Cut Crease Score
Perforations Jessy Bueno
Perforations Jessy Bueno
Perforations Jessy Bueno

1/3

Aznar_Ines2.jpg
Cosse Inès Aznar
Gallay_Antony_2.jpg
Patch Antony Gallay
Lombardi_Sam.jpg
Enzo Sam Lombardo
Eymann_Jade.jpg
Fold Jade Eymann
Lugenbühl_Robin.jpg
Himo Robin Luginbühl
Nazarova_Aleksandra.jpg
Portobello Aleksandra Nazarova

Projects related to Furniture

DNA – 2022

BA INDUSTRIAL DESIGN

DNA – 2022

with Wieki Somers

  Second year BA Industrial Design students had to formulate their own brief instead of getting one from their teachers. In the project's introduction, they were assigned the task of introspectively mapping their own design DNA by contemplating the question: What defines my essence as a designer? They introduced a clear brief related to their own fascinations and relevant topics in the field of design and in the time we live in. Then thes students developed a concept for a product from an original idea and artistic vision. The results are expressed in the form of  products, pieces of furnitures, accessories, proposing a new vision and a new way of producing. The areas of interest are diverse, spacing from open-source projects to process fascination.  

Junkyard Diving

BA INDUSTRIAL DESIGN

Junkyard Diving

with Philippe Malouin

"Form follows function" is an expression attributed to the modernist architect Louis Sullivan. It is a statement that is quite relevant to industrial design. On the other hand, form can sometimes also determine function in a process of reverse exploration. During the workshop with Philippe Malouin, students were encouraged to look for new functions inspired by forms found in a metal recycling center. In this process, random discoveries and associations were made to generate a new and surprising vocabulary of forms.

Diane Thouvenin – Sun Connection

BA MEDIA & INTERACTION DESIGN

Diane Thouvenin – Sun Connection

with Alain Bellet, Christophe Guignard, Gaël Hugo, Laura Nieder, Pauline Saglio

What time is it at Hortense’s in Montreal? What’s the weather like at Alexandre’s in Tokyo? When I communicate with my loved ones, scattered all over the world, I am disconnected from my physical time-space. Sources of constant artificial light and windows on the digital world, screens replace the sun as a space-time reference point. Sun Connection enables you to reconnect with your loved ones through a delocalised sun. Everyone is free to use their own physical and digital space with a luminous and colourful presence, to transpose themselves into another time and space.

Home Working

BA INDUSTRIAL DESIGN

Home Working

with Dylan van den Berg, Wieki Somers

Projects on the subject of working from home or remote working, which marks our time and leads us to question both what work is, and how and where we work. The recent remote working experience gave us many new insights. This experience could lead to new ways of working in the future, as the COVID19 pandemic amplifies and accelerates. This is a good opportunity to re-evaluate the concept of home office, which started with the emerging computization and technology from the 1950/60s, but has never happened on a global scale like this until now. From the Industrial Revolution until fairly recently, most people worked outside their homes in factories, offices, public buildings or outdoors. Those places and our ways of working in them were designed accordingly. “Home working” or “remote working” marks our time questioning both what is work, and how and where we work. Public and private spaces collapse into one realm with all its social, economical and political consequences. For this project, we wanted to see visionary ideas about where and how we will work in the future and solutions for home working, translated in a surprising/relevant design. This new “home work station” could be a piece of furniture, or an object, or a transforming space.

Nadia El-Hindi – Chef !

BA INDUSTRIAL DESIGN

Nadia El-Hindi – Chef !

with Stéphane Halmaï-Voisard, Christian Spiess, Maddalena Casadei

Immersion into the highly codified world of cutlery made me discover the delicate and threatening duality of knives. Guided by my observations of the forms and details relating to steel work, I chose to open up the boundaries of this field with the help of a craftsman. Thus, I created “Chef!”, a line of kitchen knives that combines the intelligence of craftsmanship with the precision of the industry. The steel blade, protected by a natural anti-corrosive treatment called “seasoning”, is attached to the handle thanks to assembly that is directly inspired by hammers.

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