Résultats pour “funciones,objetivos ymétodos de laciencia,” (1189)
Admission requirements and Submission at MSAD Please refer to the information provided on the MSAD page of the vd.ch website and below. Registration for the MSAD is carried out both on the vd.ch website and on the ECAL website. 03.01.2024 au 31.01.2024 - Submission vd.ch Online registration on vd.ch (platform accessible from January 3 to 31, 2024). 19.02.2024 - Submission ECAL Online registra…
Innovation by design challenge 2023 - awards night,15.11.2023,IKEA Auditorium, ECAL As part of Global Entrepreneurship Week, the Municipality of Renens presents the Innovation by Design Challenge awards evening on Wednesday November 15, 2023 at the IKEA Auditorium at ECAL in the presence of Yorgo Tloupas for a "Marquer Les Esprits" conference. PROGRAM 7:00pm Opening of the challenge 7:10pm Pitch of the five competing teams and public vote 7:30pm "Marquer Les Esprits", Yorgo Tloupas, Director of Yorgo&Co and entrepreneur, Paris 20h00 Awards ceremony 8:15pm Closing of the 2023 edition followed by an aperitif dinner Free admission on registration: registerADDRESSECAL, av. du Temple 5, 1020 RenensDATE & SCHEDULEWednesday, November 15, 2023 from 7:00pmCONFERENCE"Marquer Les Esprits" by Yorgo Tloupas, Director of Yorgo&Co and entrepreneur, ParisCOLLABORATIONSVille de Renens École Polytechnique Fédérale de Lausanne - EPFL INNOVAUD Université de Lausanne Les Ateliers de Renens Haute École d Ingénierie et de Gestion du Canton de Vaud (HEIG-VD) École Hôtelière de LausanneWEBSITEinnovationbydesignchallenge.ch
Fall ECAL Workshop,13–16.11.2023,ECAL, Renens On the occasion of the workshop weeks in the Bachelor programs, ECAL invites international artists and designers to present their work from November 13 to 16, 2023. PROGRAM Monday 13 November 2023 1:00pm-1:20pm : Schultzschultz, Design Studio, Frankfurt 1:20pm-1:40pm : Marie-Caroline Hominal, Artist, Geneva 1:40pm-2:00pm : Bjorn Sparrman, Designer, Boston Tuesday 14 November 2023 1:00pm-1:20pm : Taiyo Onorato, Photographer, Zürich 1:20pm-1:40pm : Nana Esi Mensah (Atelier Brenda), Graphic Designer, Brüssels 1:40pm-2:00pm : Pierrine Poget, Writer, Geneva Thursday 16 November 2023 1:00pm-1:20pm : Elisaveta Porodina, Photographer, Munich 1:20pm-1:40pm : Yonk, 3D Artist, Amsterdam 1:40pm-2:00pm : David McKendrick, Artistic Director, London DATES & SCHEDULES13-16.11.2023 1pm-2pm Free entryADDRESSIKEA Auditorium ECAL/Ecole cantonale d art de Lausanne Avenue du Temple 5 1020 Renens Visuals by Louis Roh & Alexis Gargaloni
screening of diplomas films 2023,07.11.2023,Cinémathèque suisse, Lausanne On Tuesday November 7, the ECAL presents the graduation films of the Bachelor Cinema at the Cinémathèque Suisse. SCREENING OF THE GRADUATION FILMS Bachelor Cinema 2023 Tuesday 07.11.2023 Cinémathèque suisse In the presence of graduates Ilan Dubi - Realisation Giulia Goy - Realisation Jay Holdener - Realisation Rémi Molleyres - Realisation Marcello Balzaretti - Image César Cadène - Image Remo Corazza - Image Ilù Seydoux - Sound Adrien Beroud - Scenario Duration 3h00 with intermissionDATES & HORAIRESTuesday, November 07, 2023 Doors open and tickets collected from 7pm Free entry whitin the limits of available placesADRESSECinémathèque suisse Casino de Montbenon All. Ernest-Ansermet 3 1003 LausanneSITE INTERNETcinematheque.ch
EXHIBITION ECAL DIPLOMAS 2023,03–25.11.2023,ECAL, Renens From November 3 to 25, the diploma projects 2023 will be exhibited at ECAL. Opening on Thursday, November 2 at 6pm DIPLOMAS PROJECTS EXHIBITION 2023 03-25.11.2023 at ECAL From November 3 to 25, ECAL presents a selection of Bachelor and Master 2023 diploma projects. Through editions, photographs, typographies, paintings, interactive installations, films and design objects, this exhibition invites the public to discover the talents of tomorrow. All of the graduates work can be seen at www.ecal.ch DATES & SCHEDULES03-25.11.2023 From Monday to Friday, from 11am to 6pm Free entryADDRESSECAL/Ecole cantonale d art de Lausanne Av. du Temple 5 1020 RenensOPENINGThursday, November 2, at 6pm
RAPID LIQUID PRINT A short and engaging workshop held in collaboration with Rapid Liquid Print, a Boston-based startup and spinoff of the MIT Self-Assembly Lab, explored the fundamentals of Embedded 3D Printing by questioning, in both technical and poetic terms, what defines a curve, a surface, or a thickened volume as it transitions from the digital to the physical world. Working with a silicone-based material that is body-compatible, food-safe, heat-resistant, elastic, and airtight (even inflatable), participants embraced both the capabilities and limitations of this liquid printing technique. In teams, they were tasked with designing objects for specific parts of the human body—such as the leg, arm, torso, or head.The outcomes ranged from medical or prosthesis-inspired pieces to fashion accessories and experimental body-related tools. This hands-on workshop emphasized speculative thinking, material sensitivity, and a unique form of digital craftsmanship through robotics and custom extrusion.Titled TECHNO WORKSHOPS, a series of workshops explored the creative potential of different technologies in the context of industrial design. Students were able to discover Additive Manufacturing with Rapid Liquid Print, Artificial Intelligence with the EPFL+ECAL Lab, and 3D Scanning with Michel Charlot and the Technopôle Sainte-Croix. These workshops gave them the opportunity to experiment with and reflect on the potential of such technologies, and to envision how they can be integrated into the design process — from early ideation and exploration to the tangible realization of objects and concepts.
