretary. This course highlights contemporary editorial design by exploring the narrative potential of a sequence of controlled content.
GRAPHIC DESIGN
MEDIA & INTERACTION DESIGN
PHOTOGRAPHY
Service Design - 2023
with Angelo Benedetto, Vincent Jacquier, Pauline Saglio
During the service design course, the 3rd year of the Graphic Design, Photography and Media & Interaction Design bachelor's degree programs realized multi-media projects. A collaboration of the Visual Communication department with the theme of SDGs (*Sustainable Development Goals). The theme named "For a good cause, make the SDGS a reality" aims to develop a cause close to the heart of the different student groups. Each project is composed of at least two different supports, one primary and one secondary. The projects could therefore take any form the students deemed relevant, be it a website, editions and posters, a video sequence, or even virtual reality.
GRAPHIC DESIGN
Editorial Design
with Diego Bontognali
GRAPHIC DESIGN
Type specimen
with Aurèle Sack
Type design displayed on a specimen.
GRAPHIC DESIGN
THE SECRET LIFE OF OBJECTS
with Adeline Mollard
During the 2nd year Bachelor of Graphic Design visual identity course, students had to choose an object allowing them to perform an action and then bypass its basic function. Following this, the students created a fictitious company or a creator behind this object allowing them to develop a visual identity concept as well as define the recurring elements of the identity in order to establish a modular graphic system that can be applied to a multitude of different media, fixed and animated.
GRAPHIC DESIGN
So how can we live better
with Nicole Udry
Beyond questions of functionality, comfort and individual or collective well-being, the built environment is able to respond in a stimulating way to societal, energy and environmental challenges. The work space, the living space, the public space, the interior space, the street, are carried by real statements of intent that motivate their forms, following certain principles such as climate transition, densification, ecology and energy transition.... The 2nd year Graphic Design students worked on the production of a communication based on one of these principles (or others) and on the architectural realization which refers to it in order to promote it.
GRAPHIC DESIGN
Visual identity
with Atlas Studio
GRAPHIC DESIGN
Type specimen
with Aurèle Sack
Type design displayed on a specimen.
GRAPHIC DESIGN
Type Specimen
with Robert Huber
Type design displayed on a specimen.
GRAPHIC DESIGN
Visual Identity
with Atlas Studio
GRAPHIC DESIGN
Design Editorial
with Diego Bontognali
GRAPHIC DESIGN
Information Design
with Angelo Benedetto
For the information design course the students have been asked to design a cartographic poster based on a film in the road movie genre, in a direct or abstract representation.
GRAPHIC DESIGN
Communication of an architecture
with Nicole Udry
Create a communication of a chosen building (a school, a religious space, an office building, a theater, etc.). Second year course of graphic design in context, centered on image creation and editorial design.
GRAPHIC DESIGN
Type specimen
with Aurèle Sack
GRAPHIC DESIGN
Heart break
with Gilles Gavillet & Jonathan Hares
GRAPHIC DESIGN
Munch Porn World
with Guy Meldem
From adoration to contempt, the packaging is captured between its status as a tempting product, driving people to buy it, and as waste. The object contains a selection of used packaging from the food retail industry. The eye-catching advertising landscapes follow one another, accumulating visual signs: colour combinations, typography, photographs, illustrations, mascots, etc. Diving into this sea of abundance, so familiar, questions the consumer's relationship with these consumer goods. Why do we know so many brands? Do we buy a product? Or the image of it?
GRAPHIC DESIGN
MEDIA & INTERACTION DESIGN
Service Design - 2022
with Angelo Benedetto, Vincent Jacquier, Pauline Saglio
During the Service Design course, the 3rd year of the Graphic Design, Photography and Media & Interaction Design bachelors had to create multi-media projects. A collaboration of the Visual Communication department which had as subject the SDGs (*Sustainable Development Goals). The theme was called "For a good cause, make the SDGs a reality" and its objective was to allow students to develop a cause that is close to their hearts. Each project consists of at least two different media, one primary and one secondary. These projects could take any form that the students deemed relevant, be it a website, editions, posters, a video sequence or virtual reality.
GRAPHIC DESIGN
Image Creation
with Guy Meldem
GRAPHIC DESIGN
Les statues de la discorde
with Gilles Gavillet & Jonathan Hares
GRAPHIC DESIGN
Communication of a location
with Nicole Udry
GRAPHIC DESIGN
Communication of an architecture
with Nicole Udry
Create a communication of a chosen building (a school, a religious space, an office building, a theater, etc.). Second year course of graphic design in context, centered on image creation and editorial design.
GRAPHIC DESIGN
Image Creation
with Guy Meldem
GRAPHIC DESIGN
Editorial Design
with Diego Bontognali