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Savoir-faire

Années

2006 2024
L’archive comme acte créatif : le cinéma absolu de Gregory J. Markopoulos et l’utopie du Temenos

ARTS VISUELS

CINEMA

ARTS VISUELS

CINEMA

L’archive comme acte créatif : le cinéma absolu de Gregory J. Markopoulos et l’utopie du Temenos

avec François Bovier

Les artistes qui produisent des archives à partir de leur propre œuvre appréhendent l’activité archivistique comme un geste créatif : ici, l’archive devient littéralement une œuvre. Parallèlement à la « pulsions d’archives » qui traverse l’art contemporain depuis les années 1960, ce projet de recherche interroge l’« agentivité performative » des archives lorsqu’elles se constituent à partir d’« actes d’image ». Le corpus sélectionné repose sur un cas extrêmement singulier, le travail cinématographique de Gregory J. Markopoulos (1928-1992) et les archives du Temenos.

The Raving Age. Histoires et figures de la jeunesse

UNITE DE THEORIE

ARTS VISUELS

The Raving Age. Histoires et figures de la jeunesse

avec Vincent Normand, Stéphanie Moisdon

Ce projet de recherche interroge ce qui, dans les arts visuels, la culture populaire et les sciences humaines, advient aujourd’hui d’une figure conceptuelle, esthétique et politique née avec la modernité : la jeunesse. Réciproquement, ce projet propose d’explorer ce que la catégorie problématique de « jeunesse » fait survenir dans les arts et la pensée contemporains.

HOW SOON IS NOW? HISTORIES AND FIGURES OF YOUTH

ARTS VISUELS

HOW SOON IS NOW? HISTORIES AND FIGURES OF YOUTH

Symposium : HOW SOON IS NOW? HISTORIES AND FIGURES OF YOUTH This symposium is the first stage of the research project How Soon Is Now? Histories and Figures of Youth. It questions “youth” as a conceptual, aesthetic, andpolitical figure born with modernity in the visual arts, popular culture, and the humanities. At the same time, this project proposes to examine the implications ofthe problematic category of "youth" in contemporary art and thought. By exploring the processes in which youth is constituted through its forms of representation, thisproject intends to render intelligible the aesthetic and political dimensions of youth, and to grasp it as a historical allegory allowing for a reconsideration of thecontemporary in the light of its most lively site. What image(s) does the notion of youth carry with it? What idea does it have of itself? How can we talk about it beyond ingrained ideas and the fantasies that society projects on it (at least in Western culture), making it simultaneously a force, a market, an age, a culture, a piece of a history which which we only began writing inthe twentieth-century, and which today has reached its critical stage? In recent history, the notion of youth has so often been conflated with “bringing down the house” that we now expect everything from it: to reinvent us, to shake us up, to carry us, to succeed in what others have failed at (establishing the most open communities possible), to build bridges for the future, to be radical, to be uncompromising where anyone outside of youth has already given up, to be desirable where others are overwhelmed. But with what means? If not those that young people make themselves, for themselves, with elements that they alone will have chosen? With their culture, their places, their clandestinity. Because that which is not yet over happens in the shadows of the world. Youth is a secret. “How Soon Is Now?”, The Smiths once asked. When is it, now?

Exposition et livre « Vertige des correspondances »

ARTS VISUELS

Exposition et livre « Vertige des correspondances »

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