THEY – ECAL x LE CONSORTIUM,27.10.2023–31.03.2024,Dijon The Consortium Museum and ECAL present THEY, the culmination of the research project "The Raving Age. Histories and Figures of Youth" by the Master of Visual Arts. THEY, is not about us. It is the statement of a shortfall, a gap... Given this external perspective, how can we express the condition and creativity of a virtualized collective body? How can we get around the deadlocks of traditional differences, innocence, and primary inventiveness? The THEY exhibition seeks to create a diffracted image of youth – a community without community, thriving in a dissolved, uncertain world where referents move freely, unburdened by hierarchies, and transcending generational and gender constraints. The exhibition delves into the emergence of languages and forms, exploring how the foundations of a lexicon are established, and how a new way of making art, of being “contemporary” comes about. These contemporary perspectives presume acts of ownership, disappearance, ventriloquism, and the emergence of many social, interpersonal, political, and esthetic practices and experiments – always in action and opposing the inertia of walls. THEY thus establishes human maps, a sort of moral fable home to all kinds of affects and relationships of identification and indifference – forms of disappearance, a spectral base which leads us, in a certain way, into these worlds where virtuality reigns. It is a temporary refuge for “wild young people”: dissidents of systems and borders, creators of shapes, bodies, vehicles, and multiplicities, who want life, and not capital, to breed. THEY, is not about us. It is the statement of a shortfall, a gap. Given this external perspective, how can we express the condition and creativity of a virtualized collective body? How can we get around the deadlocks of traditional differences, innocence, and primary inventiveness? Can it be achieved by not doing sociology against a backdrop of existential and esthetic crisis? By freeing ourselves from a senile passion for whatever moves, lives, and rebels? How can we conceive of this transitional creature, unable to solidify in its unfinished forms, and instead very much ready to give in, so to speak, to its own unspecialized and powerful youth, turning away from any destiny and specific environment, and holding on to nothing else but its own immaturity and ignorance? The THEY exhibition is the final chapter of the research project titled “The Raving Age. Histoires et figures de la jeunesse”, directed by Vincent Normand, Philippe Azoury and Shirin Yousefi. This project is an integral part of ECAL s Master s degree in Visual Arts.1 Developed over a two-year period, the program is based on various cross-disciplinary activities including production, analysis and workshops, with many artists, thinkers, writers and students taking part in it. The platform at www.theravingage.com archives a list of all exchanges and conferences in that context. The exhibition mirrors a unique collaborative experience between a museum and an art school. Invited artists and students worked closely together during the various stages of the exhibition process, such as design and communication (Lorenzo Benzoni and Luca Frati), scenographic design with David Douard, a reality TV show directed by Sara Sadik, and even a performative piece by Gabriele Garavaglia. Some of the exhibited pieces were created specifically for this particular occasion, such as those by Julien Ceccaldi, Nicolas Ceccaldi, Mélanie Matranga, Gabriele Garavaglia, Exotourisme (Dominique Gonzalez-Foerster & Perez) and Jill Mulleady. Additional existing works were chosen for their specific resonance with the project. These include pieces by David Douard, Morag Keil, Caroline Poggi & Jonathan Vinel and David Wojnarowicz, a truly influential and dreaded figure of youth. Thanks to Matthijs Erdman, Marion Scemama and to galleries Isabella Bortolozzi, Berlin; Chantal Crousel, Paris; Fitzpatrick, Paris and New Galerie, Paris. OPENINGFriday 27 October 2023 - 6pm Performance by with the participation of ECAL alumni and students: , , et DATES & SCHEDULE27.10.2023 - 31.03.2024 Monday to Friday 9am - 4pm Free entryADDRESS37 rue de Longvic 21000 Dijon, France HEAD OF PROGRAMMEHEAD OF THE RESEARCH PROJECT, Philippe Azoury et ASSISTANTARTISTS & · · · · Exotourisme (Dominique Gonzalez-Foerster & Perez) · , · · · & · et WEBSITESleconsortium.fr theravingage.com
ECAL AT DUTCH DESIGN WEEK 2023,21–29.10.2023,Eindhoven, Netherlands ECAL is part of Dutch Design Week s "Class of 23" project, presenting a selection of diploma projects by the Bachelor of Industrial Design and Master of Product Design. The 3rd edition of Dutch Design Week s Class of exhibition Class of 23 is a group exhibition presenting graduation projects from various Dutch and international academies within design related courses as a whole. The exhibition s goal is to emphasise the importance of education and to give the next generation of designers centre stage to a bigger audience. ECAL presents a curated selection of diploma projects by 3rd year Industrial Design BA students under the guidance of Stéphane Halmaï-Voisard, Carolien Niebling and Christian Spiess and by 2nd year Product Design MA students led by Camille Blin and Augustin Scott de Martinville.DATES & SCHEDULESFrom October 21 to 29, 2023 11am - 6pm Free entry with inscriptionADDRESSStrijp-S area, Klokgebouw | Hall 2, Klokgebouw 50 Eindhoven, Pays-BasWEBSITEwww.ddw.nlTICKETSwww.ddw.nl/ticketsSTUDENTS, , , , , , , , , ,
USM Design Grant - 6th Edition The USM Design Grant is a study grant launched by the Fondation USM to encourage innovation by rewarding a student s project. For the 6th edition of the USM Design Grant awarded by the USM Foundation, ECAL Bachelor Industrial Design students, under the guidance of Swiss designer Christian Spiess, were asked to design new outdoor seating for the terrace of the Théâtre de Vidy in Lausanne. As part of the Théâtre de Vidy s renovation, the students worked in pairs to design seatings that would provide a moment of comfort for visitors and passers-by. In addition to the aspects of practicality, seating comfort and weather resistance, a simple handling of the furniture should be considered, allowing the terrace to be adapted to different needs. Proposals providing optimised storage space and mobility have been developed accordingly.VIDY ARMCHAIR Design Grant - Massimo Scheidegger & Bruno Pauli Caldas The concept of the VIDY ARMCHAIR is based on the observation of the building by Max Bill, his color studies, the atmosphere of Théâtre de Vidy, echoing the architectural surroundings with its tubular steel frames construction. Wheels allow for versatile arrangements, the stackable frame enables space-saving storage and an attachable parasol holder provides shade. Ready for the next act, the VIDY ARMCHAIR is robust and combines durable materials to create a special atmosphere in homage to the theatre, inviting the guests to stay a little longer.CÔTÉ COUR BENCH Special Mention - Alicia Berclaz & Tiziana Rocha da Silva Intended as a deck chair CÔTÉ COUR BENCH was specially designed for the inner courtyard of the Théâtre de Vidy. Its simple and practical shape with two backrests heights offers different seating positions so that visitors can use it alone or together. Thanks to its wheels, the bench can be easily moved like a wheelbarrow and conveniently stored upright for optimised storage. The awarded designs by Massimo Scheidegger & Bruno Pauli Caldas (winner) and Alicia Berclaz & Tiziana Rocha da Silva (honourable mention) were produced in multiple copies in the theatre s workshop and are therefore tailored around the skills of their carpentry, metalworking and sewing workshops. The project was conducted with the kind support of the USM Foundation and USM U. Schärer Söhne AG. The Winners
USM FOUNDATION DESIGN GRANT EXHIBITION – 6th EDITION,10–30.10.2023,Théâtre Vidy-Lausanne Presentation of new outdoor furniture designed by ECAL students for the Théâtre de Vidy-Lausanne as part of the USM Foundation Design Grant. With the aim of encouraging innovation, the USM Foundation is offering for the sixth time a scholarship of CHF 25,000. The prize is awarded alternately to students from ECAL/Ecole cantonale d art de Lausanne and HEAD/Haute école d art et design Genève. Awarded this year at ECAL under the guidance of Swiss designer Christian Spiess, the prize enabled students in the Bachelor of Industrial Design program to design new seating for the terrace of the Théâtre de Vidy in Lausanne. As part of the Théâtre de Vidy s renovation, the students worked in pairs to design seating that would provide a moment of comfort for visitors and passers-by. In addition to the aspects of practicality, seating comfort and weather resistance, a simple handling of the furniture should be considered, allowing the terrace to be adapted to different needs. Proposals providing optimised storage space and mobility have been developed accordingly. The awarded designs by & (winner) and & (honourable mention) were produced in multiple copies in the theatre s workshop and are therefore tailored around the skills of their carpentry, metalworking and sewing workshops. The project was conducted with the kind support of the USM Foundation and USM U. Schärer Söhne AG. DATES & SCHEDULE11–30.10.2023 Monday – Friday 9am – 4pm Free entry ADDRESSThéâtre Vidy-Lausanne Emile-Henri Jaques-Dalcroze 5 CH-1007 Lausanne WEBSITEfondationusm.orgOPENINGTuesday, October 10, 2023 - 6pm
The Josef Müller-Brockmann Prize 2023 awarded to Laura Csocsán Congratulations to graphic designer Laura Csocsán, ECAL graduate, awarded the Josef Müller-Brockmann 2023 Prize for "the richness and depth of her commitment to the field of typography". (b. 1996 Budapest, lives and works in Lausanne) is the recipient of the 2023 Josef Müller-Brockmann Award.. Designer Laura Csocsán is a 2022 graduate of the Master s Program in Type Design at the ECAL. She is the third recipient of the CHF 25,000 prize. The award is aimed at young designers, with the intention of identifying them early in their careers and support and encourage them in their development. In 2023, the jury was made up of the following invited experts Manuel Krebs (guest expert, designer and founder of the graphic design studio NORM), Lars Müller (president of the foundation board), Gabrielle Schaad (member of the foundation board), Isabel Seiffert (guest expert, designer and founder of the graphic design office OFFSHORE) and Jonas Voegeli (member of the foundation board, head of the jury). lauracsocsan.com syjmb.foundation Award ceremony Thursday 7 December 2023, 18:00 ECAL, Renens Lecture by Vera Van de Seyp, graphic designer, MIT Media Lab Boston/Amsterdam In the presence of members of the Foundation and the prizewinner. Event open to the public
Sara De Brito Faustino – A Home With No Roof “This project presents the home as a place where uncanniness and vernacular commonness exist side by side. Being an intimate space, a home should be a restful and secure place. However, mine has been the scene of some painful events. Today, I see this house as threatening. Uncomfortable and dysfunctional, it bears the scars of the past. In my photographs, I revisit those memories and reclaim my body. My tiny dioramas express my young self s ideals opposed to the wounds I currently bear. Constructing, deconstructing, objects become bodies, whereas my being feels deformed and petrified. A Home With No Roof creates an antagonistic tension between appealing visuals and disturbing details.“
Archive as a Creative Act: The Absolute Cinema of Gregory J. Markopoulos and the Temenos Utopia Artists who produce archives from their own work approach archival activity as a creative gesture: here, the archive literally becomes a work of art. In parallel with the “archival impulse” that has run through contemporary art since the 1960s, this research project examines the “performative agency” of archives when they are constituted from “image acts”. The selected corpus is based on an extremely singular case, the cinematographic work of Gregory J. Markopoulos (1928-1992) and the Temenos archives. Conceived in the 1970s and built up since the 1980s, this archive brings together the filmic, critical and theoretical productions of the Greek-American experimental filmmaker, as well as everything relating to the films of his companion Robert Beavers. Temenos is at once an archive, a festival dedicated to Gregory J. Markopoulos s last film cycle, Eniaios (1948-1990, approximately 80 hours), which has been held every four years since 2004, and a utopian project: "film as film", or a total work responding to a filmic absolute. This work-archive is explored through two main axes: an exhibition and a series of publications. At a time when the exhibition of moving images is becoming more widespread, the challenge is to look back at a series of films shot by one artist on film, and to present them in their concrete form in an exhibition space. Looped 16mm projections or linear projections following a fixed schedule will be confronted with enlargements of photograms and archival documents, all closely linked to films by Gregory J. Markopoulos that predate Eniaios but are included in this cycle. This cycle radicalises the notion of archive-creation: the earlier films are reedited, modified and accompanied by footage shot for the occasion, in a new project that erases the previous films. The richly illustrated exhibition catalogue will document the work, but will also include a series of theoretical contributions on the relationship between art and the archive, based on the case of the Temenos. In addition, two other works will be published: the correspondence between Gregory J. Markopoulos and Stan Brakhage, with a critical apparatus, which provides a close-up view of the processes of creation and self-organisation of American experimental cinema in the 1960s and 1970s; and a monograph on the cinema of Gregory J. Markopoulos, which to date remains little documented.Main applicantFrançois BovierResearch teamSerge Margel, senior researcher Lecturers and researchers: Philippe Artières, Erika Balsom, Robert Beavers, Christa Blümlinger, Enrico Camporesi, Markus Klammer, Rebekah Ruttkof, P. Adams Sitney, Mark WebberDurationDecember 2022 – November 2024Supported byRéserve stratégique de la HES-SO (RCDAV) Kunsthalle FriArt FribourgStudentsBA and MA students in visual arts and cinema AssistantsMathilde Coué (archivist and historian), Balthazar Lovay (curator)PartnerFriArt Kunsthalle Fribourg
A Third Hand – Creative Applications for Robotics Robotic arms have long been a common sight in many industries. They are currently making a rapid entry into art and design studios and practices. Yet, at the same time, difficulties remain in accessing the workflows and work methods demanded by these machines given a clear lack of reference resources suited for this community. The same applies to Art and Design schools, which are increasingly investing in this type of equipment, often without having the resources to run it. This research project uses applied case studies to explore and define a set of exemplary work methods, capable of both informing and inspiring future users. In the field of automated manufacturing and industrial robots, the term used to highlight the concept of total automation is that of lights-out manufacturing, namely factories potentially capable of running with the lights off, without any on-site human presence required. This project adopts a virtually antithetical approach, casting the spotlight on the robotic arm and its many possibilities, and outlining the new opportunities for collaboration that these machines can offer designers, artists and creators at large. It does not adopt the perspective of production nor that of optimisation, but focusses more on experimentation, inspiration and collaboration. Robotic arms have expanded beyond their traditional industrial applications, presenting creators with opportunities to explore innovative production methods and new forms of expression. A rising generation of designers, artists, and architects is repurposing machines, originally designed for different tasks, for creative purposes. These machines are now being employed in collaborative and alternative ways, offering novel possibilities. However, embracing robotics in creative endeavors still involves a steep learning curve and significant financial investments. Over the past two decades, some production machines initially meant for industrial use have become accessible to designers, architects, and artists. Examples include 3D printers, laser cutters, and CNC milling machines. These tools, while initially intended for production, have found new life in the realms of creation and experimentation. They are now widely accessible in art and design school, fablabs or art and design studios. In this landscape, industrial robotic arms, especially their collaborative versions, have emerged as valuable tools for creativity. However, there is still a lack of reliable reference resources suited for this community. The project Creative Applications for Robotics aims to address this problem by offering access to best practices and case studies that can be used to further learning, stimulate ideas and foster the integration of collaborative robots into creative practices. The project therefore focuses on the use and interaction with this type of robot in a creative environment. Our goal is to produce a guide accompanied by a set of resources and relevant case studies. This content will be available in the form of an Open Access website and a printed edition. Advances in robotics are traditionally considered to belong to the realm of engineering and computer science, yet there is growing evidence that designers and artists have much to contribute to innovation in this area. Consequently, our research question addresses real needs insofar as inspiring case studies and specific resources can greatly further the inclusion of these new tools in art and design curricula and prove a useful addition to the multidisciplinary skills of tomorrow s creators.Main applicantAlain Bellet, associate professor HES Research teamResearchers Andrea Anner (AATB) Alain Bellet Thibault Brevet (AATB) Martin Hertig Guest lecturers / Guest designers and artists Jussi Ängeslevä Mar Canet (Varvara & Mar) Varvara Guljajeva (Varvara & Mar) Niklas Hagemann Taiyo Onorato Raphaël Pluvinage (Pinaffo – Pluvinage) Marion Pinaffo (Pinaffo – Pluvinage)DurationFebruary 2022 – October 2023Supported byECAL/École cantonale d art de Lausanne Réserve stratégique de la HES-SO (RCDAV)PartnersAATB – Practice for non-industrial roboticsStudents“Production Line” Workshop, May 2023 BA1 Media & Interaction Design & BA1 Industrial Design Abla Bolassi Owoussi, Alexander Bryant Paynter, Alexandre Li, Alexine Sierro, Alice Graff, Aryana Noorani, Aurélien Clerc, Baptiste Godart, Charlotte Jobin, Charlotte Waridel, Elena Biasi, Emilie Maier, Eva Reymond, Fernandez Oriana Gonzalez, Flavia Renaud, François Ader, Gaia Vitali, Isaure Nicolet, Jean-Elie Matile, Jeremy Loup, Joab Schneiter, Julie Tena, Lélie Guiochet, Livia Schmid, Mael Sandoz, Maëlle Rotten, Mathias Liniger, Matteo De Carlo, Matthieu Rigelo, Mehdin Talovic, Melchior Myard, Noah Stanley, Olivia Capol, Quentin Kohler, Salla Vallotton, Sasha Iatsenia, Thomas Gaudin, Titouan Longatte, Valère Zen-Ruffinen
The Raving Age. Histories and figures of youth This research project questions what has come of youth – a conceptual, aesthetic, and political figure that was born with modernity – in the visual arts, popular culture, and the humanities. Conversely, the project addresses what the problematic category of “youth” has brought about in contemporary art and thought. If youth is a classic object for anthropological, sociological, or historiographical studies, the contemporary grasp of its aesthetic and political contours has proven to be a much more difficult task. Indeed, it is seen as an ill-defined object, constantly shifting, difficult to dissociate from the historical background against which it arises – to such an extent that, by being so much a part of the present in its most atmospheric dimension, youth seems to become its image, its most exhaustive yet also most fleeting portrait, meant to be renewed at each moment of history. It is at this precise point that this research project seeks to grasp its logic, not only to describe youth, but to use it as its very method. This project does not intend to reproduce the categories that sociological or anthropological studies of youth have constructed, nor to reiterate the clichés that cultural industries have projected onto it, but to make the inextricable nature of the aesthetic and political dimensions of youth perceptible and intelligible. By exploring the processes by which youth is constituted through its forms of representation, this project seeks to grasp it as an allegory that will help rethink the “contemporary” through its most lively milieu.Main applicantVincent NormandResearch teamVincent Normand Philippe Azoury Stéphanie Moisdon Lecturers and researchers Julie Ackermann, Mohammed Almusibli, Ludivine Bantigny, Eric Baudelaire, Persis Bekkering, Federico Campagna, David Douard, Florian Gaité, Agnès Gayraud, Tristan Garcia, Guillaume Heuguet, Ingrid Luquet-Gad, Julia Marchand, Caroline Poggi, Simon Reynolds, Gisèle Vienne, Jonathan VinelDurationSeptember 2021 – September 2023Supported byECAL/École cantonale d art de Lausanne Réserve stratégique de la HES-SO (RCDAV)PartnerLe Consortium (Dijon, France)AssistantShirin Yousefi
FORM #1 : FORMSWISS,21.09–20.10.2023,Gallery l elac, ECAL After a tour of Japan, Form #1: FormSWISS is coming to Switzerland. They are offering ECAL an immersion in the current Swiss graphic design practice. Dedicated to visual communication design, including graphic design, typography and motion design, the exhibition, curated by Japanese graphic designer Arata Maruyama, sheds light on the way of life and thinking of prestigious designers. Through the presentation of their work and a series of interviews with some thirty design studios, schools and museums in Switzerland, FormSWISS draws up an intergenerational panorama of designers working in French-speaking Switzerland, German-speaking Switzerland and Italian-speaking Switzerland. Furthermore, a book published by Arata s design platform “Form” for the occasion also highlights this exceptional heritage. Created by designer Arata Maruyama, founder of the Japanese studio &Form, the Form platform was designed to interactively promote various cultural values from a design perspective, both inside and outside Japan. Recognized for its extensive contribution to the development of contemporary design, Switzerland inspired this first exhibition, which was presented in several Japanese cities. Supported by Embassade de Suisse au Japon Tuileries Fribourg & Lausanne SAOPENING & TALKThursday, September 21st, 2023 From 5pm – IKEA auditorium, ECAL Talk with Alfio Mazzei, Chiasso Studio Feixen, Lucerne Swiss Typefaces, Vevey/Berlin Moderated by Arata Maruyama, graphic designer, &Form, Tokyo , Head of Bachelor Graphic Design, ECAL From 6pm – Galerie ELAC OpeningDATES & SCHEDULE21.09 – 20.10.2023 Wednesday, Thursday, Friday – 1pm-5pm Free entry ADDRESSGalerie l ELAC Avenue du Temple 5 1020 Renens WEBSITEformtokyo.com GRAPHIC DESIGNERSAlfio Mazzei Balmer Hählen C2F CCRZ ECAL Futur Neue Gavillet & Cie Hubertus Design Jannuzzi Smith Kasper-Florio Ludovic Balland Notter+Vigne Simone Cavadini Studio Feixen SUPERO Swiss Typefaces Werner Jeker ZHdK
Automated - Fall 2023 - MAP2 Artificial Photography looks at the recent and current developments in computational forms of image-making. The course focuses on the ways in which algorithmic imaging systems have been shaping the role of the photographer and the material and aesthetic properties of images, challenging the traditional understanding of photography. Through a series of lectures and workshops, Artificial Photography will specifically centre on so-called AI image generators and Text-to-Image software, addressing notions of truth and photographic manipulation, image labour and digital economies, agency and authorship, circulation and networked images, representational bias and discrimination, ownership and political imaginations.
Rising Talent Awards 2023 go to three EXECAL The Rising Talent Awards France 2023 have revealed seven new designers and studios. Among them are Athime de Crécy (studioADC), Sébastien Cluzel (SCMP DESIGN OFFICE) as well as Arthur Fosse and Samuel Perhirin (Passage), all graduates of ECAL. Considered a veritable springboard for young designers, the Rising Talent Awards 2023 spotlight the new wave of French design. Chaired by Philippe Starck, the jury selected seven designers and studios representing the vitality and diversity of contemporary French design. Their bold, innovative creations blend traditional know-how with modern approaches, reflecting emerging trends in the industry. Congratulations to the three ECAL alumni among the winners: Athimede Crécy - studioADC Arthur Fosse & Samuel Perhirin - Passage Sébastien Cluzel - SCMP DESIGN OFFICE Jury 2023 Philippe Starck, créateur, président du jury Isabelle Dubern, Co-Founder of The Invisible Collection Lauriane Duriez, Head of the Bureau du Design, de la Mode et des Métiers d Art and Director of Les Ateliers de Paris Stéphane Galerneau, President of Ateliers d Art de France Alexis Georgacopoulos, Director of ECAL/Ecole cantonale d art de Lausanne Hervé Lemoine, President of Mobilier national Constance Rubini, Director of madd-Bordeaux and design curator Emmanuel Tibloux, Director of the École nationale supérieure des Arts Décoratifs de Paris (EnsAD)
Collector During the visual identity course with Adeline Mollard, the students had to develop an identity project promoting a collection chosen by them. Each project includes the design of a catalogue contextualising and presenting the collection, together with the design of a triptych of posters. Pas de publicité, merci "Pas de publicité, merci." This collection brings together a variety of unwanted newspapers, flyers and advertisements found daily in letterboxes near Lausanne. With no addressees, these advertisements lose their original usefulness. The aim was to create a new dialogue by recontextualizing and glorifying these images. By Alfredo VentiThink different tick different "Think different tick different" is a collection of Swatch watches. Reflecting the passion of a young collector, it also recounts the brand s lively, colorful aesthetic of the 90s. A fictitious exhibition is imagined to share the rich collection accumulated by this mostrophilist. By Flora HayozREGARD FESTIVAL The fictitious identity of the regard festival uses graphic elements specific to the language of cinema. It attempts to retranscribe as closely as possible the sensation that we can experience in the cinema when a character plunges his gaze into ours, while preserving the notion of movement. By Eliot DubiStickers from elsewhere This project brings together a collection of stickers found on various fruits, collected thanks to the collaboration of people from different European countries over the course of 2023. This compilation highlights the design of the stickers while exploring the history of the fruit s countries of origin, and the influence of transnational corporations on this process. By highlighting the wider implications of economic globalization, this project offers a unique perspective on these complex dynamics. By Lidia Molina GonzalezDGBT The DGBT (Direction générale de la Brigade temporelle) is a fictional organisation of time travel experts. It transforms our perception of genealogy by highlighting key moments in the lives of family members. A fictitious exhibition is being prepared by the DGBT to present its findings on the Favre de Chens family, accompanied by a catalogue of the investigation report. By Dorian Pangallo
Ilù Seydoux – Avant l Océan (sound) My graduation work in sound engineering involved recording and sound editing the film Avant l Océan, directed by Ilan Dubi. Having participated in the entire creative process from writing to mixing, this wide-ranging graduation work develops the sound of a film that focuses on a stage in the life of a teenager. Synopsis (court): Le temps d une nuit, un gamin de 15 ans fugue pour rejoindre Olivia, une jeune adulte de 18 ans, dans son voyage vers l océan. Cependant, le duo d adolescents, restera bloqué dans la ville, car une des motos avec laquelle ils devaient partir a été volée. Durant toute la nuit et jusqu au petit matin, une relation va naître, puis mourir…
Aude Meyer de Stadelhofen – Pearly skin, Summer hit, Vanished by the wind The beach is a conflicting space. At once romantic and ridiculous, timeless and urgent, a fantasised empty space and a crowded shore, a place of freedom and a border. Pearly Skin, Summer Hit, Vanished by the Wind is a trace, a metaphor for the representations of the beach in the collective imagination today, before its disappearance. The newspaper, divided into three themes – anthropology, climate and migration – juxtaposes dreamlike images, factual news, necessary texts and meaningless advertisings. These different languages emphasise the paradoxical complexity of the place. Using cyanotype, the sheet becomes skin, and the print becomes a tan. The back and forth of the waves marks the pages, strewn with grains of sand and sun cream.
Inès Mermoud – OS CRIAS OS CRIAS attempts to shed light on the relationship between children living in various favelas in Rio de Janeiro and the violence that surrounds them. It addresses the subject from a personal point of view, based on family stories and experiences. The documentary book evokes Brazil s political and social issues from a critical perspective, and links together different types of images. A participatory approach is also highlighted.
Marcus Angerer – Layer Despite being hailed as the next industrial revolution for a long time, 3D printing has yet to make the final step into mass manufacturing. This can be attributed primarily to its limitations in precision and efficiency. However, a printing setting known as Vase Mode shows promise as a potential solution to overcome these limitations. By enabling printing in a continuous spiralised line, it offers significantly cleaner and faster results, although it also presents its own set of challenges. This project investigates the potential of the Vase Mode by exploring its unique features and pushing the boundaries of what it can achieve. The outcome of this exploration is Layer, a lighting system entirely printed in ABS, that leverages the unique capabilities of the technology to its advantage.
Jule Bols – Disassembly Dialogue: Sketches and Dummies In 2021 the EU commission passed new regulations that have forced the lighting industry to change: lighting needs to be manufactured and disposed of in more sustainable ways. In recent years, LED technology has dominated the industry as it is efficient, affordable and long lasting. However, the problem is that there is currently no feasible way to recycle LED lights. Disassembly of the components – LEDs, LED drivers/PCB boards, cables, sensors and casings with varying materials – is a key design challenge and would allow easier recycling. DISASSEMBLY DIALOGUE features sketches as well as physical models called DUMMIES, which showcase approaches to disassembling LED components. The DUMMIES are not luminaires or lamps, but rather playful and provocative ideas that intend to generate a discussion.
Fleur Federica Chiarito – ACCA ACCA is a floor lamp designed for the outdoors, especially suitable for commercial use, e.g. in restaurants and cafes. In line with the advancements in rechargeable battery technology, the lamp includes an integrated battery that can be easily detached and recharged, eliminating the need to move the lamp during the process. Made entirely from aluminium components, ACCA features a sturdy design that can withstand all weather conditions. Its stability is further reinforced by an integrated space at the bottom, allowing for additional weight such as stones or gravel to be added for optimum stability.
Matteo Dal Lago – Natura Molta Marble, a popular resource worldwide, holds special significance in Carrara, Tuscany, where around 4 million tons are annually extracted. Extraction leads to the production of significant amounts of marble slurry, a dense mixture of dust and water. Proper management of this waste is crucial to prevent environmental pollution. With a focus on sustainable resource utilisation, my project seeks to upcycle this waste into a valuable resource. In collaboration with local companies, I spent most of the semester conducting on-site work in Carrara. The research conducted aims to highlight the potential of marble slurry as a valuable resource rather than waste material. The outcome presented features a collection of material samples and a bench designed and crafted entirely from marble slurry.
Sebastiano Gallizia – FrameCraft Framecraft focuses on redesigning the production process of custom-made bikepacking frame bags. As a foundation for my research I have drawn upon my prior experience in a small business where I handcrafted bikepacking bags. These bags are directly strapped to the frame instead of using a traditional pannier rack but, due to the unique nature of each frame, bikepacking bag producers cannot achieve a proper fit. To solve this, I suggest automating the manufacturing process and establishing a Micro-Factory that bridges the gap between custom craftsmanship and industrial efficiency. Every aspect of production, from pattern design to fabric cutting and graphic tracing, is fully automated. This approach addresses challenges in achieving a proper bag-to-bike fit, while promoting local production in Europe, and tackles concerns related to labour-intensive sewing.
Sophia Götz – Smell&Tell Olfactory stimulation for people with dementia Using the power of smell – one of the senses most strongly associated with emotion and memory – Smell&Tell creates meaningful interactions and provides stimuli for communication and playful engagement. People with dementia can maintain their quality of life and promote well-being by participating in activities and social interactions that stimulate the brain and help maintain daily functions. The outcome of this research project is an olfactory game consisting of a series of ten selected odours and different ways to trigger (verbal/nonverbal) conversations. The design of the interaction between the caregiver and the affected person is not only intended to be enjoyable, but also to strengthen their relationship and provide a sense of meaning and identity.
Maxine Granzin – Project Beam Project Beam is a home entertainment hub consisting of a projector and two speakers. Seeking to integrate the projector further into the living environment, Project Beam references the architecture of floor lamps. The stand in this case not only enables the user to reach the desired projection height but also to charge various devices thanks to a low-voltage circuit.
Lucas Hosteing – Kouéno During my cabinetmaking studies in 2016, I discovered slabwood, which is the name given to the edge pieces milled from a saw log. Slabwood is flat on one side and convex on the other. Because of its asymmetrical and irregular shape, it is discarded by woodworkers. The abundant offcuts from sawmills are sold at a low price (CHF 1 per linear metre of wood). Seven years after my cabinetmaking studies, I started to think about this unexploited material. Going against the tradition of working with pristine wood, my research resulted in a collection of benches. The planks are mitre-cut to create different volumes. Geometric extrusions of inverted trees are transformed into seats. In this way, slabwood is integrated into our interiors in its rawest form.
Paula Mühlena – Living in a Wall: A Feasible Fantasy Living in a Wall: A Feasible Fantasy merges contemporary construction standards with design, shifting our perception of products. The project explores built-in furniture, transforming it from an isolated practice into a replicable solution. It focuses on timber frame construction and prevalent prefabrication. By integrating furniture into the development and construction process of a house, this project demonstrates how furniture becomes an integral part of a cohesive, long-term system. The project is showcased in a book that serves as a scale model and a guide, leading readers through the evolution of built-in furniture, prefabrication and design iterations for living in a wall. The 1:10 scale, engineer-approved drawings and augmented reality features ground the concept.
Cedric Oder – Skin Skin is a case for discarded smartphones. In combination with an app, it transforms the device into a child-friendly communication product. A redesigned interface allows children to explore the main functions of a phone in a more playful way while old hardware is used meaningfully. Concentration disorders, loss of creativity and imagination, and impaired development of the ocular apparatus are only a few of the consequential damages of premature smartphone usage. Skin challenges the traditional perception of tech for children and offers new conceptual and experimental solutions. Children get the opportunity to grow up with a healthier relationship to technology while being independent and connected. The aim is to create experiences with interactions that feel magical and that bring joy.
Yohanna Rieckhoff – re- club Children s feet grow quickly. Considering the need for shoes for different weather conditions, seasons and activities, the number of pairs per child is relatively high – and so is the cost for parents and even more for the planet. Shoes need to fulfil an array of consumer requirements in terms of style and function. They are composed of many parts and up to 40 different materials, including all types of plastics and glues. Hence, they are complicated to disassemble and recycle. In this context, Re- club features an everyday unisex shoe for children aged 1 to 6 that is built to be easily disassembled, allowing for recycling and refurbishing to extend the product s lifespan.
Luis Rodriguez – Coalesce Coalesce is a speculative design research project which explores the use of artificial intelligence to create a gender-fluid design language. By using AI image blending and text-to-image AI models, it is possible to create intersections between unnecessarily gendered products and question the biases and stereotypes that are linked to gender identities within the product design industry. The project consists of an interactive installation that showcases the results of blending razors for women and men through a trained AI model and physical prototypes made through 3D sculpting and modelling as reinterpretations of the AI-designed products.
Donghwan Song – Circuit Riff Unleash the power of music and technology with the Circuit Riff. This remarkable MIDI instrument combines a minimal design with the endless possibilities of MIDI technology. With carefully designed printed circuit boards, sensors and transducers, every detail of your performance is captured and translated into a digital language, empowering you to compose, improvise and experiment like never before. Seamlessly switch between playing the guitar and atmospheric soundscapes, manipulate effects with ease and explore a vast sonic palette. This PCB MIDI Guitar redefines musical expression, inspiring awe and admiration from musicians and enthusiasts alike. Embark on a musical journey where tradition meets cutting-edge technology and experience the evolution of music in your hands.
Chiara Torterolo – MedGum MedGum: Effective Alternative to Traditional Drug Delivery Systems Chewing gums are recognised by scientists and medical researchers as a highly effective alternative to conventional drug administration methods like pills, tablets and capsules. MedGum is a research-driven project that integrates food production, medical research and design, to develop a range of functional gums with additional health benefits. By designing the gum and its structure, it becomes possible to enhance the effectiveness of the medication, improving the speed and dynamics of absorption of active ingredients. Tailored to specific diseases such as stomach disorders, allergies, migraines and oral injuries, each MedGum, together with a new packaging, offers patients a discreet and convenient way of taking their medication.
Luca Vernieri – Campà Campà features a series of decorated ceramics developed with I.C.A Giordano, a terracotta factory located in my hometown in the Amalfi Coast area. Originally, the production of ceramics was dedicated to locals who wanted to purchase objects that transformed everyday images into art. These objects depicted animals, fishermen, rural life and landscapes. Over time, as tourism developed, these objects became souvenirs, and decorators focused on reproducing the same patterns for decades with minimal variations. These once representative illustrations now serve as distant reminders, lacking emotional connection with younger generations. Campà aims to restore this bond by introducing self-ironic drawings, illustrating how modern lifestyle has found its unique form in this area.
Fantastic Smartphones at Ars Electronica 2023,06–10.09.2023 Ars Electronica is hosting the Fantastic Smartphones exhibition from 6 to 10 September 2023 in Austria. Ars Electronica is considered to be Europe s biggest and oldest event devoted to art, technology and society. For its 2023 edition, the festival is inviting artists, scientists, developers, designers and entrepreneurs to consider the following question: Who owns the truth? A theme that touches on the main controversial issues of our time: truth and ownership, interpretative authority and sovereignty. Can truth be owned? Is there a right to truth and, if it belongs to someone, what control and responsibility are associated with it? Fantastic Smartphones takes part in the festival with a serie of interactive installations developed by the Bachelor Media & Interaction Design students of ECAL/Ecole cantonale d art de Lausanne, investigating in a critical and offbeat way our relationship with our smartphones and the way they influence our daily behaviour. STUDENTS, , , , , , , , , , ,, , , , , , , , , , , , , , , , , HEADS OF PROJECT , TEACHERS, (AATB), Jesse Howard , , , , , , (Moniker)ASSISTANTS, , , , COORDINATION & DEVELOPMENT, , Pascal Ospelt, , SIGMASIX, EXHIBITION DESIGNHEAD OF PROGRAMMEDATES06-10.09.2023 ADDRESSArs Electronica Festival – POSTCITY Bahnhofpl. 12 4020 Linz, Autriche WEBSITEArs ElectronicaTICKETSars.electronica.art
BLI × ECAL The collaboration between the ECAL and the BLI touches on contemporary issues that are of particular concern to students at the school: our relationship with minorities and the appropriate way of representing them. For a long time, a paternalistic anthropological attitude was tolerated and even encouraged in the world of photography. Attitudes have changed, and the young artists at the ECAL have developed a relationship of equals with the various communities they have encountered. Creating the images required a language that enabled the students to position themselves in relation to others and to establish protocols in line with their own values and those of the people on the other side of the lens. The images give us a complex, multifaceted panorama of our city s cultural diversity, and show us that encounters and mixes are possible and fruitful. Matthieu Gafsou, photographer and teacher.
Jay Holdener – There were cowboys (Direction) Daniel back from the USA, is given a mission by a ghostly Cowboy: to steal a Chevy El Camino. Fiction / 20 15 min Synopsis Terribly disappointed by his recent trip to the USA for which he had too great expectations, Daniel, back in Switzerland, finds his daily life waiting for him. As he s slowly drowning in depression, one day appears before him a cowboy who ll give him a mission: to steal his dream car, a Chevy El Camino. Commentaire de l étudiant Through this project, I wanted to dip my toe in comedy while using references to genre films and their codes. I wanted to do it through still shots and a lack of movement to install how static his life is. Jay Holdener
Rémi Molleyres – The wild waltz (Direction) Joseph discovers that Félicie, his fiancée, just killed her uncle and has decided to run away. A whole life collapses for the young couple. Fiction / 19 33 min Synopsis 1939 dans la campagne suisse. Joseph, un jeune menuisier de retour de l armée, découvre que Félicie, sa fiancée, vient de tuer son oncle. Elle est décidée à fuir et tente de convaincre Joseph de l accompagner, lui qui préférerait déguiser la scène du crime en accident. Le soir même, lors du bal du village, Joseph est obligé de choisir entre abandonner sa vie d ici ou laisser partir la femme qu il aime. Se lance alors une dernière valse. Student s comment This is the pitch for my diploma film, shot in April 2023. Driven by a reel desire for fiction, these are the challenges related to period film that imposed themselves on me. These constraints, in particular those related to the decors, proved to be very stimulating for me during the writing. The result is a film of around twenty minutes, the culmination of a very rewarding year. This project was indeed an opportunity for me to better understand the role of production or casting. Rémi Molleyres
Adrien Beroud – Before ocean (Scriptwriting) Before being adapted into a short film, "Aire de Jeux" is my Bachelor project: a feature film script, a satirical comedy in the world of contemporary theatre. Fiction / 21 min Synopsis Noé, an unemployed actor, passes a theatrical audition without knowing the codes. His performance triggers an argument between the director and his assistant who interrupts him. His hearing is compromised. Noé wanders around the theater and takes care of Kenzaëlle, the director s daughter, in the hope of getting another chance. Student s comment Before being adapted into a short film, Aire de jeux is my Bachelor project: a feature film script, a satirical comedy in the world of contemporary theatre. Although the story differs in the short, the two projects maintain a similar tone and directing stakes. Adrien Beroud
Documentary film workshop with Guillaume Brac 2nd year students took part in a documentary workshop led by Guillaume Brac, on the theme of friendship. Head of workshop: Guest teachers: (editing) (photogrpahy) (writing) "After a successful first experience last year, I once again had the pleasure of helping second-year students make their documentary films. This time, I didn t give them a mandate, but rather a theme - friendship - to interpret freely. What I wanted above all was to get them to film the bond, the feeling. To delve into their experiences and emotions. The watchword of the workshop was sincerity. To make the most accurate, honest film possible, in terms of point of view and relationship to the filmed subject. To find the cinematographic language, the directing, that corresponds to and resembles them. This workshop is as fascinating as it is demanding, because it involves students getting to know themselves better, as filmmakers of course, but also as people. From these almost five months of work and trial and error have emerged ten very fine films, all very personal, dealing with a wide variety of bonds. The bond with the distant or missing father, with the prisoner to whom we write, with friends left on the other side of the world, with the party gang, with the friend undergoing reconstruction, with the famous young actor, with old Michel, with God, with his dog. We cry at some, laugh at others. And we tell ourselves that making films is a great way to grow up." Guillaume Brac, director • , La simple science du vol, 27 35 • , Celui qui n est pas mon grand-père, 25 13 • , Dolo et son ogre, 16 • , SABAI SABAI, 17 14 • , Kacey, 19 28 • , Crise de foi, 26 51 • , WOOF WOOF, 25 35 • , Papa et ses paillettes, 25 • , ...please bear with me, 20 27 • , Loin du bruit des machines, 15
Upcycling Design For the second year, students from the MAS in Design for Luxury and Craftsmanship were invited to create objects based on the container produced for La Prairie s flagship range. The glass packaging bears the signature cobalt blue that defines the Swiss brand s Luxe Skin Caviar collection, the result of a meeting with Niki de Saint Phalle in the 1980s. Noticing the vivid cobalt blue in the world-famous artist s paintings and sculptures, La Prairie enquired about the significance of this blue in her work. For Niki de Saint Phalle, this resplendent hue, her favourite colour, symbolised femininity, boldness, strength and serenity, describing it as "the colour of joy and luck". With the help of glassmakers based in Switzerland, these glass containers were cut, drilled or sandblasted to give the object a function, while retaining the brand s codes.
ECAL GRADUATES AT LOCARNO FILM FESTIVAL,02–12.08.2023,Locarno On the occasion of the 76th edition of the Locarno Film Festival, many graduates of ECAL will present movies Pardi di domani : Concorso nazionale A place for expressive and poetic research in innovative formats, the Pardi di domani section presents previews of short and medium-length films, including one made in collaboration with an ECAL graduate. ALEXX196 & the pink sand beach by Loïc Hobi in collaboration with Vuk Vukmanović (Sound), graduated MA Cinema ECAL/HEAD 2020 Schools Without Borders In synergy with the BaseCamp laboratory for young talent, CISA (Conservatorio Internazionale di Scienze Audiovisive - FILM Academy), the Festival s academic partner, is inviting Swiss and international film schools to present a selection of their best short films. Two ECAL diploma films have been selected. - Le Défilé by Michail Galanopoulos in collaboration with Massimo del Gaudio (Son) and Antoine Flahaut (Montage), graduated MA Cinema ECAL/HEAD - Mountain Flesh by Valentina Shasivari in collaboration with Marine Maye, (Son) graduated MA Cinema ECAL/HEAD Panorama Suisse Four ECAL graduates are represented in this independent section of the festival, where films are selected by a committee made up of representatives from the Journées de Soleure, SWISS FILMS and the Swiss Film Academy. Flores del otro patio by Jorge Cadena, graduated MA Cinema ECAL/HEAD 2018 Foudre by Carmen Jaquier, graduated MA Cinema ECAL/HEAD 2016 The Land Within by Fisnik Maxville, graduated MA Cinema ECAL/HEAD Big Little Women by Nadia Fares et Polish Prayers by Hanna Nobis in collaboration with Vuk Vukmanović (Son), graduated MA Cinem ECAL/HEAD Alliance 4 Development The aim of this co-development program for film projects from Austria, France, Germany, Italy and Switzerland hosted by Locarno Pro is to future-proof the market potential of the projects and foster long-term creative and business ties between the targeted countries. La Passion d Aline by Rokhaya Marieme Balde, graduated MA Cinema ECAL/HEAD 2020 BaseCamp IV For its 4th edition, 12 Bachelor and Master Cinema students are taking part in BaseCamp, the Locarno Film Festival s creative residency. In this 11-day program, students have the chance to meet almost 200 other young talents and take part in numerous meetings, workshops, screenings and events organized by the Festival. DATES & HORAIRES02-12.08.2023 – Festival 2023 02-12.08.2023 – BaseCamp IV 06.08.2023 – Schools Without Borders PROGRAMMEwww.locarnofestival.ch ADRESSELocarno
Option photographie 22-23 Sélection de projets de semestre
Introduction au graphisme 22-23 Création d un costume représentant une lettre de l alphabet et un mot commençant par cette dernière, puis la décliner en affiche.
Option Design Graphique 22-23 Suite de cinq flyers pour un événement fictif.
Option Design industriel 22-23 Un décapsuleur (reproductible en série) Un objet domestique provenant intégralement d une liste de bois de 2000 cm. Un objet en mousse Un objet utilisable sans les mains